Award-winning actor, Freddie Fox, speaks to Anjna about performing Hamlet, a last-minute Romeo, his love of poetry, and his dream of one day playing romantic hero, Benedick. Please note that Freddie uses an expletive (sh**) on one occasion.

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The award-winning actor, Adrian Lester, speaks to Paul about his Shakespearian roles – Rosalind, Henry V, Hamlet, and Othello – working with the late, great director Peter Brook, his portrayal of the pioneering nineteenth-century actor Ira Aldridge, and about why Shakespeare matters.

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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Award-winning costume designer, Evie Gurney, speaks to Anjna about her costumes for the National Theatre’s Antony and Cleopatra and the 2022 production of Much Ado About Nothing, as well as her process and aspirations for costume design in the theatre.

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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Paul speaks to the internationally acclaimed actor, director, and visionary, Lisa Wolpe, who continues to be at the forefront of the movement for gender parity and diversity in the arts with a special focus on Shakespeare and Gender.

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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Hosts of the popular podcast Not Another Shakespeare Podcast, James and Nora, speak to Anjna about their mission to humanise early modern drama, making it fun (and sometimes silly) for their audiences. They also have an incredible film recommendation.

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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The Stratford Festival, Ontario began in 1953. A newly-enhanced Tom Patterson Theatre has just opened, named after the festival’s founding-visionary. Paul speaks to the current artistic director, Antoni Cimolino, to find out more their vibrant work and aspirations.

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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 Professor Sukanta Chaudhuri talks to Paul Edmondson about Shakespeare in India and about editing A Midsummer Night's Dream .

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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Former Director of Music at Shakespeare's Globe, Bill Barclay, tells Anjna all about the place of music in Shakespeare, and passing the proverbial torch to the next generation of theatre-makers. 

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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Artistic Director of Shakespeare's Globe, Michelle Terry, shares her journeys and wisdom with Paul. 

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We ask our guests and listeners to share one modern-day item that they think should be included in an imagined Shakespeare museum of the future. What do you think of their choices, and what would you choose? Let us know at shakespeare.org.uk/future

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