Sounds Gay

How can sound be used as a tool of protest? The Demilitarize Brooklyn Navy Yard protest campaign employs noise demonstrations, along with other tactics, in their attempt to get two companies with ties to the US and Israeli militaries evicted from the Brooklyn Navy Yard.

How can sound be used as a tool of protest? The Demilitarize Brooklyn Navy Yard protest campaign employs noise demonstrations, along with other tactics, in their attempt to get two companies with ties to the US and Israeli militaries evicted from the Brooklyn Navy Yard.

We're back! And we have for you a years-long investigation into the sprawling, chaotic world of gaylors—people who believe that Taylor Swift is queer. 

Sandy Stone has lived many lives. She’s a pioneering recording engineer who worked with the likes of Jimi Hendrix and Van Morrison. She was part of the women’s music label Olivia Records, mixing iconic albums in spite of transphobic backlash. She’s an academic, and is considered one of the founders of the field of transgender studies. And she’s an artist, with a dynamic, multimedia practice spanning decades. In this episode, we spend four days with the hilarious and big-thinking Sandy at her home in Santa Cruz—parallel parking, flying model airplanes, and pondering sound, consciousness, and grief.

What’s it like in the middle of a trans mosh pit? The Pit is a place where trans people of all ages smash together, literally. A place where time expands, contracts, and explodes. At this trans punk show, The Dilators frontwoman Saoirse is turning 29. Her “gay mom” Renée is 74. One of the bands, Hardly Fits, is still in high school. But age can mean something different when you’re trans. Come with us on a journey through trans time—all in one night.

Who has it right about the uncanny legacy of composer Julius Eastman? The musician -- Black, gay and a fixture in the minimalist classical music scene of the 1970s and 80s -- wrote songs that demanded a lot of the listener. But his life, too, resists simplified explanations. In this episode, we delve into four distinct and intersecting perspectives.

How did Melanie help a generation of trans women find their voices? And who was she?

How do our identities get fused into the sounds we make? In this episode, we witness the birth of a song co-created by two friends. What they come up with turns out to be an intricate portrait of gender dysphoria and Filipinx identity.