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https://sheldrakeonshakespeare.com/wp-content/uploads/2014/08/measure-for-measure-a-society-play.mp3
In a resumption of normal service that is perhaps not quite the triumphant return he would like, Sheldrake confesses himself drawn more to the ideas of Measure for Measure than its drama. The discussions of Virtue and Justice in the play are strikingly front and centre, and the social aspects of these philosophical ideas form the matter of this episode. Dodging the comedy/dark comedy/tragicomedy/problem play debate, Sheldrake gives you Measure for Measure; a play about the nature of society.
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https://sheldrakeonshakespeare.com/wp-content/uploads/2014/08/short-sos-shakespeare-al-fresco.mp3
A very great number of Shakespeare performances in Britain are conducted by amateur companies. People gathering together to do Shakespeare for fun. The open-air festival is a particularly popular brand of this. Sheldrake has been involved with the Pendley Shakespeare Festival for some time, and from this year’s Festival he uncovers the meanings of Shakespeare that emerge in these kinds of events.
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/07/short-sos-sheldrake-on-marston.mp3
Testing the patience of listeners once again by talking about someone who isn’t Shakespeare, Sheldrake investigates the peculiar career of John Marston; satirist, dramatist, tragicomedian. He had some great successes, then there was a bit of a lean patch, then he appears to have thrown in the towel. Why? In one word – tragicomedy.
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/07/short-sos-sheldrake-on-marlowe.mp3
Sheldrake decides to put his money where his mouth is regarding Shakespeare’s contemporaries. Why should we care about Marlowe, both on his own terms and in relation to Shakespeare?
Also available on iTunes: http://tinyurl.com/ndhzfxm
https://sheldrakeonshakespeare.com/wp-content/uploads/2014/07/julius-caesar-and-the-soliloquy1.mp3
The soliloquy is one of Shakespeare’s most recognisable and distinctive theatrical devices. It is in no small part responsible for his fame as a dramatist of human psychology. Was Julius Caesar the gateway in Shakespeare’s soliloquising art between the 1590s and the 1600s? Sheldrake takes a close look at a few speeches from the play.
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