In this episode of Shelf Criticism, Stephen navigates the turbulent waters of The Break-Up, a film that tries to subvert the romantic comedy genre but ends up leaving audiences divided. Delving into its mixed critical reception, Stephen explores how the film's attempt at an "anti-romantic comedy" both falls flat and intriguingly undercuts expectations. The discussion includes personal anecdotes, a critical analysis of the film's narrative flaws and strengths, and a cultural context that examines the waning popularity of romcoms as well as their potential resurgence. Also, surprisingly little discussion of nudity this time.

In this episode, we'll answer that ad in the swingers' magazine and venture to the dim, gin-soaked recesses of Zebra Lounge. Join Stephen as he discusses this erotic thriller starring Kristy Swanson and Stephen Baldwin. Though by no means a good film, the viewing gives Stephen (the host, not the Baldwin) an opportunity to discuss the history of the erotic thriller, the morality implied within such a genre, and perhaps a bit too much talk about his teenage crush on the original Buffy.

In this episode of Shelf Criticism, Stephen explores the romantic comedy Sliding Doors, starring Gwyneth Paltrow. Join him as he ponders the dual timelines of Helen's life, sparked by the simple act of catching or missing a train. This film challenges the conventions of typical romantic comedies by offering a narrative that hinges on the randomness of fate while also strictly adhering to other conceits of the genre.

Oh, and also random speeding vans. It's like those Monty Python boys always say: "Bring out your dead."

Enter the stylish and slick world of Nobel Son, a film that blends dark comedy with the twisting elements of a con movie. In this episode, Stephen explores the intricate plot, the unique directorial choices, and the standout performances that make Nobel Son a hidden gem despite its mixed reviews.

Whether you're a fan of con movies or just love a film that challenges the norm, join Stephen as he breaks down why Nobel Son deserves a second look. Plus, get insights into the industry controversies that continue to spark debate.

Step into the dubious world of The Hustle (2000), a con movie that might just con you into watching it. Join Stephen as he explores this obscure film featuring Bobbie Phillips and Robert Wagner, where the cons outweigh the pros, and not just in the storyline.

In this episode of Shelf Criticism, Stephen dives into Zach Braff's 2004 directorial debut, Garden State. Join him as he explores the cultural impact of the film, discusses the infamous "Manic Pixie Dream Girl" trope, and questions whether the movie is a "steaming heap of pretentious, pseudo-intellectual claptrap" or a gem from the early 2000s indie scene. Stephen also shares some trivia, including insights from the DVD commentary, and concludes with a thoughtful evaluation on where this film belongs in his DVD collection.

Links & References:

• Garden State Soundtrack on Spotify
• Watch The Hustle (2000) on Tubi
• Email Stephen at [email protected]
• Follow Shelf Criticism on Facebook
• Visit the official Reel Lit website

In this episode, we’re diving into the world of Italian giallo cinema with Red Rings of Fear, also known by its Italian title Enigma Rosso and an assortment of other titles depending on where you look. Despite the intriguing premise—a police inspector unraveling a mystery involving the death of a teenage girl—this film goes in some rather ... interesting directions. From poorly drawn cats to the wildest movie roller coaster rides this side of Final Destination, join us as we uncover the mysteries of this film ... namely, why we watched it in the first place.

Bonjour and welcome to a very special episode of Shelf Criticism! Today, we're in the trenches with French cinema with A Very Long Engagement, directed by the brilliant Jean-Pierre Jeunet. This film, a blend of whimsical romance and the brutal realities of war, offers a unique viewing experience that owes a debt to French New Wave cinema.

In this episode, we explore the delightful quirks and charms that populate Jeunet's characters, much like his earlier masterpiece, Amelie. We discuss the intricate and, at times, convoluted plot and the film’s stunning visual style that transports us to post-WWI France. We also tackle the criticisms, from the film's perceived sentimentality to its challenging narrative structure. And, of course, we can’t forget the whimsical touches that only Jeunet can deliver, including the ever-controversial dog fart joke.

Don’t forget to leave your comments, especially if you have thoughts on Audrey Tautou or the infamous dog fart joke. We’re here for all of it, especially farting dogs!

Dive deep into the eerie and enchanting world of folk horror with this week’s episode of Shelf Criticism, where we dissect the 1973 classic, The Wicker Man. Join me, Stephen, as I explore the film's rich tapestry of sultry tunes, mysterious rituals, and the unforgettable performance by Britt Ekland. Discover why this film is considered a foundational piece of the folk horror genre alongside insights into its unique cinematic techniques, characterization and plotting. And, fear not, there is only a passing mention of that abomination of a remake. NOT THE BEEEEEEEEEES!! MY EYES!

Why let the fellows in the Frat Pack have all the fun? In this episode, we give the ladies a chance to let loose as we dive into the 2011 comedy Bridesmaids. Join us as we explore this groundbreaking film that redefined female-led comedies and brought us unforgettable characters like Annie, Lillian, and the hilarious Megan, played by the incomparable Melissa McCarthy.

We'll discuss the film's clever writing, standout performances, and the iconic scenes that made it a modern classic. From the unforgettable airplane meltdown to the infamous food poisoning incident, Bridesmaids is a riot of humor and heart. But it's not all laughs; we'll also critique some of the film's pacing issues and discuss whether the cameo by Wilson Phillips--NOT Wilson Pickett--hits the right note.

Join us for Shelf Criticism.

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