Quand j'ai rencontré Vincent à Paris, il m'a parlé de sa recherche sur la résine de polyester et la translucidité : "Ce n'est pas la transparence, c'est le trouble. Le point de départ de mon travail, c'est le besoin d'une présence qui porte des interrogations". Des interrogations qui n'attendent pas forcément de réponse.

Bernadette a un autre prénom : Léa. Elle est costumière, mais elle est aussi peintre. Qu'importe, elle a toujours cherché à être elle-même. Elle parle ici des costumes qu'elle créé pour les comédiens, au cinéma et au théâtre. Ils sont la peau de leurs personnages. Et, comme disait Paul Valéry: "Il n'y a rien de plus profond que la peau."

For Tia, the greatest challenge she had to cope with when she decided to become an actress was the fear of it. Listen to her talking how she dealt successfully with fear. Spoiler: "The trick is just to have, for lack of a better word, faith."

When I sat with Kelly, he told me how he prepares himself to get into a new character. That's a creative process which is always different from one role to another.

When I met Carol in a noisy small café in SoHo, I asked her : what drives you when you are inspired? She answered: "Just life itself". Really?

I met with Camillo at his home in Queens. He told me that his poetry is aural: more sonic than about anything else. He always tries to escape meaning, even if he knows that "meaning sleeps through the cracks".

When I met Sarah at her place in Brooklyn, she told me that Poetry is for something impossible to accomplish. When she was in the middle of a sentence, she suddenly switched to the second person to talk about her creative process: she can't really talk about it for herself because it's so intimate. Listen to this precious conversation about her inner conversation.