Sidedoor

They bring out the voyeur in us. And the Smithsonian’s Archives of American Art is full of them. In three short letters, we offer a glimpse of tender moments in the complex lives of others.

Guests:

Josh T. Franco, Head of Collecting at the Archives of American Art.

Liza Kirwin, Interim Director of the Archives of American Art.

Jenny Williams, Associate Director for Advancement at the Archives of American Art.

In 1983, the Cabbage Patch Kids were released, causing widespread pandemonium in toy stores and in the media. How did a children's toy inspire such bad adult behavior? Slate’s Decoder Ring podcast explores the strange world of the Cabbage Patch Kids to figure out why they hit it so big. The answer involves butt tattoos, slightly grotesque faces, industrial innovations, an origin story in a cabbage patch, and serious accusations of copyright theft.

We’ll be back with new episodes of Sidedoor soon! If you enjoyed this episode, you can find more episodes of Decoder Ring at Slate.com

This MLK Day we're digging into the story behind Dr. King's famous "I Have a Dream" speech —from its first draft to a rhyming poem and, finally, to the speech we all know today.

This episode was previously released in February of 2022. 

Public monuments to honor Black Americans in the 1930s: that was the vision of Augusta Savage, a Harlem Renaissance sculptor who has been called one of the most influential artists of the 21st century. But the monuments she left behind might not be what you'd expect.

Guests:

Karen Lemmey, Lucy S. Rhame Curator of Sculpture at the Smithsonian American Art Museum 

What is it about a mistletoe that says “smooch?” And what the heck is figgy pudding anyway? The holidays are here again, and with them come songs, foods, and rituals so familiar we may not think to ask where they come from...until now! In this holiday special, we track down the origins of some puzzling Christmastime traditions, jingling all the way from Norse mythology to Victorian home cooking, the Emancipation Proclamation, and even out of this world.

Guests:

Margaret Weitekamp, chair of the Space History Department of the Smithsonian’s National Air and Space Museum; curator of cultural and social history of spaceflight

Ashley Rose Young, food historian at the Smithsonian’s National Museum of American History

Teddy Reeves, curator of religion at the Smithsonian’s National Museum of African American History and Culture

Jim Deutsch, curator at the Smithsonian Center for Folklife and Cultural Heritage

Known for her smashing parties, lighter-than-air souffles and comedic wit, Lucy Hicks Anderson never let anyone tell her how to live her life – not even the courts. When her gender was put on trial in the 1940s, the publicity around her case made her one the first documented Black transgender figures in American history. 

Guests: 

Ashleigh Coren, Acting Head of Education for the Smithsonian American Women's History Initiative

C. Riley Snorton, author of Black on Both Sides: A Racial History of Trans Identity

If you’ve heard the phrase, “full blooded,” you’re already familiar with the concept of blood quantum. But Native Americans are the only peoples in the United States whose identity is defined by it. Through the photography of Tailyr Irvine, displayed at the National Museum of the American Indian, we take a look at the colonial origin story of blood quantum: where it came from, why it endures, and how it continues to impact the most personal decisions many Native Americans make about love and family today.

Guests:

Tailyr Irvine, photojournalist; member of the Confederated Salish and Kootenai Tribes; additional interviewer for this episode

It took pride, deceit, and a giant catapult to set off the feud between the Wright brothers and the Smithsonian. On December 17, 1903, the Wrights made history when they flew across a blustery beach in Kitty Hawk, North Carolina. The airplane they flew that day is now a centerpiece of the National Air and Space Museum’s collection. This is the story of how it nearly wasn’t.

Guests:

Peter Jakab, senior curator at the Smithsonian's National Air and Space Museum

Tom Crouch, senior curator emeritus at the Smithsonian's National Air and Space Museum

"I wake up every morning in a house built by slaves." After Michelle Obama said those words at the 2016 Democratic National Convention, thousands of Americans flooded the White House Historical Association with calls. Who were the enslaved African Americans who built the White House? This led historians from the Smithsonian's National Museum of African American History and Culture and the White House Historical Association on a years-long journey that turned up some interesting answers and even bigger questions. 

Guests: 

Lina Mann, historian, the White House Historical Association

Mary Elliott, curator of American slavery, Smithsonian's National Museum of African American History and Culture

The Smithsonian Institution was founded on principles of reason and scientific inquiry. So why is the museum home to countless tales of unexplained phenomena and —dare we say — ghost sightings? Inspired by an apparition at the National Museum of American History, we creak across the floorboards of the museum's attics, sneak into an old house in the woods, and even travel back in time to bring you a collection of spooky stories that can only be found at the Smithsonian.

Guests:

Molly Horrocks, Collections Manager, Division of Political and Military History at the Smithsonian’s National Museum of American History

Pamela Henson, Institutional Historian at the Smithsonian Libraries and Archives

Cpl. Ronald Howlin, Security Officer at the Smithsonian Environmental Research Center

Deborah Hull-Walski, Collections Manager, Education Collections at the Smithsonian’s National Museum of Natural History

Melissa Johnson, daughter of Deb Hull-Walski and former skeptical teenager

Kim Dixon, former volunteer at the Smithsonian’s National Zoo