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The SFFaudio Podcast #386 – Jesse, Paul, and Marissa talk about Nick And The Glimmung by Philip K. Dick.
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #385 – Jesse, Mr Jim Moon, and Maissa Bessada talk about The Parasite by Sir Arthur Conan Doyle.
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #384 – The Parasite by Sir Arthur Conan Doyle, read by Delmar H. Dolbier.
This UNABRIDGED AUDIOBOOK (1 hours 54 minutes) comes to us courtesy of LibriVox.org. The Parasite was first published as a four part serial in Harper’s Weekly, November 10 – December 1, 1894.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
The SFFaudio Podcast #383 – Jesse, Bryan Alexander, and Steen Hansen talk about The Andromeda Strain by Michael Crichton.
Talked about on today’s show:
Airport novel(s) represent a literary genre that is not so much defined by its plot or cast of stock characters, as much as it is by the social function it serves. An airport novel is typically a fairly long but fast-paced novel of intrigue or adventure that is stereotypically found in the reading fare offered by airport newsstands for travelers to read in the rounds of sitting and waiting that constitute air travel.
Rudyard Kipling’s fiction was published as a railway magazine, the origin of pulp fiction, The Lion’s Game by Nelson DeMille, the opening to The Strain, having the reins of political power at your fingertips, in the 2008 miniseries remake, back stories/love stories, a muddy anti-science mess, pre-Apollo -> Watergate -> conspiracy theories, the technical glitch (paper between the bell and the striker), germ warfare?!, the remake of The Manchurian Cantidate, the films and adaptations reflect the times, the 2008 version is super-militarized, X-18, F-4 phantoms, Dracula, the long gothic tradition of found documents, Plan 9 From Outer Space, a cold war document, The Parallax View, Captain America: Winter Soldier, Crichton like Spielberg loves power, Close Encounters Of The Third Kind, the end of Raiders Of The Lost Ark, medical people as superheroes, uber-expert scientists, power fantasy fiction, scepticism of power, image Michael Crichton at a Science Fiction convention, the immune reaction, You are not of the body!, techno-thrillers, why Ian Fleming’s James Bond books became so popular, JFK, Ronald Reagan was a big fan of Tom Clancy, The Hunt For Red October, Reagan based foreign policy of Red Storm Rising, Jack Ryan was a wonk Navy -> CIA agent -> CIA Director -> President, Firefox, political fiction written for a jet-set audience, conservative Heinleinian, Andromeda Strain cosplay?, Footfall by Larry Niven and Jerry Pournelle, SF writers save the world from alien invasion, science matters vs. science fiction, the first biology crisis, outflanking the ghetto, the 2006 Worldcon, Greg Benford, Greg Bear, David Brin, thinking up scenarios, if I was a terrorist how would I destroy the the United States, Wildfire, Cold War contingency planning, the Rand Corporation, the odd-man out element, his name was Hall but should have been Corridor, does this make sense?, the odd man is gay?, The Odd Couple, gay coding?, gay men are most likely to turn off nukes?, The Great Train Robbery, timing pacing planning tricking, that roller-coaster spark, opening observation, we are always observing, fun fiction for Henry Kissinger and the jet set, bureaucrats of a class, this function material is reflective, Science Fiction writers are poor, Robert Silverberg, Lawrence Block and Donald Westlake, Isaac Asimov, a biology book, Paul Di Filippo, bio-punk, Ribo-funk, The Bay (2012), The Hot Zone, the wet science, cloning, the neglected science, Coma, Protector by Larry Niven, how electron-microscopes work, crystallography, “it mutated”?!?!?, that was odd, it’s communicating with itself, block-chain virus, deep hurting, The Door Into Ocean by Joan Slonczewski, medicine without silicon, the Patriarchy, The Highest Frontier, Blood Music by Greg Bear, a Halo novel, The Wind From A Burning Woman, a “wild” writing style, bio is hard to do, Pontypool, prions, the worst part of The Walking Dead, we’re all infected, a symbol for regular death, Titan by John Varley, a 100ft tall Marilyn Monroe monster, The Satan Bug by Alistair Maclean (1962), where does the techno-thriller begin, a precursor to techno-thriller, The Stolen Bacillus by H.G. Wells, a really obvious anarchist, Wells defused the whole genre for sixty years, The Food Of The Gods, a convincing linguistic maneuver, fawning of technology bureaucracy power and the function of government, a stack of Jane’s Fighting Ships, the Sputnik shock, British invasion novels, Tom Clancy as a zombie brand, special helicopter trip, massive government expenditure for the competent man, an empty jetliner, vicarious thrill, power fantasy, “he’s the most important person right now”, this is our bailiwick!, nice and short, Dean Koontz, Phantoms, A Game Of Thrones by George R.R. Martin, Ghost Fleet by August Cole and P.W. Singer, Douglas Preston and Lincoln Child books, no CRISPR, China is no Soviet Union, futurism, education moves so slowly, Little Brother by Cory Doctorow, an X-Box with Paranoid Linux, Reamde by Neal Stephenson, a Kurt Vonnegut vibe, a Welsh Muslim terrorist, like pornography you know a techno-thriller when you see it.
