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“The sovereign establishment on earth as it is in Heaven of the Blessed Virgin Mary’s Kingdom of France bathed in the mystically beautiful light of the combined spirituality of Sts. Joan of Arc and Thérèse of Lisieux.”
We must understand our own royal hearts to be first and foremost hearts grounded in sanctifying grace through a dogmatic confession of Catholic faith. Royalty is not a mere earthly political construct. True royalty and a genuine royal heart are born of the Holy Spirit through the Immaculate Heart of Mary…. with Traditional French Catholicism as a guide, we seek a contemplative counterrevolutionary Catholic worldview which will consequently influence through us the restoration of Christendom in social, cultural, and political affairs.”
~ Beyond the Counterrevolution by Walter Adams
The capstone for me, though, has been the one principle I added on my own that gave the model its final presentation and life - syntax. I added syntax after experiencing the most serendipitous (seemingly) encounter with the culture and music of Brittany, France. That experience brought to light the principle of syntax which demonstrated how the model was "ordered" so as to be a complete instantiation of my "primordial dator" experiences in 1984 and 2008. Syntax represents the spirit that orders it to a certain rhythm and mathematical beauty.
That rhythm, mathematical beauty, and divine order is La France Mystique.
In a single moment, a "divine glance," one day in October of 2008, Our Lord and Our Lady imbued my soul with a preeminent and life-long devotion to St. Joan of Arc. It was a thunderous spiritual moment that struck like a lightening bolt and with the same intensity that Joan displayed in her short life on earth.
Royaume France is a work designed to systematize the subjective spirituality of devotion to St. Joan of Arc and St. Thérèse of Lisieux through a philosophical methodology. My goal is to share the beautiful spirituality of the combined hearts of St. Joan and St. Thérèse in a manner that would benefit others.
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