For much of her career, Angela Stengel has worked where technology meets creativity. During her 17 years at the ABC, including as Head of Digital Content and Innovation, she helped teams experiment with new platforms, formats and ways of connecting with audiences. Today, she advises organisations across media, arts, culture and government on AI, strategy and innovation.

In this wide-ranging conversation, Stengel reflects on the promises and pitfalls of emerging technology, from the early optimism of the web to the current wave of AI development. She discusses why innovation teams matter, how organisations can navigate uncertainty, and why storytelling remains one of the most important human skills regardless of how technology changes. The episode offers a practical and optimistic perspective on how cultural organisations can engage with AI while remaining grounded in their mission, values, and communities.

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We spoke with 'the internet's sexual historian' about the surprisingly horny origins of our digital tools, as well as her upcoming communal performance lecture at State Library Victoria.

Our digital tools are steeped in pleasure. From mobile phones flooding our senses with stimuli to the yonic nature of the computer mouse (with its clitoral scrolling wheel), to the rise of 'Big Porn', the industry of arousal has played a key part in the development of tools and interfaces through which we access the internet.

Who better than "the internet's sexual historian" Mindy Seu to explain how this all came about and explore where it's going?

The LA-based artist, technologist and professor joined us ahead of her August performance lecture of The Sexual History of the Internet at State Library Victoria for Now or Never. In conversation with Ana Tiquia, Mindy discussed how internet history can be retold through human sexuality and the collective act of gathering histories and stories without resorting to extraction. Here, phones become performance tools, libraries are cathedrals of polyvocality, and the future of a liberated internet may depend on many small acts of change.

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What happens when we slow down, make things ourselves and ask who our tools are really built to serve?

Nyungar artist and technologist Kathryn Gledhill-Tucker joined SLV LAB in June 2026 to discuss why the future of technology should not be treated as inevitable, particularly amid pressure to embed AI into every system and workflow. In conversation with Ana Tiquia, Kathryn reflects on leaving parts of the tech sector behind to focus on creative practice, speculative fiction, game making, First Peoples knowledges, repair culture and community-owned tools. The episode considers how cultural institutions might approach digital futures with greater care, agency and responsibility.

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In this Creative Technologist Talk, Elliott Bledsoe explored Australia’s new orphan works copyright scheme and what it might mean for cultural organisations and their publics. Alongside its timely discussion of the new legislation, Elliott's talk provides a helpful introduction to copyright and orphan works more broadly, opening up a wider conversation about access, reuse and public benefit in GLAM.

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How can mixed reality technologies create emergent social experiences? Scientist-artist Yoyo Munk (US) joined SLV's Paula Bray and CEO Paul Duldig to discuss blending virtual geometries with shared physical space in their recent KAGAMI and Medusa projects. Yoyo asks how technological imperfections can evoke meaning, and explains their journey from scientist to artist by finding the signal in the noise. Together, they wonder how mixed reality might interact with library collections, and the potential for digital visualisations to not only reveal the dynamic evolution of knowledge archives, but to shape future collecting practices.

This conversation was recorded in March 2025, a few months before Yoyo joined SLV LAB as its first Creative Technologist‑in‑Residence. His resulting project, In Memory | Of Being, was a mixed reality installation built from the Library’s digitised holdings: thousands of unidentified portraits, fragile glass‑plate negatives, vintage stereographs and oral history recordings.

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Voice assistants and auto-captions are everywhere now, but they can quickly fall apart when someone speaks with an accent the system wasn’t trained to recognise, or in a language it rarely “hears”. 

In this episode of the SLV LAB Conversations podcast, we were joined by technologist, linguist and researcher Kathy Reid who unpacked why that happens and what can be done about it. She introduces Mozilla Common Voice, a community-led project that collects speech in hundreds of languages and dialects. Kathy also talks through the Mozilla Data Collective and what it could mean for libraries and other cultural institutions facing constant scraping of online collections.

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As Artificial Intelligence (AI) systems pull data from across the internet, library databases and our online presence, it generates a significant change in our relationship with knowledge. But what do we really know about this pervasive technology? Do our societies have robust guardrails in place to protect people and democracies, and have we reckoned with AI’s environmental impact?

Join award-winning Professor Kate Crawford, one of the world’s foremost scholars on the social and political implications of AI, as she explores how AI is reshaping our societies, ecosystems and power structures with host Natasha Mitchell in State Library Victoria's 2024 For Future Reference lecture.

