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In the Soviet Union, youth fashion meant more than just a way of expression. In our latest episode, we discusswith Alla Myzelev about the stiliagi, a flamboyant youth subculture that emerged in the late Stalinist and early post-Stalinist Soviet Union.Myzelev situates the stiliagi not simply as fashion-conscious rebels, but as a distinctly embodied and aesthetic form of dissent that challengeddominant socialist norms of respectability, discipline, and masculinity.Through their brightly coloured clothing, enthusiasm for jazz, and stylised modes of self-presentation, stiliagi exposed the fragility of Soviet ideals of the “proper” socialist male citizen. Rather than overt political opposition, their subversion operated through taste, leisure, and the body,revealing how cultural practices could quietly unsettle authoritarian norms even in highly regulated societies.
Part II of the podcast emphasizes the differenttypes of primary sources used to investigate such a rich phenomenon. As well, it discusses the latest developments in the field of creative dissent, particularly Julianne Fürst’s book Flowers Through Concrete. Lastly, Alla Myzelev explores what questions within the field remain unresolved.
By Review of Democracy5
33 ratings
In the Soviet Union, youth fashion meant more than just a way of expression. In our latest episode, we discusswith Alla Myzelev about the stiliagi, a flamboyant youth subculture that emerged in the late Stalinist and early post-Stalinist Soviet Union.Myzelev situates the stiliagi not simply as fashion-conscious rebels, but as a distinctly embodied and aesthetic form of dissent that challengeddominant socialist norms of respectability, discipline, and masculinity.Through their brightly coloured clothing, enthusiasm for jazz, and stylised modes of self-presentation, stiliagi exposed the fragility of Soviet ideals of the “proper” socialist male citizen. Rather than overt political opposition, their subversion operated through taste, leisure, and the body,revealing how cultural practices could quietly unsettle authoritarian norms even in highly regulated societies.
Part II of the podcast emphasizes the differenttypes of primary sources used to investigate such a rich phenomenon. As well, it discusses the latest developments in the field of creative dissent, particularly Julianne Fürst’s book Flowers Through Concrete. Lastly, Alla Myzelev explores what questions within the field remain unresolved.

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