Some Say... Podcast! w/Holly M. Eaton

In Episode 8 of the Some Say... Podcast!, Jacqueline Jones LaMon dropped by the foyer to discuss being a writer, synergy, the importance of play, what she does to push through difficult projects (aka procrastination), the "or not" projects, & why she feels concentrating on the braids of narrative as an artist is all-important.

​

In episode #7 of the Some Say... Podcast!, Kelly R. Haydon dropped by the foyer to discuss how her travels inform her life, why she doesn't despise the NYC subway, Michael Jackson(!)*, & why she loves being an archivist who focuses on the NY downtown scene at NYU.

On the 6th episode of the Some Say... Podcast! w/Holly M. Eaton, professor, novelist, memoirist and translator--Martha Cooley--visits the foyer. Martha discussed the importance of honoring the connection between mind, body and momentum for the writer and for the times we live in in 2018.

In episode #5 of the Some Say... Podcast!, Karimah comes to the foyer to discuss various roles in theater, past and present, and the housing crisis in NYC. Join us on this wide-ranging conversation, you won't be sorry.

On the 4th episode of the Some Say... Podcast! w/Holly, Executive Producer of the NEC Theatre in NY--Karen Brown--visits the foyer. Karen discussed the history and the future of the Negro Ensemble Theatre, and her path forward to collaborative theatre-making.

On Ep. 3 of the Some Say... Podcast! w/Holly M. Eaton, Joyia D. Bradley drops by the foyer to discuss how she always thinks of her art as a business, always has an end in mind, and how she gets her projects completed.

On the second episode of The Some Say... Podcast! I speak with Eric Terzo about his short film, Exit Plan, how guerilla filmmaking allowed it to happen, and what's next (aside from his newly scored place in the NY Short FF)! Join us.

On the first ever episode of the Some Say Podcast w/Holly M. Eaton, Micah Zevin dropped by the foyer to discuss poetry, as well as risks & influences that drive him to write every morning.