Soundworlds

Soundworlds

By Paige Eakin YoungArtsFictionMusicPerforming Arts
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Soundworlds episodes

  • Remnants - Part 1
    The first in a three-part sonic theatre piece by Paige Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Drawn to Bosnia by her family history, Courtney joins a UN forensics team helping to excavate the mass graves at Srebrenica, unbeknownst to her father. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    Hosted on Acast. See acast.com/privacy for more information.

    24 min
  • Remnants - Part 2
    The second in a three-part sonic theatre piece by Paige Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Courtney tells the sad tale of her aunt Ljubica who fell in love with a war criminal. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    Hosted on Acast. See acast.com/privacy for more information.

    18 min
  • Remnants - Part 3
    The third in a three-part sonic theatre piece by Paige Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Courtney concludes the story of her grandmother Andjelka, who was arrested for hiding her Jewish lover from the Fascists. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    Hosted on Acast. See acast.com/privacy for more information.

    21 min
  • Remnants - Post-Show Discussion
    Director Patrick Eakin Young, writer Courtney Angela Brkic and composer Christian Mason discuss Remnants with Rachel Donnelly, Project Manager for the Second World War and Holocaust Partnership programme at the Imperial War Museum.

    See acast.com/privacy for privacy and opt-out information.

    43 min
  • Remnants - Part 1
    The first in a three-part sonic theatre piece by Patrick Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Drawn to Bosnia by her family history, Courtney joins a UN forensics team helping to excavate the mass graves at Srebrenica, unbeknownst to her father. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    See acast.com/privacy for privacy and opt-out information.

    26 min
  • Remnants - Part 2
    The second in a three-part sonic theatre piece by Patrick Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Courtney tells the sad tale of her aunt Ljubica who fell in love with a war criminal. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    See acast.com/privacy for privacy and opt-out information.

    18 min
  • Remnants - Part 3
    The third in a three-part sonic theatre piece by Patrick Eakin Young, based on Courtney Angela Brkic’s memoir The Stone Fields. Courtney concludes the story of her grandmother Andjelka, who was arrested for hiding her Jewish lover from the Fascists. Featuring a score by Christian Mason and Shelley Parker, based on traditional Balkan vocal music. Full credits at www.soundworlds.org.

    See acast.com/privacy for privacy and opt-out information.

    22 min
  • Remnants - Post-Show Discussion
    Director Patrick Eakin Young, writer Courtney Angela Brkic and composer Christian Mason discuss Remnants with Rachel Donnelly, Project Manager for the Second World War and Holocaust Partnership programme at the Imperial War Museum.

    See acast.com/privacy for privacy and opt-out information.

    43 min
  • Welcome to Soundworlds
    Soundworlds creator Patrick Eakin Young introduces the concept of sonic theatre and gives a taste of what to expect from our first season.

    Hosted on Acast. See acast.com/privacy for more information.

    5 min

About Soundworlds

From the publisher's feed

Soundworlds is your gateway to the sonic multiverse. We commission artists, musicians and theatre-makers to compose immersive audio worlds, which we're calling sonic theatre: an intoxicating blend of…