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In this episode of Spotlight on Africa, Melissa Chemam discusses the recent elections in South Africa and the possibility of the ruling ANC losing its overall majority, potentially forcing it into a coalition government.
On 29 May, South Africans participated in parliamentary and provincial elections in the most fiercely contested vote since the end of apartheid in 1994.
After 30 years in power, the African National Congress, once led by Nelson Mandela, could lose its majority.
With Tshepo Moloi, a lecturer at the University of Johannesburg, Gareth Stevens, vice-chancellor of the University of Witwatersrand in Johannesburg, and William Gumede, political analyst, also at the University of Witwatersrand, we examine how the past 30 years have led to this pivotal moment and how a coalition government could transform South Africa's political landscape.
We will also hear from curator Aude Leveau Mac Elhone, who has organised the exhibition Brazil and Africa, a Shared History in Gorée, Dakar, Senegal, along with the artist Aline Motta.
Episode mixed by Vincent Pora.
Spotlight on Africa is a podcast from Radio France Internationale.
South Africa is holding general and provincial elections on 29 May. In this episode of Spotlight on Africa, we look at young people and the elections and how the country has changed since the end of apartheid in 1994.
First, we talked to the director of the Ichikowitz Family Foundation, Ivor Ichikowitz, who outlines the impact of corruption in South Africa and why the youth vote will be important.
We also talked to Mary Paccard and Vincent Jackson, two South Africans living in France, who discuss how and why they campaigned for the main opposition party, the Democratic Alliance, from abroad.
Episode mixed by Vincent Pora.
Spotlight on Africa is a podcast from Radio France Internationale.
The delayed March presidential vote in Senegal confirmed the country remains a beacon of democracy in a region facing increasing instability. RFI looks at how the peaceful victory of Bassirou Diomaye Faye and mentor Ousmane Sonko stands to influence the politics of neighbouring Sahel nations.
This edition of Spotlight on Africa looks at the vast and diverse West Africa region, from Senegal to Benin to Niger and Mali.
It's a big election year for Africa in general, with no fewer than 16 countries heading to the polls.
These include a complicated parliamentary vote in Togo on 19 April, general elections on South Africa on 29 May, presidential elections in Algeria in September, and presidential elections in Ghana in December.
But for Sahel nations Mali, Niger and Burkina Faso, elections appear a distant dream as the military juntas in power delay processes for a return to civilian rule.
Many hope the inspiring outcome of the Senegalese election can galvanise the region.
Speaking to RFI about the polls are former Senegalese diplomat Babacar Ndiaye and Nigerien researcher Seidik Abba.
Meanwhile Yvonne Ndege, of the International Organisation for Migration, looks at the issue of migration on the continent.
And finally Azu Nwagbogu, curator of the Benin pavilion for the Venice Biennale, speaks to RFI's Ollia Horton ahead of the event's opening on Saturday.
Read also:
Episode mixed by Erwan Rome.
Spotlight on Africa is a podcast from Radio France Internationale.
This is a big election year for Africa, with 16 countries heading to the polls. Close attention is being paid to the delayed presidential vote in Senegal – a West African beacon of democracy that's been facing increasing instability. RFI spoke to author and economist Ndongo Samba Sylla in the capital Dakar.
RFI is renewing its Spotlight on Africa podcast, and the first episode zeroes in on one of the continent's biggest news stories.
Senegal was plunged into political crisis when President Macky Sall unexpectedly postponed elections that had been due to take place by the end of February.
Protests erupted from those supporting opposition candidates, as well as from all corners of civil society. The polls were finally rescheduled for 24 March.
Voters say they're worried about unemployment and a lack of opportunities for young people – many of whom are quitting the country in search of a better life elsewhere.
Ndongo Samba Sylla helps us to better understand where the unrest has taken the heaviest toll – and what's really at stake in Sunday's election.
Also read:
Episode mixed by Guillaume Buffet.
Spotlight on Africa is a podcast from Radio France Internationale.
Ethiopia is currently battling one of its worst locust invasions since 1958. But since then, the country has rolled out a defence system to make sure damage is minimal across the country. Find out more in this edition of Spotlight on Africa.
Read more on Ethiopia's efforts to control the locust invasion
In Accra, a new documentary out this January sheds light on the 2005 murders of 56 West Africans in The Gambia – most of them Ghanaians. In I cannot Bury My Father, director Nana-Jo Ndow explores the lack of closure – and the lack of information – the families of the victims were given. RFI speaks to Ndow and Isaac Mensah, one of the sons of the victims, who are looking for the remains of their parents – and looking for answers.
