Stage Grok

I talk with director Michael Mayer (Hedwig and the Angry Inch, Spring Awakening, Thoroughly Modern Millie, Everyday Rapture, et al.) about the process of transforming Green Day's American Idiot album into a stage musical.

I talk with director Ed Stern, about his production of The Lion in Winter at the Repertory Theatre of St. Louis, where he has also directed many other Rep shows in the past.

I talk with St. Louis-born actor Alex Prakken, who's currently touring the country in Newsies, about his work here in St. Louis, getting the Newsies gig, and the details of life on the road.

I talk with stage manager Champe Leary, about the job of stage managing and her decades working with the Repertory Theatre of St. Louis.

I talk with Adam Feldman, theatre critic for Time Out New York, and president of the New York Drama Critics' Circle, about his philosophy and process of reviewing, and his take on the state of the American theatre.

I talk with Broadway lyricist and composer Amanda Green about the musical High Fidelity, its creation, its production, its reception, and its rebirth here in St. Louis at New Line Theatre in 2008, and again in 2012.

I talk with actor Anderson Matthews, who was in the original cast of the 1975 Bluegrass musical The Robber Bridegroom. Andy has been acting on Broadway, in London, and across our country in regional theatre since the 1970s. He has appeared at the Repertory Theatre of St. Louis in many shows, including Arcadia, Betrayal, The Crucible, Closer, Guess Who's Coming to Dinner, Other Desert Cities, Twelfth Night, The Goat or Who is Sylvia?, The Pillowman, Who's Afraid of Virginia Woolf?, Art, Closer, Copenhagen, and so many more.

I talk with architect, scenic designer, and lighting designer Rob Lippert, about designing the new Marcelle Theater in St. Louis' Grand Center arts district, the new home to New Line Theatre.

I talk with Washington University professor Todd Decker about Show Boat, its creation, its impact, its history, its legacy, and the many forms it has taken over the last century. Todd has written three books, Music Makes Me: Fred Astaire and Jazz, Show Boat: Performing Race in an American Musical, and Who Should Sing “Ol’ Man River”?

I talk with St. Louis actor and teacher Tom Murray, about Theater Factory, one of St. Louis' most interesting companies for ten years in the 1980s and 90s, about its founder Hope Wurdack, and all the great artists and shows that were part of the adventure.