Spoilerpiece Theatre

This week Kris reveals an ad campaign that makes him irrationally angry. Then it's onward to four movies! Dave finally watched TENACIOUS D IN THE PICK OF DESTINY (at 4:11), so he's nervous to talk about with two "D-heads" like Kris and Evan. He shares why it's objectively not great, while also digging into the parts of it that are fuckin' hilarious. Evan delivers on a promise as well, by reviewing NEW JACK CITY (at 23:24), which he LOVES for its energy and the way its action scenes are shot. He admits that it's heavy handed with its messaging and inconsistent in tone, however he lauds it for its important social commentary on race and class. After that Kris jumps in to spoilerpiece THE LOBSTER (at 41:04), which he wasn't expecting to take him for such a ride. It's framed, paced, and costumed like an awkward Sundance comedy riffing on Wes Anderson, yet more brutal than unrelenting horror movies. Lastly, Evan concludes with POPSTAR: NEVER STOP NEVER STOPPING (at 52:25). This movie by The Lonely Island is mostly "eh" with a few jokes that hit and a lot of jokes that miss. Plus, in the realm of showbiz mockumentaries it doesn't really have anything new to say.

This week Kris reveals an ad campaign that makes him irrationally angry. Then it’s onward to four movies! Dave finally watched TENACIOUS D IN THE PICK OF DESTINY (at 4:11), so he’s nervous to talk about with two “D-heads” like Kris and Evan. He shares why it’s objectively not great, while also digging into the parts of it that are fuckin' hilarious. Evan delivers on a promise as well, by reviewing NEW JACK CITY (at 23:24), which he LOVES for its energy and the way its action scenes are shot. He admits that it’s heavy handed with its messaging and inconsistent in tone, however he lauds it for its important social commentary on race and class. After that Kris jumps in to spoilerpiece THE LOBSTER (at 41:04), which he wasn’t expecting to take him for such a ride. It’s framed, paced, and costumed like an awkward Sundance comedy riffing on Wes Anderson, yet more brutal than unrelenting horror movies. Lastly, Evan concludes with POPSTAR: NEVER STOP NEVER STOPPING (at 52:25). This movie by The Lonely Island is mostly “eh” with a few jokes that hit and a lot of jokes that miss. Plus, in the realm of showbiz mockumentaries it doesn’t really have anything new to say.

The sad tale of how Dave broke his middle finger inspires a bizarre horror movie premise on this week's show. Then Evan's passing joke about GHOSTBUSTERS leads to a discussion about James Rolfe's boycott of the new version. Once the guys finish explaining why Rolfe (aka the Angry Video Game Nerd) is wrong, they dig into the political documentary WEINER (at 15:30). All three of them share why this film about Anthony Weiner's failed run for Mayor of New York City captivated them with its tense interactions and impressed them with its inclusion of his wife Huma Abedin's perspective. After all their Weiner jokes stop making sense, Evan moves on to cover the HBO movie CONFIRMATION (at 39:34), which chronicles the sexual harassment allegations made against Judge Clarence Thomas during his nomination for the U.S. Supreme Court. Although it feels like too much of a made-for-TV movie, Evan argues that it's an important story that needs to be told (and seen) since it shares Anita Hill's perspective and exposes the shady Washington backdoor dealing that actively worked to discredit her. Plus, both Kerry Washington and Wendell Pierce are fantastic in it as Hill and Thomas.

The sad tale of how Dave broke his middle finger inspires a bizarre horror movie premise on this week’s show. Then Evan’s passing joke about GHOSTBUSTERS leads to a discussion about James Rolfe’s boycott of the new version. Once the guys finish explaining why Rolfe (aka the Angry Video Game Nerd) is wrong, they dig into the political documentary WEINER (at 15:30). All three of them share why this film about Anthony Weiner’s failed run for Mayor of New York City captivated them with its tense interactions and impressed them with its inclusion of his wife Huma Abedin’s perspective. After all their Weiner jokes stop making sense, Evan moves on to cover the HBO movie CONFIRMATION (at 39:34), which chronicles the sexual harassment allegations made against Judge Clarence Thomas during his nomination for the U.S. Supreme Court. Although it feels like too much of a made-for-TV movie, Evan argues that it’s an important story that needs to be told (and seen) since it shares Anita Hill’s perspective and exposes the shady Washington backdoor dealing that actively worked to discredit her. Plus, both Kerry Washington and Wendell Pierce are fantastic in it as Hill and Thomas.

Evan's late discovery of a Hall & Oates hotline (719-26-Oates) inspires him and Dave to sing some of the duo's biggest hits at the start of this week's episode. Once they get that out of their system, Kris takes over for the latest installment of "Keepin' up with the Jensons," where he actually defends APOCALYPTO, describes why he didn't hate X-MEN: APOCALYPSE as much as Bob, and reveals how A FIELD IN ENGLAND prepared him for HIGH-RISE's use of overt metaphor. After they're all caught up with Kris, Evan spoilerpieces NEIGHBORS 2: SORORITY RISING (at 18:34) by sharing how this well-paced comedy surprisingly tackles racism and sexism between its outrageous pranks and raunchy jokes. Then everyone reviews THE NICE GUYS (at 36:16) by talking about how similar it is to other Shane Black movies like THE LAST BOY SCOUT. Ryan Gosling and Russell Crowe have excellent chemistry and can both be quite funny in it, although it's a lot of missed opportunities. As Kris says, "Plenty to like, just nothing really to love." Lastly, tune in at 50:18 to find out why past guest Sam Cohen is wrong, and at 56:52 for Kris's very brief review of Jodie Foster's MONEY MONSTER.

