Finn & Uther watch 'Blue Velvet' (1986), David Lynch's boy scout noir about sex, violence and singing, and 'Twin Peaks - Fire Walk with Me' (1992), which is what happened when Lynch thought he hadn't made his point brutally enough the first time.

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Finn & Uther watch 'San Soleil' (1983), an essay film on modernity and memory by Chris Marker, and 'Kung Pow! Enter the Fist' (2002), an hour and a half of racism that should have been unacceptable at the time.

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Auckland COVID's lockdown threw a spanner in the works of this week's full ep, so enjoy this deleted moment from our 'Bee Movie' episode.

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Finn & Uther watch Robert Bresson's 'A Man Escaped' (1956), a defining piece of cinema minimalism about a man escaping a prison, and Mikael Håfström's 'Escape Plan' (2013), a film which finally gives us the fight between Arnie and Sly('s stunt-doubles) we've all been waiting for.

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Finn & Uther watch 'The Third Man' (1949), maybe the greatest film ever made, and 'xXx' (2002), which absolutely isn't.

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Finn & Uther watch 'L'Eclisse' (1962), a meandering film from meandering director Michelangelo Antonioni, and 'Wall Street: Money Never Sleeps' (2010), a meandering film from maniacal director Oliver Stone.

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Finn & Uther watch 'Les Enfants du Paradis' (1945), a film made in Nazi-occupied France, and 'Mamma Mia: Here We Go Again' (2018), a film set in ABBA-occupied Greece.

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Finn & Uther watch 'Le Grande Illusion,' Jean Renoir's 1937 prison break film about class struggle and the futility of war, and 'Fortress,' Stuart Gorden's 1992 prison break film about people fighting and the futility of trying to keep all your organs inside your body.

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Finn and Uther watch 'Nashville' (1975), Robert Altman's chaotic modern symphony of country music, country fame and country matters, and 'New Year's Eve' (2011), ten pounds of shit in a fifty-pound bag.

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Finn & Uther are joined by comedian, podcaster and good dude Steven Lyons to watch 'Chinatown' (1974), a film by a monster, and 'Big Trouble in Little China' (1986), a film with a monster.

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