Stage 33 Live

Hi folks,

Well, the Stage 33 Live podcast has come to an end, for now at least.

Past episodes will continue to be available at stage33live.com/podcast but they'll probably disappear from most of the services that are currently carrying it.

The pretty much daily performance video singles on our YouTube channel, which continues to enjoy organic growth, will keep coming. That's at youtube.com/stage33live ... If you want to be alerted when we post new clips, subscribe to that YouTube channel and click the bell icon when you do because if you don't you won't get the alerts. Thanks for your diligence.

We knew that the podcast field was saturated before we dipped our toes in, so it's not really a surprise that at the end of its first year, uptake hasn't been anywhere near strong enough for us to warrant the time and effort needed to keep doing it.

It was a fulfilling exercise, but everything we do is on a volunteer basis with a skeleton crew, and those limited resources can be put to better use.

In the last hundred eighty days, the episodes have been accessed in Germany more than twice as much as in the USA. Yay, Germany! Japan came up in third place. We will welcome our German and Japanese friends to the room whenever you're in the area. We'll welcome pretty much anybody though.

Thanks for taking this ride with us, you mighty army of dozens. We appreciate you.

Hallo zusammen,

nun, der „Stage 33 Live“-Podcast ist vorerst beendet.

Frühere Folgen bleiben unter stage33live.com/podcast verfügbar, werden aber wahrscheinlich von den meisten Plattformen verschwinden, die sie derzeit führen.

Die fast täglich erscheinenden Performance-Videos auf unserem YouTube-Kanal – der weiterhin organisch wächst – wird es auch in Zukunft geben. Ihr findet ihn unter youtube.com/stage33live. Wenn ihr benachrichtigt werden wollt, sobald wir neue Clips veröffentlichen, abonniert den Kanal und klickt dabei auf das Glocken-Symbol; ohne diesen Klick erhaltet ihr nämlich keine Benachrichtigungen. Danke für eure Aufmerksamkeit.

Uns war schon vor dem Start klar, dass der Podcast-Markt gesättigt ist. Daher überrascht es nicht, dass die Resonanz nach dem ersten Jahr bei weitem nicht ausreichte, um den für die Fortführung nötigen Zeit- und Arbeitsaufwand zu rechtfertigen.

Es war eine erfüllende Erfahrung, doch da wir alles auf ehrenamtlicher Basis und mit minimaler Besetzung stemmen, lassen sich unsere begrenzten Ressourcen anderweitig besser einsetzen.

In den letzten 180 Tagen wurden die Folgen in Deutschland mehr als doppelt so oft abgerufen wie in den USA. Bravo, Deutschland! Japan belegte den dritten Platz. Wir freuen uns jederzeit über Besuch unserer deutschen und japanischen Freunde – wobei wir eigentlich jeden willkommen heißen.

Danke, dass ihr diesen Weg mit uns gegangen seid, ihr mächtige Armee von Dutzenden. Wir wissen euch zu schätzen.

皆さん、こんにちは。

さて、「Stage 33 Live」のポッドキャストは、少なくとも現時点では終了することになりました。

過去のエピソードは引き続き stage33live.com/podcast で視聴可能ですが、現在配信されている他の多くのサービスからは順次取り下げられる見込みです。

一方、YouTubeチャンネル（youtube.com/stage33live）では、今後もほぼ毎日、ライブパフォーマンスの動画を公開し続けます。こちらのチャンネルは順調に成長を続けています。新しい動画の通知を受け取りたい方は、チャンネル登録をした上で、ベルのアイコンをクリックしてください（クリックしないと通知が届きません）。ご協力ありがとうございます。

ポッドキャストの世界がすでに飽和状態であることは始める前から分かっていました。ですから、1年が経過した今、継続に必要な時間と労力を正当化できるほどの反響が得られなかったとしても、それは驚くべきことではありません。

充実した取り組みではありましたが、私たちの活動はすべて少人数のスタッフによるボランティアベースで行われており、限られたリソースは他の活動により有意義に活用できると考えています。

