For the final episode of our series on Tim Burton, we return to The Nightmare Before Christmas (1993). We talk the film's stop motion animation, its relationship to other Burton classics, and why mad scientists shouldn't invent creatures to satisfy their horniness.

Take two of our episode on Beetlejuice. After Andy loses his mind at Domino's Pizza, we talk the film's black humor, its bureaucratic conception of the afterlife, and the ways it inverts the horror genre. Also, did Tim Burton create the Depression Pixie Dream Girl?

We go long and silly on the second episode of OctoBurton. The hilarious Derek returns to talk the horniness of Batman Returns, the suburban nightmare of Edward Scissorhands, and Danny Elfman's iconic, beautiful scores.

Our first in a month-long series on Tim Burton. We look back at Batman (1989) and talk Burton's directorial decisions, how the movie differs from contemporary superhero action films, and Jack Nicholson's iconic performance as The Joker.

After discovering he was the Hegel Wife Guy, Adam was unable to record this week. Please enjoy this unlocked review of the new IT remakes. To pay for more terrible episodes like this one, become a patron at patreon.com/stoprewindpod

We remember the late great Daniel Johnston and talk his music, his status as an outsider artist, and the enduring trope of the mentally ill genius.

On this special episode, we #neverforget the terrorist attacks on 9/11. We look at some of the albums that were released on September 11, 2001, consider the impact of 9/11 on music and video game censorship, and why Dave Matthews was not allowed to come into you in the days after the attacks.

Our friend Daniel returns to discuss the controversial and important film, Falling Down (1993). We talk the film's conversation with American capitalism and alienation, racism and violence, and what it means to make art about bad people. Also, Adam finally quotes Hegel.

We return after a two week hiatus to discuss a classic of the decade, Men in Black. We talk the possibility of extraterrestrial life, the Oscar-worthy performance by Vincent D'Onofrio, and why we are absolutely insignificant in the vast expanse of a godless universe.

We cover the new reboot of The Lion King and its relationship to the classic 1994 version. We talk the film's uncanny realism, the broader trend of franchise reboots, and why Hollywood has given up on making films that demand anything from viewers.