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This episode begins with an update on my preparations for the writers' conference I'm attending in Tampa on April 12. You can skip ahead to the 10:36 mark for the topical discussion.
We're often counseled to follow our own vision or intuition in our creative work, but what does that actually look like in practice? How do you do it? In this episode I discuss a new lens that I'm finding useful right now: you follow what's alive. You'll hear about when following our internal impulses and rejecting the "shoulds" matters, how to differentiate between what's "alive" and what's "dead" in a creative project, and what to do then.
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At loooooooong last, I am (nearly! almost!) ready to start querying my novel to agents, so I decided it was the right time to do an update episode on where things stand and my plans going forward. I touch on topics such as what it feels like to be done, preparing for querying, and finding opportunities for professionalization as a prospective author.
Writing Day Conference info (Tampa & Orlando)
Jane Friedman classes
Mary Kole resources
Most timelines of the creative process depict it as linear and progressive, an "up and to the right" trajectory (like on a graph). But what I am finding in the final stretch of writing my novel, though, that this phase is entirely different from every part of the process that came before. Nothing about how I'm working as I struggle toward that finish line is like my ordinary creative practice, and I've had to alter both my approach and mindset. It truly is extra-ordinary (in the sense of being outside of the ordinary), and it does not fit with linear-progressive models of the creative process.
In this episode I discuss different cultural conceptualizations of ordinary vs. extraordinary time, and how we can adapt these to help us understand those periods in our own creative process that seem to take us far off course even as we struggle to maintain our bearings.
My sister is a competitive cyclist, and we enjoy discussing the similarities between athletic practice and creative practice. The other day she was telling me about how she and the cyclists she coaches recognize, treat, and recover from physical injuries. It made me wonder: can creatives and artists suffer from injuries, too? If so, how do we recognize when we have one, and how do we treat it? What can a sports analogy teach us about our need as creatives and artists to rest and recover?
Here is the episode of Martha Beck's podcast that I mention.
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I credit my creative practice with helping me recover from my life-altering burnout at the end of my PhD. I've maintained from the beginning (and often talked about in this podcast) that creative work should feel good most of the time. For many years I've been gentle and compassionate with myself in both my creative practice and life, never pushing too hard and taking breaks of days or even weeks when I began to feel overwhelmed by anxiety. This is what helped me build a sustainable, fulfilling creative practice that has ushered me out of burnout an into a life that feels like it has purpose.
But in order to finish my novel, I've had to push myself like never before, and I find myself sitting in discomfort in my practice more often than not. Discomfort ultimately cannot be avoided, and it is required if we want to grow. But it can also be destructive--allowing too much discomfort, and the wrong kind, into my life is what led to my burnout in the first place. How do we differentiate between constructive vs. destructive discomfort?
This is a big topic and I only scratch the surface here (and to be honest my brain is a bit fried right now with trying to finish my novel!). Hopefully I've made a good start with it.
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Have you ever noticed that successful artists' backstories often sound like destined paths or hero's journeys? Learning how to tell your own mythologized origin story is an essential tool for any artist. Listen to this episode to find out why and how to do it.
I am indebted to the podcast episode Infamous: Taylor Swift Before She Was Famous Part I for much of the information about Taylor Swift's early life. Please give it and its companion Part II a listen!
Find out more about the writing program I use, Scrivener.
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I am a lifelong magical thinker, but in recent years have rejected it in favor of a more realistic (read: pessimistic/cynical haha) perspective. This holiday season, though, I have decided that I will once again let myself believe in magic. But am I ready to indulge in magical thinking in a responsible way? To find out, I compare my magical thinking or lack thereof during my two experiences of finishing a novel: one twenty years ago and one this year. In the first case, I used magical thinking in a destructive way, but this time I'm trying to use it in a constructive way. What's the difference? Listen to find out!
There's no question that setting and achieving goals is beneficial...right? But what about when it's not? Creativity requires us to become adept at allowing ourselves to be swept off course. In this episode I discuss why we struggle so much to deviate from plan, why this can harm our creative process, and why we may want to consider taking radical steps to connect with our intuitive creative mind.
In these final difficult months of getting my novel ready for agent submissions, thinking about my art's greater purpose is serving as an important motivator. In this episode I discuss why I think it's best to save contemplating your art's greater purpose for the later stages of creation, how to know if you even need a greater purpose for your art, and how to figure out what yours is.
This discussion is part of a larger one I've been having on this podcast recently around contemplating audience and balancing prioritizing our needs as artists to be authentic in our art with the needs of audiences to enjoy or benefit from our work.
When life gets messy, it's tempting to put our creative work aside until we have the space and energy for inspiration again. But this is no good if you are trying to finish a project or if you are dedicated to maintaining a serious creative practice as an artist or a mental health practice. In this episode I talk about what I learned from a recent experience of upheaval in my own life, and give you some tips to help you when you encounter your own.
From the publisher's feed
Hello, and welcome to the Stepping Off Now podcast. I'm Kendra, an AuDHD writer, and this is my safe space for talking about the challenges of being a neurodivergent creative and the lessons I'm…