ここ180日間で、エピソードへのアクセス数は米国よりもドイツの方が2倍以上多くなりました。ドイツの皆さん、ありがとうございます！日本は3位でした。ドイツや日本の友人の皆さんがこの地域にいらっしゃる際は、いつでも会場でお待ちしています。もちろん、どなたでも大歓迎です。

「数十人」という強力なファンの皆さん、これまで私たちと共に歩んでくださり、本当にありがとうございました。心から感謝しています。

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Carl Goulet - Greenville Trestle

Decatur Creek - Southbound Train

Ezra Veitch - Setbacks

Nick Badaracco - Trains and Rail Cars

Tom Pirozzoli - Life on the Railroad

Tom Pirozzoli - Ridin' on a Desert Train

Olivia Nied - Train to Southend

Erin Ash Sullivan - Train From Gary

Rupert Wates - Miss Burgoyne and the Old Milwaukee

The Sky Blue Boys - Phineas Gage

Phil Henry - Phineas

Carl Beverly - Matthew Gould

Dana Cooper - The Ghost of Tucumcari

Outro

BONUS TRACK:

Steve Hartmann - My Family

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Carl Beverly - The River Song

Bird Boombox - The Way the River Moves

Sam Duffy with Spike Dogtooth - Over the Waterfall

Rupert Wates - To The Sea

Decatur Creek - I Stayed On

Eric Phelps - This River

Carolann Solebello with Joe Iadanza - True North

Wojcicki - Banks of the Ashuelot

Marty Royle - River and the Road

Lake Superior - The River

George Nostrand - The River

The Sky Blue Boys - Mississippi Sawyer

St Silva - Riverwalk

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Breanna Elaine - Dirty Water

Greg Goedewaagen - Man in the Moon

Friction Farm - So Many Stars

Eleanor & The Pretty Things - Sunbathing

Tim Foley with Kirsten Manville - Look Up at The Moon

The Becker Sisters - Silver Stars

The End Of America - Sinking Sun

Bethanie Yeakle - Drinking with the Moon

Spike Dogtooth w Sam Duffy - Binary Stars

6foot6 - Ghislaine of the Sun

Emily Lyons - The Moon

David Rosane and The Zookeepers - Stardust for Dessert

Decatur Creek - New England Sun

Outro

BONUS TRACK:

Will Stahl - The Sea is a Harsh Mistress

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Davy Sturtevant with Heather Pierson and Shawn Nadeau (Heather Pierson Acoustic Trio) - Land of the Never Was

Jonny Sheehan - Treasure Island

River HALO - Misty Mountain

Jenna Sawin Rice - City of Lost Angels

GIBSON - City of Cowards

Atlantic Veil - Modern Age

High Tea - The Tale of Billy & The Void

Will Stahl - Red Sox Nation

Mike Donovan - Pollardian Swan Merche

Thomas Nöla - Halcyon Embassy

Tommy Crawford - Athena and The Moon

Five Before Chaos - The Other Planets Are Flat Too

Ian Galipeau - This Red Land

Bill Wolston - When Pluto Was a Planet

Outro

BONUS TRACK:

Trevor Robinson - Last Payphone on Earth

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Luminous Crush - Sweet Little Bird

Violet Bell - A Bluebird

Tommy Crawford - Mountain Song

The Becker Sisters - Oh Little Bird

Friction Farm - Pretty Yellow Bird

Reed Foehl with Jeff Berlin - One Bright Bird

Erin Ash Sullivan - Rest Stop Bird

Connor Garvey - Winging It

Decatur Creek - Jersey Crows

Lake Superior - Crow Feather

Chard deNiord - Goshawk

Rupert Wates - Hills of Blue Heather (The Nightingale's Song)

Dana Cooper - Bird on the Wing

Outro

BONUS TRACKS:

