Spoilerpiece Theatre

Bob Chipman aka The Movie Bob fills in for Dave, who is unfortunately absent due to dental work this week. Bob reminisces with Evan and Kris about movies named after job titles before jumping into conversation about THE MARTIAN. All three of them saw it, and all three agree it's a great film. Evan's a bit disappointed by some aspects of the book that were cut, but Kris loves that it lets scientists be scientists and Bob hopes that it inspires a million kids to go to space camp. Then Bob and Evan discuss THE WALK, a film that features Joseph Gordon-Levitt as a cartoonish Frenchman. Both thought they might hate it, so they were pleasantly surprised by how much they dug its playful nature. And last but not least, Evan briefly reviews Oren Moverman's TIME OUT OF MIND, which makes a great statement about homelessness, even though nothing really happens in it.

Bob Chipman aka The Movie Bob fills in for Dave, who is unfortunately absent due to dental work this week. Bob reminisces with Evan and Kris about movies named after job titles before jumping into conversation about THE MARTIAN. All three of them saw it, and all three agree it’s a great film. Evan’s a bit disappointed by some aspects of the book that were cut, but Kris loves that it lets scientists be scientists and Bob hopes that it inspires a million kids to go to space camp. Then Bob and Evan discuss THE WALK, a film that features Joseph Gordon-Levitt as a cartoonish Frenchman. Both thought they might hate it, so they were pleasantly surprised by how much they dug its playful nature. And last but not least, Evan briefly reviews Oren Moverman’s TIME OUT OF MIND, which makes a great statement about homelessness, even though nothing really happens in it.

Dave makes a historic Spoilerpiece proclamation! But first Evan and Kris tease their coverage of THE MARTIAN by telling Dave about the book. It's a busy day on the show with lots of ground to cover. Kris starts off by sharing what fucking disaster Roland Emmerich's STONEWALL is and how it insultingly makes up facts. Then Dave gives his first positive review of the week in describing Regina Case's beautiful performance in THE SECOND MOTHER. Evan's up next to spoilerpiece Dave and Kris into wanting to see Denis Villeneuve's suspenseful film SICARIO. Dave jumps in after that with a (gasp) second positive review to describe the good mind fuckery of BLIND and finally, Evan talks about why he thinks De Niro's performance in THE INTERN might be his best of the millennium.

Dave makes a historic Spoilerpiece proclamation! But first Evan and Kris tease their coverage of THE MARTIAN by telling Dave about the book. It’s a busy day on the show with lots of ground to cover. Kris starts off by sharing what fucking disaster Roland Emmerich’s STONEWALL is and how it insultingly makes up facts. Then Dave gives his first positive review of the week in describing Regina Case’s beautiful performance in THE SECOND MOTHER. Evan’s up next to spoilerpiece Dave and Kris into wanting to see Denis Villeneuve’s suspenseful film SICARIO. Dave jumps in after that with a (gasp) second positive review to describe the good mind fuckery of BLIND and finally, Evan talks about why he thinks De Niro’s performance in THE INTERN might be his best of the millennium.

Dave is back this week to offer his take on GRANDMA, which echoes Sean's sentiments about the film. Then he goes back to hating on Joe Swanberg for DIGGING FOR FIRE and derides Mumblecore movies in general, before Evan and Kris review the Johnny Depp Whitey Bulger film BLACK MASS. Kris thinks Depp's performance is good despite his makeup and Evan agrees since he found several scenes chilling. Overall they spend a lot more time discussing better gangster movies like THE DEPARTED and GOODFELLAS, which should tell you something. Dave wraps everything up by talking about the documentary THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION, which he says is a bit one-sided, but totally watchable and really well-done.

Don't forget to take our survey so you can give us your feedback on what you like and what to see more of in the show! Find it at www.surveymonkey.com/r/spoilerpiece.

Dave is back this week to offer his take on GRANDMA, which echoes Sean's sentiments about the film. Then he goes back to hating on Joe Swanberg for DIGGING FOR FIRE and derides Mumblecore movies in general, before Evan and Kris review the Johnny Depp Whitey Bulger film BLACK MASS. Kris thinks Depp’s performance is good despite his makeup and Evan agrees since he found several scenes chilling. Overall they spend a lot more time discussing better gangster movies like THE DEPARTED and GOODFELLAS, which should tell you something. Dave wraps everything up by talking about the documentary THE BLACK PANTHERS: VANGUARD OF THE REVOLUTION, which he says is a bit one-sided, but totally watchable and really well-done.

Don’t forget to take our survey so you can give us your feedback on what you like and what to see more of in the show! Find it at www.surveymonkey.com/r/spoilerpiece.

Sean Burns joins Evan and Kris this week, vowing to up the episode's profanity quotient since he's filling for Dave. But Evan does a pretty good job of that himself, cursing out M. Night Shyamalan's found footage horror film THE VISIT. Although Evan can't stand the movie, Kris doesn't actually hate everything about it and manages to sell Sean on seeing it. After they get through that slog, Sean talks about how entertaining Lily Tomlin is in GRANDMA and how crazy it was seeing her around Sundance with Jane Fonda. Then he wraps everything up with 90 MINUTES IN HEAVEN, the boring Christian film that stars Hayden Christensen with a creepy mustache and drawl. How boring is it? Sean needed three tries to get through it without falling asleep. Given its lack of excitement, it's not surprising that the guys end up hitting a number of tangents instead of discussing the movie in depth.

Sean Burns joins Evan and Kris this week, vowing to up the episode’s profanity quotient since he’s filling for Dave. But Evan does a pretty good job of that himself, cursing out M. Night Shyamalan’s found footage horror film THE VISIT. Although Evan can’t stand the movie, Kris doesn’t actually hate everything about it and manages to sell Sean on seeing it. After they get through that slog, Sean talks about how entertaining Lily Tomlin is in GRANDMA and how crazy it was seeing her around Sundance with Jane Fonda. Then he wraps everything up with 90 MINUTES IN HEAVEN, the boring Christian film that stars Hayden Christensen with a creepy mustache and drawl. How boring is it? Sean needed three tries to get through it without falling asleep. Given its lack of excitement, it’s not surprising that the guys end up hitting a number of tangents instead of discussing the movie in depth.

This week, the guys develop a new expression after Dave shares how common his last name is in Indiana. Then he leads off with his take on Alex Gibney's documentary STEVE JOBS: THE MAN IN THE MACHINE, which he alternatively dubs THE MAN IN THE MIDDLE. Then Kris discusses how THE TRANSPORTER: REFUELED has more memorable product placement than fight scenes before Dave dives into the Korean action film A HARD DAY. In the process of talking about it, he realizes that he probably should watch more Korean movies. Last, but not least, Evan closes things out by pondering the inexplicable age gap between the characters in A WALK IN THE WOODS and their real life counterparts. He also laments its total lack of conflict, while simultaneously celebrating Nick Nolte's performance in it.

This week, the guys develop a new expression after Dave shares how common his last name is in Indiana. Then he leads off with his take on Alex Gibney’s documentary STEVE JOBS: THE MAN IN THE MACHINE, which he alternatively dubs THE MAN IN THE MIDDLE. Then Kris discusses how THE TRANSPORTER: REFUELED has more memorable product placement than fight scenes before Dave dives into the Korean action film A HARD DAY. In the process of talking about it, he realizes that he probably should watch more Korean movies. Last, but not least, Evan closes things out by pondering the inexplicable age gap between the characters in A WALK IN THE WOODS and their real life counterparts. He also laments its total lack of conflict, while simultaneously celebrating Nick Nolte’s performance in it.