In this episode, producer Lauren Stelling visits her old boss Cherub, who was facing a lot of grief after her best friend's daughter, Zippy, was killed in a freak accident of nature.

In this extended interview, Ryan Beltz talks about German Romanticism, jouissance, Stoicism and the nature of anger, and how The World Speed Project is a rebellion against the "what one does" that society shoves our throats.

This week's episode is about a nerdy Oklahoman teenager named David who runs away with the love of his life to what started as an adventure, turned into something really serious, really fast.

In a strange, small, moss-covered forest in Bellingham, Washington, Jeff stumbled on to the most gruesome scene of hedonism he's ever seen.

This episode is a Grab-bag, it contains three segments that serve as follow-ups to the three most recent episodes of Here Be Monsters: Do Crickets Sing Hymns, Balancing Act, Johnathan's Cadaver Paintings.

In this episode, audio engineer Toby Reif takes us down the rabbit hole of audio theory to help us understand how sound-stretching works, and the reasons why the long loop of cricket noises have touched so many.

In this episode, Jonathan Happ is an artist who takes a recorder into the University of Washington's cadaver lab and reports on what he sees, and why he draws and paints images of the dead bodies in display.

In recent history, vaccines, sterilization, and other modern treatments have pushed Humorism out of the picture. But traditions ingrained in culture, science, and religion for thousands of years don’t just vanish.

In this episode, John describes the first trauma that he experienced in life—something we all share. And he explains how he overcame that trauma to become the person he is today.

In the episode, Ben Becker tells the story of a disgusting hound dog named “Motley Crue John Bon Jovi”, a tobacco-juice soaked Sasquatch suit, and the world’s worst hot sauce.