The Milkhouse Heaters - Good Guys Bad Guys

Slow Pony - Sabine

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Putnam Smith - Emily Dickinson

Dayna Kurtz - Dear Rachel Carson

Rich Ewald - Fire and Ice

Lenny Solomon with Suzen Joyce Perry - Ode To Robert Frost

Carton - Lester Holt

Dylan Patrick Ward - Oh Nixon

6foot6 - Diamonds After Dark

Atlantic Veil - Sylvain Sylvain

The Pilgrims - Fav New Kid

Phil Henry - Missed the Show

Fred Gillen, Jr. - I Dreamed I Saw Pete Seeger

Nate Goyette - Helga Pataki

Tinkerbullet - Goldilocks

Rupert Wates - Guinevere

Joshua Hall - Rainbow Butterfly Unicorn Kitty

Outro

BONUS TRACK:

Jim Henry with Tracy Grammer - Drive-In Movie Picture Show

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Greg Goedewaagen - Far From Home

The Cold River Ranters - Long Way Home

River HALO - Come Home

Ninja Monkey - Come Home

David Rosane and The Zookeepers - Going Home

Davey O - Coming Home

Marc Douglas Berardo - On My Way Home To You

Bethanie Yeakle - Going Home

Derek Sensale - Home Again

Violet Bell - House

The End Of America - Grew Up Here

Mini-Mekons (Langford, Timms & Kantor) - Slightly South of the Border

Outro

BONUS TRACK:

Chodus - I Brake For Moose

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

The Fretbenders - Somebody Left Me with the Blues

Jake Swamp and the Pine - Moving Day

Lenny Solomon - Leaving Town Today

The Sky Blue Boys - Solid Gone

Charlie & Emma - Let's Go

Luminous Crush - Comfort for Freedom

Stone & Snow - Burn This House Down

Derek Sensale - Just a Few More Days

Marc Douglas Berardo - You Are Already Gone

Man Made Tragedies - World Without Color

Matt Sharff - Here’s Mud in Your Eye

B.B. Dozer - Time is not a place

Só Sol - Little Flame

Outro

BONUS TRACK:

Tracy Grammer with Jim Henry - 49er

This program assembles live-performance clips by local, regional, and national acts from the Stage 33 Live archives. Documented one-and-done and warts and all, each episode gathers clips based on a loose theme. Only original material is allowed, or material from the public domain. New episodes come out on the third Thursday of each month.

While the room has mostly defined itself as an acoustic singer-songwriter showpiece, there's also jazz, pop, spoken word, rock, and more.

Stage 33 Live is a 40-seat nonprofit DIY listening room in an industrial-rustic former factory on an island in the Connecticut River in the rural southern Vermont village of Bellows Falls, right on the New Hampshire border. It's the middle path between the high quality of a classy performance center (but without the swank), and the relaxed comfort of a welcoming little dive pub (but without the bar), and is run entirely by volunteers — all the ticket money goes to the performers. It's a place for people who thrive on discovery and revel in the immersion of connecting with performances in an intimate setting.

For more information about everything, see the uncomfortably dense Stage 33 Live website at www.stage33live.com

** All performers have copyright in the material they performed, and the performers have directly granted Stage 33 Live performance, mechanical, and synchronization rights by signature. Affiliate contracts by rights-holders with agents of these rights are non-exclusive, and rights-holders can directly grant these rights.

Intro

Phil Henry - Pompei

Fred Gillen, Jr - Kathmandu

Dayna Kurtz - Venezuela

Nathan Evans Fox with Jane Kramer - Texas Blues #7

Wojcicki - Anaheim

Hiroya Tsukamoto - Going to Durango

Sara Trunzo with Tiffany Williams - Nashville Time

Dave Richardson - Goodbye Baltimore

Jesse Peters - Thunderstorm, Erie PA

Derek and The Demons - Pollard Block

Allison Fay Brown - Church and Main

George Nostrand - Griswold Drive

BONUS Josh Maiocco - Where I'll Stay