The Paris Peace Forum is now underway with around 30 heads of state and leaders of civil society meeting to promote global peace. French President Emmanuel Macron opened the forum on Tuesday by saying that the global political system was in "unprecedented crisis", and called for new kinds of alliances to help solve problems.
United Nations General Assembly President Tijani Muhammad-Bande spoke to RFI on the sidelines of the forum in Paris, and he expressed similiar sentiments, calling for respect of diversity while promoting shared universal values.
The time to invest in Africa is now. That was the message hammered home at last week’s France-Africa business summit, which saw the French government position itself as a new investment hub for the continent. Yet, many French companies still shy away from African markets and bilateral trade has fallen. Can France make up for lost time with China and reclaim its status as Africa’s main European trading partner? And if so, on what terms? RFI’s Christina Okello reports.
To listen to this report, just click the 'Play' button below or above.
To get the full story, click on the article version below:
In August, America marked 400 years since the arrival of the first Africans in 1619, which started the institution of slavery. In France, observers are questioning whether there are lessons to be learned for France’s African community.
In a brightly lit room of the American library in Paris, members of the public pour in for a conference exploring the 400th anniversary of the arrival of the first Africans to the British colony of Virginia. The guest speaker, a civil rights expert and playwright, is yet to arrive.
When she does, Gloria J. Browne-Marshall, apologises profusely, blaming her lateness on her taxi driver who got lost and then wanted to overcharge her.
Her humour dispels the mood of the topic she’s come to discuss. But from the get go, she insists upon celebration and not defeat.
“I want to thank my ancestors. Without their perseverance, I wouldn’t be here,” she tells the audience.
Ongoing struggle
In August of 1619, some 20 indentured Africans arrived in the colony of Jamestown, Virginia, after being kidnapped from their villages in present-day Angola.
“They arrive and they learn the economy, the language, culture, and they actually progress, and then once the law takes effect and they’re enslaved, from there we have this fight, this ongoing fight for 400 years, so there’s a lot to commemorate.”
Browne-Marshall, a professor of constitutional law at John Jay College of Criminal Justice in New York, had just returned from a trip to Angola.
“I went back to Angola. I wanted to know more about these first Africans, and I discovered Queen Nzinga. Not only did she rule but she went to battle and stood up to Portuguese slave traders,” she comments.
Choose to fight
By highlighting the brave achievements of the Angolan warrior queen and others like her, Browne-Marshall attempts to reclaim some of the dignity lost during the slavery era, which she has documented on extensively.
“We all have choices. Are we going to go on with the programme even if it is oppressive to others, or are we going to stand our ground and fight? Queen Nzinga did, and that really inspired me.”
Her research has also focused on recent battles for equal rights, including that of Mum Bett, the first enslaved African American to file and win a freedom suit in Massachusetts.
“Just as Mum Bett became Elizabeth Freeman by pushing against those that would oppress her, we have to continue pushing forward. We can’t sit down and believe that the battle is over.”
Same battle
Yet the battle may be more difficult depending on what side of the Atlantic you’re on.
“I’ve been in the same company for over twenty years and have never been promoted,” a female engineer from Martinique tells the audience.
“I think the US has enabled black people to have more opportunities than here in France,” she says.
To which Browne-Marshall replies “Are you demanding the freedom and that you be treated fairly?” echoing the words of former slave and abolitionist Frederick Douglass.
Another female member points out differences between slavery in the United States and France.
If the enslavement of Africans began in 1619 in the US, it would not begin in France until 1642. Moreover, it would eventually be abolished here in 1848, after initially being reinstated in 1802, while America would follow suit in 1865.
For Browne-Marshall, both countries have similar undertones. “In both, you see protests every day. People are protesting for higher wages, they are protesting for other things. Why aren’t people of African descent protesting for full inclusion?”
Identity conundrum
Such identity politics hit a raw nerve in France where the notion of "Frenchness" is associated with a common set of values as opposed to colour or origin.
Furthermore, critics point out that flagging up the differences between communities runs the risk of forging a common identity between them at the expense of a national identity, and thereby legitimising racial divisions that activists want to abolish.
“Assimilation doesn’t mean giving up your soul,” argues Browne-Marshall.
“The French, of all people are the ones everyone knows will stand up for their culture. So, why can’t people in the African diaspora stand up and say I am proud of my heritage as an African in this country, and I’m French?”