Posted by Jesse Willis
The SFFaudio Podcast #382 – Jesse, Paul, Julie Davis, and Maissa talk about Scaramouche by Rafael Sabatini.
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #381 – Scaramouche by Rafael Sabatini, read by Gordon Mackenzie.
This UNABRIDGED AUDIOBOOK (16 hours 50 minutes) comes to us courtesy of LibriVox.
Scaramouche was first published in 1921.
The next SFFaudio Podcast will feature our discussion of it!
Posted by Jesse Willis
The SFFaudio Podcast #380 – Jesse, Paul, and Marissa talk about The Three Stigmata Of Palmer Eldritch by Philip K. Dick.
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #379 – Jesse and Maissa Bessada talk about A Walk Among The Tombstones by Lawrence Block.
Talked about on today’s show:
Posted by Jesse Willis
The SFFaudio Podcast #378 – Jesse, Paul, and Marissa talk about The Penultimate Truth by Philip K. Dick.
Talked about on today’s show:
However, Adams figures out Lantano was behind the deaths as part of his plot to bring down Brose. In desperation and fear, he joins up with St. James, who discovered a cache of artificial organs, and flees into the Tom Mix tank with him. They discover that Lantano was ultimately successful but contemplate that the biggest lie is yet to come.
that’s the ending and discovery of The Defenders, meeting the quota, they don’t let you out when you don’t meet the quota, there’s no reward and punishment, appreciating The Defenders, in Plato’s The Republic, PKD knows all about Plato (and The Odyssey), the Allegory Of the Cave,
Plato begins by asking Glaucon to imagine a cave where people have been imprisoned from childhood. These prisoners are chained so that their legs and necks are fixed, forcing them to gaze at the wall in front of them and not look around at the cave, each other, or themselves. Behind the prisoners is a fire, and between the fire and the prisoners is a raised walkway with a low wall, behind which people walk carrying objects or puppets “of men and other living things”. The people walk behind the wall so their bodies do not cast shadows for the prisoners to see, but the objects they carry do (“just as puppet showmen have screens in front of them at which they work their puppets”. The prisoners cannot see any of this behind them and are only able to see the shadows cast upon the cave wall in front of them. The sounds of the people talking echo off the shadowed wall, and the prisoners falsely believe these sounds come from the shadows. Socrates suggests that the shadows constitute reality for the prisoners because they have never seen anything else; they do not realize that what they see are shadows of objects in front of a fire, much less that these objects are inspired by real living things outside the cave
fake destruction of San Fransisco, false reconstructions, Stalin with Roosevelt speaking Russian at the White House, 1984 by George Orwell,
Plato then supposes that one prisoner is freed, being forced to turn and see the fire. The light would hurt his eyes and make it hard for him to see the objects that are casting the shadows. If he is told that what he saw before was not real but instead that the objects he is now struggling to see are, he would not believe it. In his pain, Plato continues, the freed prisoner would turn away and run back to what he can see and is accustomed to, that is the shadows of the carried objects. He writes “…it would hurt his eyes, and he would escape by turning away to the things which he was able to look at, and these he would believe to be clearer than what was being shown to him.”
writing lies and having your son believe the lies, Hollywood,
Plato continues: “suppose…that someone should drag him…by force, up the rough ascent, the steep way up, and never stop until he could drag him out into the light of the sun.” The prisoner would be angry and in pain, and this would only worsen when the radiant light of the sun overwhelms his eyes and blinds him. The sunlight is representative of the new reality and knowledge that the freed prisoner is experiencing. Slowly, his eyes adjust to the light of the sun. First he can only see shadows. Gradually he can see the reflections of people and things in water and then later see the people and things themselves. Eventually he is able to look at the stars and moon at night until finally he can look upon the sun itself. Only after he can look straight at the sun “is he able to reason about it” and what it is.
a sign of madness,
Plato continues, saying that the freed prisoner would think that the real world was superior to the world he experienced in the cave; “he would bless himself for the change, and pity [the other prisoners]” and would want to bring his fellow cave dwellers out of the cave and into the sunlight. The returning prisoner, whose eyes have become acclimated to the light of the sun, would be blind when he re-enters the cave, just as he was when he was first exposed to the sun. The prisoners, according to Socrates, would infer from the returning man’s blindness that the journey out of the cave had harmed him and that they should not undertake a similar journey. Socrates concludes that the prisoners, if they were able, would therefore reach out and kill anyone who attempted to drag them out of the cave.