Professor Kate Crawford is a leading international scholar of artificial intelligence. She is a Professor at USC Annenberg, a Senior Principal Researcher at MSR New York, and was the inaugural Visiting Chair for AI and Justice at the École Normale Supérieure in Paris.

Her book Atlas of AI won multiple awards and was named one of the best books of 2021 by New Scientist and The Financial Times. Her project Anatomy of an AI System with Vladan Joler won the Design of the Year Award in 2019 and is on show at MoMA from 2022-2024.

Their latest work, Calculating Empires: A Genealogy of Technology and Power, won the Grand Prize of the European Commission for art and technology. She was named on the TIME100 list as one of the most influential people in AI.

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On 18 March 2026, Kathy Reid delivered a lecture at State Library Victoria exploring Mozilla Common Voice, language bias in speech tech and Mozilla Data Collective’s approach to ethical data stewardship for Galleries, Libraries, Archives and Museums.

Kathy Reid works at the intersection of open source, emerging technologies and technical communities. She has held several technical leadership positions, including roles in web and apps development, video conferencing and digital signage. She was previously Digital Platforms Manager at Deakin University,  Director of Developer Relations at Mycroft.AI, President of Linux Australia, and a voice open source specialist at Mozilla. In 2019, she was one of 16 people from across the world to be chosen to help shape a new branch of engineering at the Australian National University's 3A Institute, where she is now a PhD candidate researching voice data and ways to prevent and respond to bias.

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“Artificial Intelligence is here. It’s not going to go away. We can hate it, we can refuse it, we can have doubts. But it’s here – and maybe we can use it for our own purposes and our own workflows in our institutions.” Dr Ines Vodopivec is convinced that AI (Artificial Intelligence) isn’t a novelty bolted onto library systems; it’s already reshaping users’ expectations and our definitions of data, and the workflows that connect the two.

Ines began her career in a Franciscan monastery in Slovenia, cataloguing 16th Century manuscripts, and has since then moved between librarianship, restoration and digitisation. Today, she is a digital‑heritage leader and Secretary General of AI4LAM whose career spans deputy directorship at Slovenia’s National and University Library, roles with UNESCO’s Memory of the World and the Europeana Network Association board.

In early February 2026, on a whirlwind tour of GLAM institutions in the Asia-Pacific region, she stopped by State Library Victoria to deliver a presentation that explored practical case studies for AI implementation in libraries across Europe and the US, including the National Library of Norway, Standford University Libraries and Bibliothèque National de France.

Alongside the promise of AI, she weighs ethics, access and the realities of staff skills, arguing for AI literacy and cross‑sector collaboration so libraries can remain trusted, user‑centred infrastructures.

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From the dial‑up days of 1993 to today’s data‑rich cultural landscape, historian and technologist Tim Sherratt has been rewiring how we see public collections. In this SLV Lab Conversation with State Library Victoria's Chief Digital Officer Paula Bray, Tim retraces a 30-year career so far shaped by dashboards and digitisation, political interventions and playful data experiments – a body of generous, open practice that treats interfaces, notebooks and APIs as scholarship in their own right. Along the way, he champions sector collaboration and the courage to experiment, and sharing his code and thought process so others can build on them.

About Tim Sherratt:
Calling Tim Sherratt a historian undersells him slightly. Calling him a hacker does the same. Over the past thirty years, historian and hacker Tim Sherratt has moved between research, cultural institutions and code, building tools that sit in the space between official infrastructure and individual curiosity. In 1993, in the early days of the web, he worked on the Australian Science Archives Project based at the University of Melbourne, which led to the development of Australia’s first archives website. This sparked his interest in GLAM collections and how the affordances of the then fledgling web could allow people to access history and communicate about it in different ways.

In 2007, while at the National Archives of Australia, Tim realised that applying computational methods to collections could open new avenues for analysis and exploration – an insight that became a major turning point in his career. Since then, his projects have ranged from dashboards (PROV Data, NAA Digitisation) and searchable digitised journals, to political interventions (The Real Face of White Australia, Historic Hansard) and playful data experiments (Operation Random Words, redacted). Most recently, he was Associate Professor of Digital Heritage at the University of Canberra, and before that, Manager of National Library of Australia’s online research portal Trove.

At the centre of Tim’s practice nowadays is the GLAM Workbench, a sprawling, carefully documented collection of scripts, notebooks and examples designed to help people work with data from galleries, libraries, archives and museums. The Workbench reflects his philosophy: that institutions cannot do everything themselves, and that access depends on a commitment to openness.

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