Arguably the iconic poem of the twentieth century (published in 1922), and certainly Eliot's most well-known. It is also one of the most difficult poems in the English language, and will only reward those willing to study its difficulty. It is a poem filled with poetic, historical, mythological and various esoteric multi-cultural allusions, structures and content. It is the capstone of Eliot's pre-conversion poetry, displaying the emptiness of meaning in a world bereft of transcendence. If you end this poem with a dry mouth, a dry mind, and nothing but numbness, lack of emotion, you've captured Eliot's objective correlative, I think. The final words, "Shanti, shanti, shanti," the Sanskrit "peace," end the poem on a note, not of hope, but of resignation.
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