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How often do audiences get to experience a play directed by its own playwright? In this enlightening episode of Steps to the Stage, we take you behind the scenes of "Bending the Spoon," part of Chino Community Theatre's Three on the Edge Festival, where writer-director Ken Lay brings his own creation to life.

The play centers on a three-generation family preparing to celebrate a sweet sixteen birthday that unexpectedly resurrects a 20-year-old family tragedy. While the premise might sound heavy, Lay promises plenty of laughter amidst the tears, creating a richly human experience that reflects real life's complex emotional landscape.

What makes this production uniquely fascinating is the creative dynamics at play. Tracy Lay, who portrays Gina and happens to be Ken's wife, brings her third iteration of the character to stage, having originated the role in 2018. Meanwhile, Cindy East, who plays grandmother Carol, describes the rare advantage of working directly with the playwright: "He has so much more insight than the average director would have." This intimate connection between writer, director, and actors creates an electric creative environment where lines can be adjusted on the fly when Ken realizes something that worked on paper doesn't translate perfectly to stage.

The cast reveals how Ken's approach to balancing comedy with tragedy stems from his belief that "you just have to laugh instead of cry" sometimes. Rather than relying on slapstick or overt jokes, the humor emerges organically from recognizable family interactions—those moments audience members will recognize from their own lives. As Tracy explains, "People are going to see these characters and relate to them," thinking, "that sounds just like my dad" or "that's how I talk to my husband."

At its heart, "Bending the Spoon" explores how families navigate life's unpredictable challenges. As Ken thoughtfully puts it, "Sometimes in life, more than one thing hits you at the same time, and you don't always get to resolve one before the next one comes along." When asked to describe the play in just one word, the creative team offers three powerful options: "Life," "Humanity," and "Heart."

Don't miss this rare theatrical experience where playwright vision merges directly with stage direction. Discover for yourself why this production has the cast occasionally leaving rehearsals in emotional silence after powerful scenes, yet still finding themselves laughing at the same moments after countless rehearsals.

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Regret, change, and the peculiar state of limbo take center stage in our riveting conversation with the cast and director of "Savage in Limbo," part of Chino Community Theatre's Three on the Edge Festival. This John Patrick Shanley one-act transports audiences to a seedy Bronx bar circa 1984, where five characters who've known each other since grade school find their lives unexpectedly intersecting on a quiet Monday night.

Director Michelle Knight-Reinhart and her talented cast—Alex Huey (Denise Savage), Bodhi Aguirre (Tony Aronica), and Rafael Ortega (Merc)—delve into Shanley's distinctive writing style and the raw humanity of their characters. Known for works like "Doubt," "Danny and the Deep Blue Sea," and "Moonstruck," Shanley creates painfully honest dialogue that explores the human condition through the lens of working-class New York characters yearning for connection and change.

What makes this production particularly fascinating is how it balances gritty realism with moments of unexpected humor. The laughter often emerges from uncomfortable situations and self-inflicted problems as characters desperately try to change their circumstances while simultaneously resisting transformation. As one cast member notes, perhaps "limbo" isn't just a temporary state but the constant in all our lives—we're perpetually wondering if something better awaits us while remaining stuck in our patterns. The production embraces its 1980s setting with period-appropriate costumes and creates an immersive bar environment where drinks mysteriously appear without being mixed, adding an intriguing theatrical element that mirrors the reliability and steadfastness of Merc's character.

Don't miss this powerful exploration of human connection running May 9-24 as part of the Three on the Edge Festival, which also features "Breathing Corpses" and "Bending the Spoon." All three productions contain mature themes and strong language, offering audiences a thought-provoking theatrical experience. If you're buying tickets for one show, consider attending all three in repertory to experience the full range of this compelling festival.

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Death has a way of revealing who we truly are. In this captivating episode of Steps to the Stage, we dive deep into one of the most intriguing productions in the Three on the Edge Festival – "Breathing Corpses" by British playwright Laura Wade.

Director Lauren Bell and actors John Nisbet and Amanda Flanagan take us behind the scenes of this darkly comedic play that unfolds in reverse chronological order. Beginning with a hotel maid discovering a dead body, the narrative moves backward through interconnected scenes that reveal how death impacts various characters in profound, absurd, and unexpectedly funny ways.

What makes this production particularly fascinating is the creative team's approach to Wade's distinctively British dialogue. The script captures realistic speech patterns – complete with interruptions, false starts, and natural rhythms – creating challenges for the actors but resulting in an authenticity rarely seen on stage. The cast shares how they've navigated these complexities while maintaining the delicate balance between humor and heartbreak that defines the play.

"Every time the play tries to go deep," Bell explains, "something happens to bring it right back up." This tonal rollercoaster mirrors real life, where even in our darkest moments, absurdity and laughter often break through. The production doesn't shy away from heavy themes – including domestic violence and suicide – but presents them through a lens of human complexity rather than melodrama.

