Speak All Evil Podcast

Episode 154: Justin M. Seaman. Writer, director, producer and more, Justin M. Seaman (The Barn, Cryptids) joins us to talk about his new horror franchise sequel, The Barn Part II.

Episode 153: Final Bodies. Two horror comedies featuring young ensemble casts that threaten to tear apart Speak All Evil. Let the bodies hit the floor. The Final Girls (2015), Bodies Bodies Bodies (2022). 

Episode 152: Kiddo. Director/co-writer Brett Chapman and producer Lewis Coates join us to discuss their controversial new eco-horror short film, Kiddo (2022). 

Episode 151: Japanese Extremity. Two extreme horror films about love (and death) whose titles say a lot in, Grotesque (2009) and Brutal (2018). 

Episode 150: High Crimes. Two movies from the aughts with connections to canon horror history, each based around the same final girl: Mary Jane. Evil Bong (2006), Friday The 13th (2009).

Episode 149: Helicopter Parenting. Two films about the trials and tribulations of raising young ones, one directed by the adult child of a filmmaking legend, another featuring both veteran and rising performers of accolade in, Chained (2012) and Resurrection (2022). 

Episode 148: Big shorts. Two box office hits from first time feature film directors that began life as buzzy shorts, including the most financially successful horror movie of 2022. Lights Out (2016), Smile (2022). 

Episode 147: Chronologically back to back 1970s David Cronenberg films, one of which could be called a Christmas movie, in Shivers (1975) and Rabid (1977). 

Episode 146: Aaron B Koontz of Paper Street Pictures (Old Man, The Pale Door, Scare Package) was kind enough to sit for a session and talk about his upcoming anthology sequel film, Scare Package 2: Rad Chad's Revenge (12/22 Shudder) as well as his many other projects past and future. 

Episode 145: Travis Stevens and Sarah Lind. We caught up with the director/co-writer of the new Shudder exclusive, A Wounded Fawn, as well as the film’s co-star. Travis and Sarah have extensive recent histories in horror film and the conversation turned from Fawn to projects both past and present.