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https://sheldrakeonshakespeare.com/wp-content/uploads/2014/10/short-sos-performance-history.mp3
We all have an image in our mind’s eye of Shakespearean performance during Shakespeare’s lifetime, but what happened between then and now? Why didn’t the Restoration court like Shakespeare? Who is David Garrick? For answers to all these questions and more, seek no further.
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/09/short-sos-genre.mp3
This is not the first time genre has been used as a critical tool for understanding Shakespeare’s process and plays, but Sheldrake – never one to dismiss an idea merely because it has been heard before – draws together some big ideas about comedy and tragedy and shows the way that Shakespeare messes about with them.
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/09/the-two-gentlemen-of-verona-reading-across-plays.mp3
The Two Gentlemen of Verona is not a play many people have read. Though were they to read it, they might think they have, because it reads like an anthology of Shakespeare in the 1590s. Sheldrake takes the opportunity to hold the mirror up to comedy by reading in parallel with Romeo and Juliet, Love’s Labour’s Lost and As You Like It, along the way outlining some rules of the Shakespearean world.
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/09/short-sos-shakespeare-the-magpie.mp3
Shakespeare nicked stuff from everywhere; prose narratives, history books, other plays. Sheldrake rattles through a few of the old chestnuts and a few of the lesser-known borrowings, showing Shakespeare as a great adapter of stories.
Subscribe on iTunes: http://tinyurl.com/ndhzfxm