Perfect for the intimate setting of 7th Street Community Theatre, this stripped-back production focuses on the emotional journeys of its characters rather than elaborate staging. As Nisbet notes, without being "encumbered with props or entrances and exits," the actors can fully immerse themselves in the psychological depth of their roles.

Catch "Breathing Corpses" on May 8th, 10th, 16th, with matinees on May 18th and 24th. This 80-minute exploration of mortality and human connection promises to spark conversation long after the final blackout – you may even want to see it twice to catch all the connections you missed the first time around.

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A 1200-pound puppet in two massive crates. A first-time actor at age 54. A female voice for the traditionally male Audrey II. This is not your average Little Shop of Horrors—and that's precisely what makes it special.

The creative team behind 7th Street Community Theater's upcoming production sits down to reveal how they're transforming this beloved cult musical for their intimate stage. Director Juan Luis Torres and his cast—including Derek Ashley-Macumber (Seymour/Costume Designer), Mark Agers (Mushnik), and Adam Carl-Payton (Orin)—share their personal connections to a show that has captivated theater lovers for generations.

What emerges is a fascinating look at the balance between honoring tradition and introducing fresh perspectives. While audiences will get the professional-quality puppets they expect (arriving in two enormous crates weighing 400 and 800 pounds), they'll also experience innovations like expanded roles for the urchins and thoughtful color theory in the costumes, with greens representing envy and reds symbolizing sin as the plant's influence grows.

The conversation delves into practical challenges unique to community theater: How do you fit a six-foot man-eating plant and a dentist's chair on a tiny stage? How do eight performers master complex harmonies when every voice matters? And how does a theater community rally together to make the impossible possible?

Most touching is Mark's story of auditioning for his very first show at 54, sitting with professional performers at the first table read, and thinking, "These folks have legit skills... this is not just a little fun thing." His journey represents the heart of community theater—a place where passion and dedication matter more than experience.

From inside jokes about troublesome vocal lines to the excitement of "Mother coming home" (their affectionate term for the plant puppet's arrival), the enthusiasm is contagious. As one cast member puts it: "It's a show you're going to want to see twice."

Get your tickets now for what promises to be an unforgettable, intimate encounter with a musical that reminds us why we love theater. Just remember: don't feed the plants!

Weekends April 11th through 26th $20 general admission -- $17 seniors and students

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Discover the magic of Schoolhouse Rock as our talented team discusses the evocation of childhood nostalgia and the fostering of creativity in youth theater. The episode resonates with stories that intertwine personal experiences with educational foundations in theater.

• Introduction to Schoolhouse Rock live 
• The conceptual backbone of Schoolhouse Rock's storytelling 
• Collaboration and mentorship in choreography and music direction 
• The incorporation of educational themes in children's theater 
• Personal stories connecting the hosts to Schoolhouse Rock 
• Closing thoughts on the importance of nurturing young talent 

Weekends March 7th through March 22nd $15 general admission -- $12 seniors and students

Tickets available at: https://chinocommunitytheatre.seatyourself.biz -- chinochildrenstheatre.org -- or contact the box office at (909) 590-1149

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The episode highlights Ontario High School's thriving theater program, focusing on its recent renovations and the upcoming production of Charlie and the Chocolate Factory. The conversation emphasizes the importance of student involvement, community support, and the transformative power of theater in fostering creativity and collaboration among young individuals.

• Recent theater renovations enhancing student experiences 
• Student involvement in selecting and preparing for productions 
• Challenges and creativity in producing special effects 
• Reflection on past productions and their impact on growth 
• Importance of community support for successful theater programs 
• Goals of fostering creativity and confidence in students 
• Upcoming production details and ticket sales information

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What happens when the joys and sorrows of life unfold in a Southern salon filled with laughter and tears? Join us on Steps to the Stage as we welcome director Dona Rice and cast members Stephanie and Jessie, who bring "Steel Magnolias" to life with remarkable warmth and depth. Dona shares a heartfelt synopsis, highlighting the resilience of Southern women against the backdrop of this beloved classic. Stephanie and Jessie, who portray Ouiser and M'Lynn, offer a peek into their characters’ journeys, navigating the complexities of friendship, love, and the ever-evolving mother-daughter bond. Together, we explore the layers of humor and drama that make this story timeless and distinct from its famous film adaptation.

Set against the comforting embrace of a salon in Chickapin Parish, our conversation celebrates the enduring spirit of female friendships weathering life's unpredictable storms. We discuss the importance of crafting more roles for women in theater, especially for older actresses, while reflecting on the personal connections we all share with these characters. With insights into the creative set design that captures an authentic 1980s vibe, we reveal the collaborative magic behind the scenes. Don't miss this episode brimming with heartfelt insights and the inspiring determination of unforgettable characters.

