Antony's projects over the years include: Praise, Soft Fruit, Garage Days, Walking on Water, The Home Song Stories, Unfinished Sky, Animal Kingdom, and 33 Postcards. Antony's more recent projects include: the documentary Plot for Peace, The Rover, and Ramin Bahrani's acclaimed 99 Homes.

Antony recently scored for the documentary feature Sherpa and the Oscar nominated film, Tanna.

Gaute began his career as a rock and jazz bassist before attending Berklee College of Music in Boston. Over the years, Gaute has been involved in arranging for recording artists, writing for video games, commercials, short films, and theater productions. Some of Gaute's notable feature film projects have included Elias and The Treasure of the Sea, The Last Sentence, Victoria, and the documentary Nina's Children. Recently, Gaute composed the score for the Oscar-nominated film A Man Called Ove, which is the third top-grossing film in Swedish history. Other recent work from Gaute includes the Norwegian historical epic The Last King and the stop-motion animation In The Forest of HuckyBucky.

Stephanie founded her Montreal based production company daDA with which she has taken on the roles of producer, director and cinematographer for a dozen of short films and music. Stephanie's award-winning cinematography for Xavier Dolan's feature films, I Killed My Mother and Heartbeats, which has put her at the forefront of Canadian and world cinema. More recently, Stephanie has shot Blackbird, Standstill, The Forbidden Room for Guy Maddin, the acclaimed drama, The Saver, and Hunting Pignut.

Lesley is an active member of the Alliance for Women Film Composers and a 2016 Academy of Motion Picture Arts and Sciences initiate. Lesley's earlier film projects include When Night Is Falling, the Oscar winning You Can Count On Me and Mira Nair's Golden Globe winning Hysterical Blindness. Some of Lesley's other film credits include Los Locos, Yo-Yo Ma: Six Gestures, Mansfield Park, A Price Above Rubies, Marion Bridge, A Thousand Years of Good Prayers, The Moth Diaries, and the documentary, How To Change The World. Lesley's most recent projects include the Oscar winning Manchester by the Sea, The Apology, A Better Man, and Beaches.

As assistant art director, he worked with Production Designer Richard Sylbert on The Cotton Club. He also art directed or assisted like Beat Street, The Money Pit, and Brighton Beach Memoirs. Wynn has a long-term relationship with Spike Lee and has designed over ten films for him including She's Gotta Have It, Do The Right Thing, Malcolm X, Crooklyn, and Inside Man. Wynn is the first African-American Production Designer to become a member of the Art Directors Guild and the first African American nominated for the Art Directors Guild Award for his design work on Tim Burton's film, Mars Attacks!. Some of Wynn's production design work over the years includes A Beautiful Mind and Cinderella Man for Ron Howard, A Bronx Tale for Robert DeNiro, Wag The Dog, Keeping The Faith, All Good Things, and Breach. More recently, Wynn worked on Almost Christmas, the Oscar nominated Hidden Figures, and War on Everyone.

Dave has been nominated for a BAFTA and CAS award and has won a Golden Reel from the MPSE for the films District 9 and The Adventures of Tin Tin.

Dave has worked on several international projects over the years including: The Lord of the Rings trilogy, Out of the Blue, The World's Fastest Indian, Eagle vs Shark, The Water Horse, District 9, The Lovely Bones, and The Hobbit. Some of Dave's more recent film projects include Elysium, Snowpiercer, Chappie, and the Oscar nominated, Arrival.

Kayla's earlier work began on a variety of short films and part of an editing team on independent features like Lovely, Still for Nicholas Fackler and Casey Affleck's I'm Still Here. Kayla has worked on a mix of film genres as an editor including Gone, May In the Summer, and The Immigrant. More recently, Kayla has edited on Miles Ahead, The Meddler, and the upcoming comedy, What's The Point? for Lake Bell.

Hughes has edited more than twenty films over the years, including Crash, for which he won an Oscar for film editing. Hughes is an elected member of the American Cinema Editors. Hughes has over the years edited Sling Blade, A Slipping-Down Life, The Pursuit of Happyness, The Great Debaters, Seven Pounds, Teen Patti, The Help, and Pixels. More recently, Hughes edited the acclaimed Oscar nominated Fences, working again with actor/director Denzel Washington, and the upcoming All I See Is You for Marc Forster.

Joan learned feature storytelling as first assistant editor with writer/director Paul Thomas Anderson and editor Dylan Tichenor on Boogie Nights and as first assistant editor with writer/director Quentin Tarantino and editor Sally Menke on both Kill Bill movies.

Joan edited Being Flynn, starring Robert DeNiro and Paul Dano, for Paul Weitz. She also edited Tom Ford's multi-award-winning A Single Man, starring Colin Firth and Julianne Moore, and the Academy Award winning short film The Accountant, directed by Ray McKinnon and Suburban Girl for Mark Klein. More recently, Joan again collaborated with Tom Ford on the acclaimed Golden Globe and BAFTA nominated Nocturnal Animals, starring Amy Adams, Jake Gyllenhaal, Michael Shannon, about an art gallery owner, haunted by her ex-husband's novel, a violent thriller she interprets as a veiled threat and a symbolic revenge tale.

Trevor's earlier work in the sound department included working as Sound Effects Editor on Chernobyl Diaries, as Sound Editor and Foley Mixer on The Man with the Iron Fists, and as Sound Effects Editor on The Sessions. Trevor has continued working on projects like Evil Dead, As I Lay Dying, The Liberator, and That Awkward Moment. More recently, Trevor has worked in Sound Designer and Supervising Sound Editor roles on Ouija: Origin of Evil, Southside with You, The Meddler, Hell or High Water, and Don't Breathe.