Dr. Daniel Foor is a ritualist and educator focused on helping others to reclaim their innate capacity to relate with their ancestors and with the greater web of other-than-human kin. https://ancestralmedicine.org/bio We had the pleasure to be InConversation with Dr. Daniel Foor for the ImaginAction stay tuned and listen in https://imaginaction.org/podcast

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Dr. Daniel Foor is a ritualist and educator focused on helping others to reclaim their innate capacity to relate with their ancestors and with the greater web of other-than-human kin. https://ancestralmedicine.org/bio 

We had the pleasure to be InConversation with Dr. Daniel Foor for the ImaginAction stay tuned and listen to the conversation at https://imaginaction.org/podcast

Get full access to ImaginAction's SubSpace at imaginaction.substack.com/subscribe

Dr. Daniel Foor is a ritualist and educator focused on helping others to reclaim their innate capacity to relate with their ancestors and with the greater web of other-than-human kin. 

https://ancestralmedicine.org/bio 

We had the pleasure to be in conversation with Dr. Daniel Foor for the ImaginAction stay tuned and listen in. 

https://imaginaction.org/podcast

Get full access to ImaginAction's SubSpace at imaginaction.substack.com/subscribe

Director, author, actress, performer and Kuringa, Bárbara Santos is artistic director of KURINGA and Madalena-Berlin theatre group. She is one of the creators and an active disseminator of the Feminist Theatre of Oppressed. Founder of the Ma(g)dalena International Network composed by feminist theatre groups from Latin America, Europe, Africa and Asia. She is member of ITI Germany, editor of METAXIS magazine and author of Roots & Wings of Theatre of the Oppressed (Portuguese, 2016; Spanish 2017; Italian, 2018 and English, 2019), Aesthetic Paths, original approaches on Theatre of the Oppressed (Portuguese, 2018) and Feminist Theatre of the Oppressed (Portuguese, 2019).

Interview by Ruth Cross and Uri Noy Meir

Editing and introduction by Nico Ndlovu

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Director, author, actress, performer and Kuringa, Bárbara Santos is artistic director of KURINGA and Madalena-Berlin theatre group. She is one of the creators and an active disseminator of the Feminist Theatre of Oppressed. Founder of the Ma(g)dalena International Network composed by feminist theatre groups from Latin America, Europe, Africa and Asia. She is member of ITI Germany, editor of METAXIS magazine and author of Roots & Wings of Theatre of the Oppressed (Portuguese, 2016; Spanish 2017; Italian, 2018 and English, 2019), Aesthetic Paths, original approaches on Theatre of the Oppressed (Portuguese, 2018) and Feminist Theatre of the Oppressed (Portuguese, 2019).  

Interview by Ruth Cross and Uri Noy Meir  

Editing and introduction by Nico Ndlovu

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Iwan Brioc is Artistic Director of Theatr Cynefin and a consultant in applied theatre.  He is best known for pioneering Sensory Labyrinth Theatre, an applied form of Enrique Vargas' Sensory Poetics and has been directing productions and training companies and artists internationally for 20 years.  He has also been an independent Theatre of the Oppressed practitioner and trainer for 30 years, specializing in Legislative Theatre and Rainbow of Desires and regularly contributes to publications in the field.    His academic qualifications are in Social Psychology, Dramatherapy and Mindfulness and in collaboration with Bangor University Department of Cognitive Neuroscience and the Centre for Mindfulness Research and Practice developed Context Oriented Arts (CoArts).  This theory posits that different modes of theatre -classical, participatory and immersive, represent and support different kinds of consciousness – Cartesian, Inter-subjective and Non-dual respectively.  Currently, Iwan is teaching schoolteachers mindfulness online; piloting the fourth iteration of a creative learning mindfulness curriculum for young people and developing the concept of Rheocracy – the politics of flow.  

https://www.iwanbrioc.com/

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Arawana’s pioneering work as a choreographer, performer and educator is deeply sourced in collaborative improvisation. She currently heads the creation of Social Presencing Theater (SPT) for the Presencing Institute. Working with Otto Scharmer and colleagues at the Presencing Institute, she brings her background in the arts, meditation and social justice to creating “social presencing” that makes visible both current reality and emerging future possibilities.  

https://arawanahayashi.com/

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Crossing The Threshold podcast launched in 2020 to make space to share deeper conversations that explore the UK’s educational landscape, and how it shapes our present and future society. We journey through the wide range of topics such as;

Education reform
Sustainable futures
Holistic education
Wellbeing
Nature connection
Rites of passage and beyond

In each episode the two directors, Max and Nikki, sit down with a different guest – leading thinkers and inspiring characters from the world of education – to discuss how they’re equipping the next generation to cross the threshold into adulthood.
https://thevisionaries.org.uk/blog/crossing-the-threshold-podcast/

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Teya Sepinuck is a visionary artist who has worked at the intersections of art/social change/spirituality/education and peacemaking in creating and producing Theatre of Witness for the past 30 years. Drawing on her dance and counseling backgrounds, she founded this unique form of performance that has tapped the deepest stories from people whose stories had never been heard before, transforming them into powerful and raw theater productions.  

https://theaterofwitness.org/about-teya/

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The conversation is in Italian and is accompanied by an English blog post on Imaginaction.org 

https://imaginaction.org/in-conversation-with-maria-luisa-pasquarella

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