So Much Stuff to Sing

Our final title song is also our most recent. We're back to Michael R. Jackson's A Strange Loop, which has opened -- and closed -- on Broadway since we last discussed it, but not without winning the Best Musical Tony.

All clips are from 2022's A Strange Loop: Original Broadway Cast Recording featuring Jaquel Spivey as Usher and are used in accordance with the Fair Use Exemption for criticism and commentary.

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Another title song, and this time it's a title song that opens the show and sets up the rest of the show. We're talking about In the Heights again, exploring how Lin-Manuel Miranda uses its opening number to set up both the main characters and most of the plotlines that we need to know.

All clips are from 2021's In the Heights: Original Motion Picture Soundtrack featuring Anthony Ramos as Usnavi and are used in accordance with the Fair Use Exemption for criticism and commentary.

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We're continuing with our title songs miniseries, and we're back with Kander and Ebb for the first time in a while. This time, we're talking about "Kiss of the Spider Woman," and Shannon makes a shocking confession about this song.

All clips are from 1993's Kiss of the Spider Woman: The Musical - Original Cast Recording featuring Chita Rivera as Aurora and are used in accordance with the Fair Use Exemption for criticism and commentary.

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We're back with a new miniseries! We're tackling title songs over the course of the next four episodes, and we're starting with the one that you're probably thinking of already. We're back to Rodgers & Hammerstein, but we're starting with their first show together. It's the beginning of the Golden Age of musicals, and the moment everything changed for the art form: it's time for 1943's Oklahoma!.

All clips are from soundtrack to the 1955 film version of Oklahoma! featuring Gordon MacRae as Curly, Shirley Jones as Laurey, and the ensembles and are used in accordance with the Fair Use Exemption for criticism and commentary.

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It's the end of our annual Sondheim birthday celebration, and our last murder ballad. This episode, we're back with Assassins looking at "The Ballad of Guiteau." Charles Guiteau is a thorny historical figure, but Erik and Shannon do their best to try to make some sense of him, his song, and this entire show.

All clips are from Assassins: The 2022 Off-Broadway Cast Recording featuring Ethan Slater as The Balladeer and Will Swenson as Charles Guiteau and are used in accordance with the Fair Use Exemption for criticism and commentary.

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We're continuing our Sondheim birthday miniseries, this time focusing on his murder ballads, and we're moving on to a show that is dominated by murder ballads -- 1991's Assassins. Join us as we look at "The Ballad of Booth"and try to pick apart both this extremely rich song and the show's message.

Audio note: It was raining when we recorded this episode, and you will occasionally hear the rain striking Shannon's air conditioner. We hope it won't distract too much from your enjoyment of the episode. All clips are from the 1991 Original Off-Broadway Cast Recording of Assassins featuring Patrick Cassidy as The Balladeer and Victor Garber as John Wilkes Booth and are used in accordance with the Fair Use Exemption for criticism and commentary.

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To quote Shannon, "Murder! Murder! Murder!" Yes, we're carrying on with this year's Sondheim theme of murder ballads, and we're carrying on with Sweeney Todd. This episode, we discuss the sort of duet, but not really, "My Friends."

All clips are from the 2002 production of Sweeney Todd in Concert featuring George Hearne as Sweeney Todd and Patti Lupone as Mrs. Lovett and are used in accordance with the Fair Use Exemption for criticism and commentary.

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It's Sondheim time again -- the most wonderful time of the year here at SMSTS. This year, Shannon got her pick of themes, and she chose Sondheim's murder ballads. So, y'know, buckle up.

We're starting off with the opening of 1979's Sweeney Todd: The Demon Barber of Fleet Street appropriately named "Prelude/The Ballad of Sweeney Todd."

Attend the tale.

All clips are from the 1979 Original Broadway Cast Recording of Sweeney Todd featuring Len Cariou as Sweeney Todd and are used in accordance with the Fair Use Exemption for criticism and commentary.

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We conclude our look at inspirational songs with "I Know Where I've Been" from Hairspray, the 2002 Marc Shaiman and Scott Wittman musical based on the John Waters film of the same name. It's been a few years since we talked about the show's propulsive and endlessly optimistic closing number, so how does this song -- coming just before the final sequence and featuring a darker, if still optimistic tone -- sit within the show? And what's Erik's Grand Unified Theory of songs of inspiration? All clips are from the 2002 Original Broadway Cast Recording of Hairspray featuring Mary Bond Davis and are used in accordance with the Fair Use Exemption for criticism and commentary.

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We return to Annie, a show we last talked about a few years back with Miss Hanigan's delicious villain song. This time, however, we're taking a look at the show's signature tune --and one of the most recognizable musical theater songs of all time -- "Tomorrow." Is it inspirational or an example of what's wrong with America? Buckle up. All clips are from 1977's Annie - Original Braodway Cast Recording featuring Andrea McArdle and are used in accordance with the Fair Use Exemption for criticism and commentary.

Buy/stream the album on Amazon!

Listen to the SMSTS playlist on Spotify.

Follow the show on Twitter: @somuchstuffpod

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Email the show: [email protected]