Katie Maifeld is a NYC based freelance live audio engineer and music business professional. She has worked on thousands of events for clubs, festivals, and corporate conferences. Prior to these roles, Katie worked for recording studios as an assistant engineer, as an office manager, stage manager for an entertainment company, and was an award winning NPR talk show co-host and producer. She is the new podcast host for Soundgirls Podcast and is actively involved in the NY chapter of AES. Katie relocated from Nashville after nine years to live in her dream city of NYC. 

Hosted by: Beckie Campbell and Susan Kost

Executive Producers: Karrie Keyes, Beckie Campbell, and Susan Kost

Edited by: Divya Singh

Music by: Jess Fenton (https://www.jessfenton.com/)

Admin by: Kanika Khanna

The SoundGirls Podcast is presented by soundgirls.org 

The SoundGirls Podcast

Executive Producers: Karrie Keyes, Beckie Campbell, & Susan Kost

This episode was edited by Susan Kost

The SoundGirls Podcast is presented by soundgirls.org 

Music by Jess Fenton https://www.jessfenton.com/

Admin by Kanika Khanna

Los Angeles; Sr. Managing Director, Producers & Engineers Wing and Recording Technology, Recording Academy. A former recording engineer, Maureen has worked on GRAMMY winning recordings for artists including Aretha Franklin, Whitney Houston, and Santana—as well as well as on numerous other projects, including two Billboard Number One Dance songs. She has a degree in Broadcast Communication Arts from California State University, San Francisco, and has taught seminars on the theory and practice of recording for companies including ABC and CBS Television. She has also worked in both artist and studio management, was the longtime Los Angeles editor for Mix magazine, and has published three books related to recording. Her most recent, co-written with its subject, is Al Schmitt on the Record: The Magic Behind the Music, chronicling the life and career of the most awarded recording engineer in history.

Jordan Kolence has been working in the music industry for over two decades. In this episode, he talks about everything from his start to his current role mixing Taylor Swift's monitors. It's a do n't-miss episode! 

Amelia McCloskey has been nominated for many awards, including Music Supervisor Of The Year. She started in the music business as a recording artist, then moved into artist development before becoming a sync agent and finally a music supervisor.

Amount her newly opened Tronto offices; Amelia recently set up ultimatesyncaccess.com to educate and empower those looking to break into the sync world. 

Recently projects include supervising a film with Martin Scorsese's daughter, and she has also contracted music with Netflix and a wide array of feature and short films. 

If you're interested in sound design audio work for feature and scripted content, this is the episode for you! Hear from this Emmy-nominated team. 

Anthony Vanchure is an Emmy-nominated Supervising Sound Editor who has strengthened a variety of projects in television and film with his unique talents and precise creative approach. Most recently, Anthony has been celebrated for his work on Roku’s Weird: The Al Yankovic Story directed by Eric Appel and starring Daniel Radcliffe, which he spearheaded with his regular collaborator Mike James Gallagher. In addition, Anthony earned an Emmy nomination for Outstanding Sound Editing in Amazon’s

Mike James Gallagher is an Emmy-nominated sound designer who has elevated many films and television shows with his wide-ranging talents. Mike began his professional sound design career on the short film, Verbatim, which was an official

Host & Producer: Rebecca Wilson

www.rebeccawilsonstudio.com/

Executive Producers: Karrie Keyes, Beckie Campbell, & Susan Kost

Edited by: Robbie Mortimer

The SoundGirls Podcast is presented by soundgirls.org 

Sponsored by QSC

https://www.qsc.com

Music by Jess Fenton

https://www.jessfenton.com/

During her eleven years of production industry experience, Victoria Butash has been FOH and MON engineer, systems engineer, and a professor of live sound and audio. She is currently touring as a MON engineer for Jason Isbell and the 400 Unit and Sylvan Esso. She is based in Austin, Texas.

