Yeah, like we weren't going to go over two and a half hours on FULL FRONTAL. Following the generational run of OUT OF SIGHT, THE LIMEY, ERIN BROCKOVICH, TRAFFIC, and OCEAN'S ELEVEN, Steven Soderbergh did what anyone would do: he shot a semi-improvised ensemble Hollywood satire on a consumer grade digital camera. The result, FULL FRONTAL, is a fascinating film about connection, mediation, performance, and the film industry, so who better to talk about it with than our Hollywood bigwig buddy, filmmaker and producer Chadd Harbold? This is a really good one, folks - don't sleep on it!

Further Reading:

"Digital Release: Steven Soderbergh's Full Frontal" by Lawrence Garcia

"Just Like A Movie: Full Frontal As Postmodern Love Story" by Daniel McKleinfeld

"Soderbergh Lets It All Hang Out: Full Frontal at 20" by Craig J. Clark

Further Viewing:

BAMBOOZLED (Lee, 2000)

STAR WARS: EPISODE II - ATTACK OF THE CLONES (2002)

 

Follow Chadd Harbold:

https://x.com/chaddwithtwoDs

https://vimeo.com/chaddharbold

 

Follow Pod Casty For Me:

https://www.podcastyforme.com/

https://twitter.com/podcastyforme

https://www.instagram.com/podcastyforme/

https://www.youtube.com/@podcastyforme

Support us on Patreon:

https://www.patreon.com/PodCastyForMe

Artwork by Jeremy Allison:

https://www.instagram.com/jeremyallisonart