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Episode 164: Calendar horror. Two 80s slashers that take place on days other than Friday, Halloween, Christmas, Prom, Mother’s Day, Graduation or Birthdays. My Bloody Valentine (1981), April Fool’s Day (1986).
Episode 163: Fabrice Du Welz. The recently remastered and rereleased Calvaire (2004) aka The Ordeal, and Alleluia (2014) are the first two entries in a trilogy written and directed Belgian filmmaker Fabrice Du Welz, often associated with New French Extremity horror.
Episode 162: Ruggero Deodato. A consecutively filmed pair of video nasties from the late Italian exploitation legend in Cannibal Holocaust (1980) and The House on the Edge of the Park (1980).
Episode 161: Surprise Skill Sets. Two ensemble horror films featuring final girls surprisingly skilled in kills. You're Next (2011), The Hunt (2020).
Episode 160: Dave's Lowbrow Slop Week. Two films, one year, both free anywhere. Nightmare AKA Nightmares in a Damaged Brain (1981) and The Pitt (1981).
Episode 159: Mind Melt. Two tales of two bros in trouble with the law. The law of gravity. Is it supernatural, extraterrestrial, physics, divinity, or all of the above? Questions of good and evil bedevil bros out of their depth. Something in the Dirt (2022), Primer (2004).
Episode 158: Director Jenn Wexler (The Ranger, The Sacrifice Game) and producer Heather Buckley discuss independent horror filmmaking, punk rock, Glass Eye Pix, and more including hints on the their upcoming Shudder release, The Sacrifice Game.
Episode 157: Dave won a Grammy and early 80s Stephen King film adaptations are good, actually. Cujo (1983), Christine (1983).
Episode 156: Emily Hagins. The writer and director of Sorry About The Demon (2023), Coin Heist (2017), Pathogen (2006) and more joins us to talk about her journey through filmmaking from a young age to Shudder and Netflix original features.
Episode 155: Three years of Speak All Evil. Checking out the formerly under seen, now cult classic, Session 9 (2001) and the Hitchcockian horror of last year's, Watcher.
From the publisher's feed
Gazing long into an abyss. One horror movie at a time.

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