Host & Producer: Rebecca Wilson

www.rebeccawilsonstudio.com/

Executive Producers: Beckie Campbell & Susan Kost

Edited by: Christina Hiromoto

soundgirls.org 

Sponsored by QSC

https://www.qsc.com

Music by Jess Fenton

https://www.jessfenton.com/

Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie’s “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, and instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy, and a voting member of NARAS. She is also a proud member SoundGirls, Women’s Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists), and ARSC (Assoc. of Recorded Sound Collectors). Though primarily working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and entirely out of the box. To know more about Lenise Bent go to her website at www.lenisebent.com

SoundGirls Feature Profile

Lenise Bent https://soundgirls.org/giving-back-to...

SoundGirls Living History Project Lenise Bent Part 1 https://youtu.be/lNM6seMROaI

SoundGirls Living History Project Lenise Bent Part 2 https://youtu.be/0hCLBaqz51s

Interviewed by Aline Bruijns Aline Bruijns (MPSE) Aline has a never-ending drive to create sound design that enriches a soundtrack and that elevates the story. As a jazz vocalist (and multi-instrumentalist), she obtained her Bachelor’s Degree at the Conservatory in Enschede (the Netherlands) in 2004. She continued at the HKU (School of the Arts Utrecht) in Hilversum and got a Master of Arts Degree in Sound Design in 2007. Having experienced and been educated in so many layers of music and sound has enhanced her work and ability to collaborate and work within all audio postproduction departments. She has been the founder and sound designer of the audio post-production company AudioRally Sounddesign since 2009. In 2019 she was admitted as an International Member of the Motion Picture Sound Editors organization (MPSE), board member of the VCA (dutch film audio society), and became co-chapter head of SoundGirls Netherlands. For more information about Aline www.audiorallysounddesign.com

Sponsored by QSC

https://www.qsc.com

Lenise Bent is one of the first women audio engineers & honed her skills on many iconic records including “Aja” by Steely Dan and “Breakfast in America” by Supertramp. She is the first woman engineer to receive a platinum album for Blondie’s “AutoAmerican” album which includes “The Tide is High” and the very first hit rap song with music, “Rapture”. Lenise is also a post-production audio professional, specializing in recording and editing foley sound effects for many films and animated series and has traveled the world for Dreamworks supervising the foreign dialogue recording and producing the vocals for such animated features as “Shrek”, “Spirit: Stallion of the Cimmaron” and “Shrek 2”. She also archives and repairs audio, and instructs and consults for singer/songwriters. Lenise is a long-standing member of the Audio Engineering Society, the Producers & Engineers Wing of the Recording Academy, and a voting member of NARAS. She is also a proud member SoundGirls, Women’s Audio Mission (WAM), Women in Music, the prestigious Hollywood Sapphire Group, The Blues Foundation, IASA (International Association of Sound Archivists), and ARSC (Assoc. of Recorded Sound Collectors). Though primarily working in digital recording formats, Lenise recently produced and engineered an all-analog recording with blues/rock/Indy band Primal Kings, recording to 2” tape, mixing to 1⁄2” and cut to vinyl from tape, all analog and entirely out of the box. To know more about Lenise Bent go to her website at www.lenisebent.com

SoundGirls Feature Profile

Lenise Bent https://soundgirls.org/giving-back-to...

SoundGirls Living History Project Lenise Bent Part 1 https://youtu.be/lNM6seMROaI

SoundGirls Living History Project Lenise Bent Part 2 https://youtu.be/0hCLBaqz51s

Interviewed by Aline Bruijns Aline Bruijns (MPSE) Aline has a never-ending drive to create sound design that enriches a soundtrack and that elevates the story. As a jazz vocalist (and multi-instrumentalist), she obtained her Bachelor’s Degree at the Conservatory in Enschede (the Netherlands) in 2004. She continued at the HKU (School of the Arts Utrecht) in Hilversum and got a Master of Arts Degree in Sound Design in 2007. Having experienced and been educated in so many layers of music and sound has enhanced her work and ability to collaborate and work within all audio postproduction departments. She has been the founder and sound designer of the audio post-production company AudioRally Sounddesign since 2009. In 2019 she was admitted as an International Member of the Motion Picture Sound Editors organization (MPSE), board member of the VCA (dutch film audio society), and became co-chapter head of SoundGirls Netherlands. For more information about Aline www.audiorallysounddesign.com

Sponsored by QSC

https://www.qsc.com