Space-Biff! Space-Cast!

BABA IS YOU is one of the most mind-bending puzzle video games of recent memory. Now, thank to Peter C. Hayward, it's also a board game. On today's Space-Cast!, we discuss the peculiar adaptation of Arvi Teikari's video game, from its inception in That Time You Killed Me and sickbed time-wasting to its gradual development and Hayward's long-term plans to become a screenwriter.

For today's Space-Cast!, we're revisiting a review from five years ago, investigating some excellent indie games, and discussing the ups and downs (but mostly ups) of self-publishing. Our guide for this journey is none other than Connor Wake, creator of Umbra Via, Out of Sorts, That's the Spirit!, and many others. 

For over five years (but fewer than seven), Postmark Games has published high-quality, low-cost print-and-play games. Oh, you need examples? How about roll-and-move titles like Voyages, Aquamarine, and Waypoints? Or ditties like Battle Card, Scribbly Gum and Koala Rescue Club? Or even 52 Realms: Adventures? Now the company is working on their first coin-flip title, Master of Coin. For today's Space-Cast!, we're joined by Rory Muldoon, half of the Postmark team, to discuss the beginnings, current status, and future of the company. How does one build a business on games that players print for themselves? Maybe we'll find out!

Every so often, a game system not only gets a second try, but entirely wallops its original incarnation. That's the case with Quinn Brander's Rebuilding Chicago, which remakes Rebuilding Seattle with such aplomb that I called it "pretty much perfect." (I called it that to myself, right now, so I could quote it.) For today's Space-Cast!, we're joined by Quinn to discuss how he improved a game that's still on store shelves, what some folks might prefer about the original, and the little touches that go into making a successful sequel. 

Ever wanted to play a game that would make you feel strange feelings about your childhood religion? Heyo, Greg Loring-Albright's Keep the Faith is the title for you! In this conversation, Greg joins us to discuss whether board games or role-playing games are better, our respective religious traumas and hopes, and how a board game might prove illuminating of historical forces. You know, light chit-chat! 

 Poop! Spies! What do they have in common? Both are featured in board games designed by Jon Teixeira Moffat, naturally. On today's Space-Cast!, we're joined by Jon to discuss the long development of both Night Soil and Burned, the hidden cost of labor, and cinematic hidden movement games.

Governance and Liberty — in translation, those are the titles of Shasn and Azadi, Zain Memon's peculiar but timely board games about politics. Today, we're joined by Memon himself to discuss both titles, plus the function of play as our most ancient form of education, the value of cynicism and evil in games, and what else the auteur has been working on lately.

Most people know Zach Barth as the founder of Zachtronics, purveyor of digital playthings such as SpaceChem, Opus Magnum, and EXAPUNKS. But we are not most people. Instead, we're here to speak with Zach about his analog games: The Lucky Seven (and the Depot expansion), Chemistry Set, and the scratch-off puzzle pack Zach Attack! That's right. We've got the good stuff.

Transforming a work of literature into a trick-taking game is no mean feat, especially when that work is as influential as The Lord of the Rings. Today, we're joined by Bryan Bornmueller, creator of the trick-taking versions of both The Fellowship of the Ring and The Two Towers. Listen in as we discuss our background with both Tolkien and trick-taking, the difficulties of adaptation, and what's coming next. 

Ah, Napoleon. Old Boney. Roll'n'Bones. The Bone Zone. The guy's got a lot of nicknames, and even more board games! The latest, and one of the most intriguing, is Battlefields of the Napoleonic Wars, codesigned by Paolo Mori and Alessandro Zucchini. Today on the Space-Cast!, we dive into the creation of this approachable hex-and-counter title, including its creators' aversion to combat results tables, their choice of battles, and why they decided to publish under their own label.