The issue of French identity came to the fore during last year’s World Cup, where some commentators joked that the tournament had been won by an African team, due to the fact that 19 of its 23 players were of African descent.
Civil rights in France
The debate is a complex one, but for Browne-Marshall it should not distract from the legacy of slavery, which still lingers in enduring inequities in opportunity for the children of migrants or whose family generation emigrated to France.
"I think that France needs to have a civil rights movement,” she reckons, referring to the decades-long struggle for equal rights for African-Americans led by figures such as Martin Luther King.
“Fighting for your freedom and not waiting for it to be handed down to you, is something so powerful for the spirit and so necessary,” she said.
This is the third part of RFI's series on France's diasporas. Subscribe on iTunes or Google podcasts.
To listen to this episode, hit the Play button above
A recent Paris exhibition honouring forgotten black models of modern art has shone a spotlight on black identity in a society where race remains a controversial subject.
France has been multicultural "since the 19th and 20th century", says Denise Murrell, co-curator of Le Modèle Noir or Black Models.
The landmark exhibition on modern art’s forgotten black models ran from March to July at Paris’ Orsay museum. On Friday 13 September, it was due to premiere at Pointe à Pitre in Guadeloupe.
The lavish show, portraying people of colour in French art from the country’s final abolition of slavery in 1848 until the 1950s, “shows without question that there was a black presence in the heart of cultural activity in the 19th century,” mirroring “today’s diverse, contemporary society”, Murrell told RFI.
Yet these figures were left out of history. The four-month long exhibition sought to give them back their identity, by renaming leading paintings in the models’ names. Portrait of a Negress thus became Portrait of Madeleine and Edouard Manet’s Olympia, showing a reclining nude prostitute, has been renamed Laure, in honour of the black maid in the background.
Being ignored
“Madeleine, the black woman in the painting, has been subject to a silencing or obliteration of her identity by a generic title…so being able to rename her was important,” continues Murrell.
Similarly, Laure, who inspired one of Manet’s most important works, is barely noticed, and extensive scholarship on the work has focused more on the cat than the servant stooping down to offer flowers to the white woman.
“Laure was emblematic of the condition of the diaspora, being invisible even though one is in plain view. I wanted to do something about it,” comments Murrell.
Revealing the maid’s identity became the foundation of the curator’s doctoral dissertation, Seeing Laure, Race and Modernity from Manet’s Olympia to Matisse, Bearden and Beyond, and an earlier exhibition of Le Modèle Noir in New York that Murrell curated called, Posing Modernity: The Black Model from Manet and Matisse to Today.
Black studies
Over 400,000 visitors flocked to the Orsay museum to see Laure and many of the other Black figures in French art such as Haitian model Joseph, who was the central figure of Gericault’s famous painting the Raft of the Medusa.
Joseph was portrayed as the hero in the artwork – the one who called for rescue for the other stricken crewmembers. In an era where slavery was still rampant, such a favourable portrayal was a clear call for abolition.
For Murrell, the success of Le Modèle Noir is a clear sign of the "hunger" in France for information on the subject, which has "historically not been widely discussed”, she says.
While the representation of black people has become a topic in the history of art on both sides of the Atlantic, research in black studies is relatively new in France.
Le Modèle Noir exhibition was the first of its kind in Paris, while London and the Netherlands have already drawn crowds to shows such as Black Chronicles at the National Portrait Gallery and Black Is Beautiful at Amsterdam’s Newe Dirk museum.
Republican values
The term "race" remains controversial in France.
Advocates of strict secularism are against defining society in racial terms, saying it undermines the French Republican value that “everyone is equal".
Last year in June, the government removed the word from the constitution, arguing it was a "made-up social construct". Former president François Hollande, in his 2012 election campaign, said the term “has no place in the Republic”.
Collecting statistics based on race remains illegal.
Critics say that such apparently lofty ideals conceal the extent of racial discrimination in France.
Murrell believes embracing black identity in France could, in fact, reinforce the foundations of the Republic.
“I think recognition of France’s multiple heritage and the contribution of people of colour to French society can only strengthen Republican ideals,” she says, “because it creates a sense of belonging for populations who may perhaps feel they have been ignored.
“I think that part of the ability to improve the condition of the diaspora is to hear the voices of people from the diaspora.”
To hear more stories like this, subscribe to RFI's diaspora series on iTunes or Google podcasts.
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