Evan’s late discovery of a Hall & Oates hotline (719-26-Oates) inspires him and Dave to sing some of the duo’s biggest hits at the start of this week’s episode. Once they get that out of their system, Kris takes over for the latest installment of “Keepin’ up with the Jensons,” where he actually defends APOCALYPTO, describes why he didn’t hate X-MEN: APOCALYPSE as much as Bob, and reveals how A FIELD IN ENGLAND prepared him for HIGH-RISE’s use of overt metaphor. After they’re all caught up with Kris, Evan spoilerpieces NEIGHBORS 2: SORORITY RISING (at 18:34) by sharing how this well-paced comedy surprisingly tackles racism and sexism between its outrageous pranks and raunchy jokes. Then everyone reviews THE NICE GUYS (at 36:16) by talking about how similar it is to other Shane Black movies like THE LAST BOY SCOUT. Ryan Gosling and Russell Crowe have excellent chemistry and can both be quite funny in it, although it’s a lot of missed opportunities. As Kris says, "Plenty to like, just nothing really to love." Lastly, tune in at 50:18 to find out why past guest Sam Cohen is wrong, and at 56:52 for Kris’s very brief review of Jodie Foster’s MONEY MONSTER.      

Dave has some stern words for Mother Nature on this week's show, which features returning guest Bob Chipman. Bob leads off with X-MEN: APOCALYPSE or as Dave calls it, "X-MEN: APOCALYPTO." In the process, he discusses how Bryan Singer can't direct an action scene to save his life and how everything good from the last X-MEN movie happens twice in this one so it's no longer surprising. Next, Bob and Evan discuss Ben Wheatley's HIGH-RISE, a dystopian concept film where "everything goes to shit" in completely unsubtle ways. Following their review, Dave delivers his commentary on LOUDER THAN BOMBS, a very male movie about the death of a woman that he describes as a Norman Rockwell piece, if Rockwell dropped acid and got mugged. Finally, Evan covers A BIGGER SPLASH, which is more than just a film about yuppies who hang around a pool. He spoilerpieces Bob and Dave into wanting to see the movie by revealing its sharp humor, its complicated drama, and its unanswered mysteries.

Dave has some stern words for Mother Nature on this week’s show, which features returning guest Bob Chipman. Bob leads off with X-MEN: APOCALYPSE or as Dave calls it, “X-MEN: APOCALYPTO.”  In the process, he discusses how Bryan Singer can’t direct an action scene to save his life and how everything good from the last X-MEN movie happens twice in this one so it’s no longer surprising. Next, Bob and Evan discuss Ben Wheatley’s HIGH-RISE, a dystopian concept film where “everything goes to shit” in completely unsubtle ways. Following their review, Dave delivers his commentary on LOUDER THAN BOMBS, a very male movie about the death of a woman that he describes as a Norman Rockwell piece, if Rockwell dropped acid and got mugged. Finally, Evan covers A BIGGER SPLASH, which is more than just a film about yuppies who hang around a pool. He spoilerpieces Bob and Dave into wanting to see the movie by revealing its sharp humor, its complicated drama, and its unanswered mysteries.

Since Dave can't make it, guest Sam Cohen joins the guys this week to share a traumatic experience he had while camping. Then he and Kris talk about the films they saw at this year's IFFBoston, which just wrapped up. They start by discussing THE INTERVENTION, an exceptionally funny film that's predictable, but great to watch because of how it deals with messy emotions. Soon after, they each reveal their top and bottom picks from the festival: THE ALCHEMIST COOKBOOK, ALWAYS SHINE, BLACK COAT'S DAUGHTER, WEINER, and THE HOLLARS. Following their quick-hit reviews, Evan and Sam spoilerpiece THE INVITATION, a well-directed thriller without much substance in the middle. Kris and Evan close up by spoiling CAPTAIN AMERICA: CIVIL WAR with a review that sounds negative even though they both enjoyed the movie.

Since Dave can’t make it, guest Sam Cohen joins the guys this week to share a traumatic experience he had while camping. Then he and Kris talk about the films they saw at this year’s IFFBoston, which just wrapped up. They start by discussing THE INTERVENTION, an exceptionally funny film that’s predictable, but great to watch because of how it deals with messy emotions. Soon after, they each reveal their top and bottom picks from the festival: THE ALCHEMIST COOKBOOK, ALWAYS SHINE, BLACK COAT’S DAUGHTER, WEINER, and THE HOLLARS. Following their quick-hit reviews, Evan and Sam spoilerpiece THE INVITATION, a well-directed thriller without much substance in the middle. Kris and Evan close up by spoiling CAPTAIN AMERICA: CIVIL WAR with a review that sounds negative even though they both enjoyed the movie.