other levels, the fake journal entries, the time scoop, in the geological strata, a critical thinking story, what makes us believe the Earth is as old as it is is evidence, pointing in the direction of a Truth, a little bit paranoid, Philip K. Dick has a whole story about it, an evidence laying assassin robot, questioning the science, then you have a Philip K. Dick story, Vulcan’s Hammer, a real theme he’s struggling with, don’t get into conversations with strangers, you’re a human being … I guess, it’s great to be in a country where you don’t understand the language, an afterword by Thomas Disch, a downhill racer of a writer,
If Dick had stopped to think (but that’s something a downhill racer can’t do), he might have realized that there was an essential dramatic disparity between the two stories he was trying to weld together. The Yancy part of the plot generated a story about dirty tricks in high places, a genre for which Dick possesses little flair (compare le Carré and his better imitators), while that element of the story that all readers remember, after the lapse of however many years, is the notion of the human race imprisoned in underground factories because they’ve been tricked into believing that a nuclear war has destroyed the world. It’s an extraordinarily resonant idea. One thinks of the dwellers in Plato’s cave who know nothing of the reality but the shadows cast on the wall; of the similar destiny of Wells’s Morlocks; of the prisoners in Beethoven’s Fidelio; and of ourselves, living in the shadows of a nuclear threat that is only bearable by pretending that it does not exist. To have recognized that our situation is a kind of madness (“What, me worry?” sang the Titanic’s passengers) has not helped us toward a solution, for our situation with respect to the bomb is not much different in 1983 than it was in 1964. And for that reason The Penultimate Truth, for all its flaws, remains a book that can speak to the terror that is the bedrock of our social order.
plotting the distance away from a nuclear target in order to survive, a nuclear wasteland in every movie, an insipid Kardashianism seems to have taken over, we seem to have gotten worse, the fading away of the nuclear threat, the 99% accepting the 1%, breaking free from the cave seems impossible, the internet is our Yancy, like the same things on Facebook, we all have the same opinions, political correctness is like fascism except you can’t use that word, John Wayne day backlash (because he was apparently super-racist), Donald Trump is a power word, he’s willing to say whatever he wants to say, you have to come to that, arguing with the racism, Hieronymus Bosch are loveley, the Kriegsspiel argument, everyone should struggle with this, a dictate from on high or social mimesis, walking by the lottery counter, there’s no way to fix that, think about it, don’t just think the right thing because its the right thing, the re-writing rooms, the proles kind of ignore the prole-feed, the tankies who don’t know, the meek inheriting the Earth, maybe we aren’t meek enough, sprawling demesnes, the human condition, a good book, pulling the veil or reality aside, back to the shadows, from The Republic, the leadies are the leaden weights, the armies of the 1%, how much do you need to be educated, is it for gold or for lead?, Mr. Dick you did something with it, a downhill skier of a writer, add The Mold Of Yancy, he’s such a great idea man, he really engages with the situation, Souvenir by Philip K. Dick, The Defenders is improved upon reflection,
The wonder is how often Dick was able to produce work of real interest and wit in these marathons of typewriting. For readers who read at a pace proportioned to his speed of writing (as most sf fans learn to do, or else cease being fans), the dull patches disappear into a haze of white powder as they careen down the slopes of the narrative. It is the ideas they are after, and Dick always provides more than a sufficiency of these.
Disch knew what Dick was all about, the longer novelettes, he has to pay the bills, too much plot, not enough story, welding together three stories, what was your process, MAN!?, Marissa attended a conference with a bunch of Dick wives and lovers, how much is reflected in what Marissa heard?, how much he loved everyone, feeling betrayed and angry, how funny he is, playing tricks on people, I love that Dick is seemingly incapable of being self-concious about what he loves, Roog, can you pick a subject that is less cosmic in scope, passionate about weird little things, watching a pilot for a new Science Fiction show, Colony (TV show), domesticity, “yeah, I’m out”, sympathy for the characters, overlaying crappily manipulative music, engaging with them in a real way, that dog was a real dog named Snooper, Jonathan Lethem, so good at self-examination, he’s the anti-facsist, he’s wise as well as crazy, he’s blind but he’s glimpsed greater truths, gnosticism, his fallout stories, we will miss them, you should be reading these PKD books, our listeners aren’t watching the Kardashians, are they?
Posted by Jesse Willis
The SFFaudio Podcast #377 – Jesse, Paul Weimer, and David Stifel talk about Dreamwalker by Russell James
Talked about on today’s show:
Posted by Jesse Willis
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