Steel Magnolias runs weekends Jan. 10-25th
Purchase tickets at:  https://chinocommunitytheatre.seatyourself.biz
or call 909-590-1149
$15 Student/Senior/Child
$18 General Admission

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What if you could bring the charm of a 1940s radio play to the stage, all while presenting the venerable classic, It's A Wonderful Life? On "Steps to the Stage," we explore this intriguing blend with director Chris Diehl and actors Philip Kasinski, Lourie Deards Chase, and Danny Chase as they breathe new life into "It's a Wonderful Life: A Live Radio Play." Our guests share how this innovative format allows theater companies to capture the magic of the beloved film without the need for an extensive cast and elaborate settings. Listen in as we discuss the fascinating dual-layer narrative, where actors portray both their radio personas and the iconic characters of George Bailey and his circle.

Step into the small-town charm of Bedford Falls as we delve into the characters that make this story a timeless favorite. Our talented actors reveal the challenges and joys of bringing characters like George Bailey and Mary Hatch to life, capturing the heart of their journeys. Danny Chase offers an insider’s view into the art of voice work, portraying an impressive eleven characters within the radio play format. This multifaceted storytelling approach not only captures the essence of the original but also adds fresh layers of creativity, inviting audiences to experience the beloved tale anew.

Beyond the stage, our conversation opens up on the crafting of authentic soundscapes and engaging period-appropriate commercials that enhance this radio play experience. With the Chino Community Theater's upcoming season on the horizon, we shine a spotlight on exciting productions like "Steel Magnolias" and classics such as "A Raisin in the Sun." This episode promises a rich exploration of community theater's creativity and the passion that fuels it, setting the stage for a memorable season ahead.

It's A Wonderful Life: A Live Radio Play runs weekends Dec. 6-22nd
Purchase tickets at:  https://chinocommunitytheatre.seatyourself.biz
or call 909-590-1149
$15 Student/Senior/Child
$18 General Admission

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What happens when hope meets creativity? Dona Rice, an intuitive medium and author, alongside Diana Herweck, a seasoned therapist and counselor, invite you to embark on an emotional journey in their premiere podcast episode featuring LA-based performer and creative powerhouse Brianna McDonnell. We promise you’ll encounter stories that illuminate the path of resilience and growth, drawing inspiration from Brianna's experiences as she breaks barriers and honors the legacy of women who preceded her. This episode encapsulates the essence of finding hope through creativity, a theme that resonates deeply within our own personal narratives and those we seek to share.

Join us as we weave through heartfelt conversations that explore the boundless power of hope. Donna and Diana open up about their transformative journeys and the profound impact of hope on their lives, which have led to the creation of Soul Sisteries. Listen closely as Brianna McDonnell shares her journey of artistic expression and community building, offering a testament to the strength we can find in creativity. This episode is a celebration of connection and inspiration, reminding us all that hope is a vital force that can carry us through life’s most challenging and beautiful moments.

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Allison and Marlee, the visionary directors of a unique community theater production of "Carrie," join us to share their intriguing adaptation of Stephen King's classic tale. Set against the backdrop of the 1970s, this take on "Carrie" revives the musical version, infusing it with the raw energy of King's novel and De Palma's film. Our conversation unveils Sue as the central storyteller, guiding the audience through a police interrogation-style narrative that explores the complexity of memory and perspective—guaranteeing a gripping theatrical experience.

We tackle the profound themes of trauma and power that underscore "Carrie's" narrative. Allison and Marlee unravel how generational and religious trauma, societal bullying, and the complex dynamics between Carrie and her mother, Margaret, drive the story to its explosive climax. The exaggerated horror elements serve as an allegory for real-world issues such as abuse and unchecked power, resonating deeply with audiences. Dive into the surprising layers of teenage life and social hierarchies that further complicate Carrie's world and shape her tragic journey.

The episode also takes a behind-the-scenes look at the collaborative magic bringing this production to life. With a mix of fresh talent and seasoned veterans, we celebrate Erin's leading performance and the bold inclusion of female actors in traditionally male roles. Discover the innovative musical direction and choreography aimed at capturing the emotions and horror themes of the show. Allison and Marlee emphasize creating a respectful and fun rehearsal environment, spotlighting their commitment to empowering individuality and fostering a supportive atmosphere. This production of "Carrie" promises an unforgettable experience, from rehearsal room to stage.

This show is PG-13 and contains mature themes.

Weekends Oct 25th through Nov 9th $15 general admission -- $12 seniors and students

Tickets available at: https://chinocommunitytheatre.seatyourself.biz -- chinochildrenstheatre.org -- or contact the box office at (909) 590-1149

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