So Much Stuff to Sing

Newsies! Yes, at long last, we are talking about one of the most beloved musicals ever to starts as a failed Disney movie. With music by Alan Menken and lyrics by Jack Feldman, Newsies could easily have just been a misbegotten offshoot of the Disney Renaissance, but it experienced a rebirth of its own, hitting Broadway in 2012. Join us as we talk about the process and about "King of New York," the song chosen to open the second act. All clips are from the 2012 Newsies Original Broadway Cast Album and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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We're back with another second act opener! This one combines impressive spectacle, plot recap, and a flexible yet catchy tune to ease the audience back into a world of high romance and melodrama. Join us as we discuss "Masquerade" from The Phantom of the Opera and how it does what it does very, very well. All clips are from the 1987 London Cast Album of Phantom of the Opera and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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As we begin our second hundred episodes, it's only fitting that we turn our attention to second-act openers. These songs often have to return the audience to the world of the show quickly and recast the spell the first act had woven. So, how do you do that? One answer is to give them a song and dance for the ages: this week we talk about "Who's Got the Pain?" from Damn Yankees, written by Adler and Ross, but made famous by Fosse and Verdon.

All clips are from the 1958 film version of Damn Yankees featuring Bob Fosse and Gwen Verdon and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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We conclude our 100th episode spectacular with 5 more songs that make us love the American musical. As a reminder, please email or message us with the 5 songs you would choose so we can make a Spotify playlist to share with everyone!

STOP READING to avoid getting spoiled for what's on this episode. 

All clips are from, in order, Follies: New Broadway Cast Recording, Hamilton: An American Musical Original Broadway Cast Recording, 1776: Original Broadway Cast, Parade: 2023 Broadway Cast Recording, Evita: Original Broadway Cast and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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Yes, there are now 100 episodes of Shannon in New York City and Erik in Prague discussing the American Musical. To celebrate, we decided to each compile a list of 5 songs that, for us, represent what makes the musical the wonderful art form it is. The musical can do things that nothing else -- no other art form -- can do, and we think these songs illustrate that. In this episode, we discuss the first 5 of these songs -- our next episde will cover the other 5. We sincerely hope you enjoy and that you'll email or message us with the 5 songs you would choose.

NB: There will be a playlist of just the songs discussed in these two episodes included in the notes of the next episode to avoid spoiling anyone who wants the second half of the list to be a surprise. Also, STOP READING to avoid getting spoiled for what's on this episode. We also hope to make a playlist of your selections, so we can all share.

All clips are from, in order, Merrily We Roll Along: New Broadway Cast Recording, Guys & Dolls: Original Broadway Cast Recording, The Music Man: Original Broadway Cast, The Rink: Original Broadway Cast, Rent: Original Cast Album, and Into the Woods: A New Musical and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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We come to the conclusion of our miniseries of anthems, and we've saved one of the best for last. We're talking "I Am What I Am" from La Cage aux Folles, with music and lyrics by Jerry Herman, which became an anthem for LGBTQ Pride almost as soon as it was first sung in 1983.

All clips are from 2016's Trailblazer Honors events featuring Ginger Minj and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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From the hard work and determination of show business to the let it all hang out and just be spirirt of the hippie movement, our anthem series continues with "Aquarius" from Hair. Written by James Rado, Gerome Ragni, and Galt MacDermot, "Aquarius" become synonymous with the hippie movement with an assist from The Fifth Dimension. Be prepared for lots of talk of very bad astrology!

All clips are from 2009's Hair: The American Tribal Love-Rock Musical - The New Broadway Cast Recording and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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Anthem number two! This time, we're looking at an anthem for this business we call show: "There's No Business Like Show Business," written by Irving Berling for 1946's Annie Get Your Gun. While that's still a popular show, the song has definitely broken free and is now widely recognized as perhaps the definitive song about the ups and downs of a life lived on the stage. For this episode, we'll be discussing both the song, and Ethel Merman, who very much made it one of her signature songs, even though she wasn't the one who sang it in the show. 

All clips are from 1972's Merman Sings Merman and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners.

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Time for a new miniseries! This time, we're looking at songs originally from Broadway shows that found a greater life outside of them as anthems. Anthems of movements, times, places, industries -- Broadway has given us many anthems over the years. Arguably one of its earliest is one that everyone knows but may not know that it originated in a Broadway show: "Brother, Can You Spare a Dime?" by Y.E. Harburgh and Jay Gorney. The song, written for a 1932 revue called Americana appropriately enough, quickly became an anthem of the Great Depression and has maintained its status ever since.  The NPR piece from 2008 mentioned on the episode The Kennedy Center resource for teachers about this song

All clips are from 2004's Broadway: The American Musical featuring Bing Crosby and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. (N.B.: Erik adores this documentary and strongly recommends it for anyone who wants to sounds smart about Broadway history.) Buy/stream the album on Amazon!

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Well, it's that time again -- time to say goodbye to Sondheim for another year. But we're going out with a wide-ranging and multi-faceted discussion of all things Merrily We Roll Along centered around one of the only purely happy songs in the show: "It's a Hit."

All clips are from 1982's Merrily We Roll Along: Original Broadway Cast Recording featuring Lonny Price as Charley Kringas, Jim Walton as Franklin Shepard, Ann Morrison as Mary Flynn, and Jason Alexander as Joe Josephson and are protected by the Fair Use guidelines of Section 107 of the Copyright Act for criticism and commentary. All rights reserved to the copyright owners. Buy/stream the album on Amazon!

Listen to the SMSTS playlist on Spotify!

Follow SMSTS on Instagram: @somuchstufftosing

Email the show: [email protected]