On another Worst Best Picture episode, we return to a film that somehow everyone decided was great: Moulin Rouge. We talk the film's anachronous remix aesthetic, Nicole Kidman's Barbie doll genitals, and why the real hero of the film is tuberculosis.

We're back, for some reason. We talk about the shows and documentaries we've been watching, RuPaul's fracking operation, and why jet fuel does not melt steel beams.

During our long hiatus of doing absolutely nothing, we watched all of Seinfeld, a show about absolutely nothing. We talk the show's timelessness, rank our favorite characters, and you know, yada yada yada...

Languishing in quarantine, we return to the music of Presidents of the United States of America. We talk the band's iconic 1995 debut album, their irreverent lyrics, and make a ton of terrible president jokes.

Still in quarantine, we revisit So I Married an Axe Murderer (1993). We talk Mike Myers preparing for Austin Powers, why marriage stopped being cool in the 1990s, and how beat poetry was apparently once a viable career.

We look back at two films starring Tom Hanks and Meg Ryan: Joe Versus the Volcano (1990) and You've Got Mail (1998). We talk alienating work, AOL, and the romantic comedy as a disappearing genre. Also, Meg Ryan reads a poem.

We return from hiatus to (remotely) discuss Empire Records. We talk the "teen movie" stock characters, Liv Tyler's underwear, and stealing from music stores. Also, Tyne recounts the time she was scammed into giving away 12 pastries.

We watch four of our favorite music videos from the 1990s (Sir Mix-a-Lot's "Baby Got Back," Tool's "Sober," TLC's "Waterfall," and Fatboy Slim's "Praise You) and discuss the evolution of the music video as a form.

For the final episode of Finchuary, we return to the cult classic Fight Club (1999). We talk the film's examination of late capitalist alienation, its representation of masculinity, and who we would fight if we could fight one person.

On the second episode of Finchuary, we are divided in our discussion of The Game (1997). We talk the film's plot twists, its interest in conspiracy and corporate bureaucracy, and the building where Sonic dropped his rings.