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Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.
His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.
We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.
(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)
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Dig Deeper• Artist and Albums:
• Key Collaborators:
• *Recitement* and Its Voices:
• Musical Influences and References:
• Contextual References:
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• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.
• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.
• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.
• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com
Hosted on Acast. See acast.com/privacy for more information.
By Lawrence Peryer5
3030 ratings
Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.
His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.
We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.
(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)
—
Dig Deeper• Artist and Albums:
• Key Collaborators:
• *Recitement* and Its Voices:
• Musical Influences and References:
• Contextual References:
—
—
• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.
• Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice.
• Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn.
• Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com
Hosted on Acast. See acast.com/privacy for more information.

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