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Tony and D-Rock take a final crash course through any number of movies featuring sports that were not represented in the previous weeks' episodes, taking an in-depth dive into the sound design of one movie per topic while also leaving recommendations for other movies revolving around each sport. What comes next after the sports suite? We don't know.
Tweedle D-Rock and Tweedle Dumb-Dumb chime in for another round of sports movies to focus on sound design and score in a pair of hockey flicks, prefaced by a discussion on the current state of blockbusters (intended or otherwise) in current Hollywood.
The boys talk through some of the their experiences in youth with America's Pastime before delving into the analysis of sound design in a couple of clips. Let's face it: there are so many baseball movies out in the cinematic universe that we could have gone for hours, so we decided to focus on a couple of favorites that provide the best ear candy for you, our beloved listeners.
The boys open their sports movies suite with an analysis of a couple of football movies, comparisons as to how the sound is designed for football movies versus live football games, and their thoughts on sports, life, love, and laughter. Some of that might not be true.
After a harrowing week away from action sequels featuring colons in their titles, the boys return to form for an early 90s classic with a wide array of unnecessary background information on vehicle sounds, car crashes, gunfire, and how to use a condom and amorphous goo to create the sound of liquid metal reshaping. Fun times were had by all.
The boys take a dive into one of the most effective movies since the turn of the century, both as a quality piece of entertainment and a unique masterclass in sound design and the use of score as a mood-altering layer.
The boys continue their reset of Sounds in Cinema with another movie title containing a colon. Listen along as they try to figure out how to talk about a two-hour car chase as anything but a two-hour car chase.
Tony and D-Rock return to the fold together for the first time in nearly four years, and, boy, does it show?! The fortunate part is that the topic of conversation was about as fun, exciting, and easy to talk about as movies get.
From the publisher's feed
Traversing the entertainment landscape, Sounds in Cinema seeks to provide a light-hearted, sometimes insightful, and often comedic (intentional or otherwise) analysis of sound design and score throughout movies and television. Tony Parham leads the way as the show's host. Born in the Cretaceous Period, Tony has honed his skills through years of acting, working on sound crews for both movies and television series, working as a front-of-house engineer for stage productions, and talking...a lot. Joining him is co-host and show producer Derek Hanson. Derek - or D-Rock if you're nasty - cut his teeth in audio engineering through years of music production that began more than two decades ago during his time at Berklee College of Music. His knowledge of audio production is surpassed only by his inimitable skill at lobbing sarcastic barbs at every opportunity.
The two met in Nashville, TN in early 2020, launching them into the original run of the show that saw 72 episodes released before life happened. Now separated by more than 2,000 miles, the question is whether or not this pair of ultimate doofuses will survive technology and succeed in bringing their unique brand of inane observation back to where it truly belongs: the internet. Come along for what promises to be a fun ride that lacks the pretense or self-awareness to take itself seriously. At all.