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We watched the original, animated Aladdin (1992) and immediately watched the new, live-action Aladdin. We talk differences and similarities, racial politics, casting, and why Will Smith does a surprisingly good job in a role originally made for Robin Williams.

Please enjoy this unlocked episode from our Patreon, which was a companion to our episode on 1994 (the year that everything happened). We talk about Reagan, serial killers, mass shootings, AIDS, Karate Kid, Bill Cosby, and a rundown of some of the major films and albums of 1984, the year we were both forced to be alive.

To celebrate the troops on Memorial Day, we revisit Con Air (1997),one of the most insane films ever made. We talk the film's morality tale, its obsession with criminal deviance, and Nicolas Cage's terrible southern accent.

Our good friend Daniel joins us to discuss Mike Patton and Faith No More. We talk the band's influence on the development of the nu metal genre, the roles of irony and sincerity in rock, and the the politics of music after the end of history.

To celebrate the beginning of Ramadan, Susan and Nora return for a discussion of the Hulu series Ramy, written and directed by Ramy Youssef. We talk the show's handling of Arab-American culture, faith, racist uncles, hard drugs in Cairo, millennial malaise, and having a wet dream about Osama bin Laden.

We return to the Bright Eyes album "Fevers and Mirrors," which turns 19 years old this month. We talk Conor Oberst, sad music for sad people, and how the emo genre made late 90s affluence something to be upset about.

Our friend Javier joins us to discuss Adam Sandler's breakout films, Billy Madison and Happy Gilmore. We talk the dumb guy hero fantasy, sexual desire, and why the villains are the only good characters.

We're joined by comedian Donni Saphire to discuss the seminal Kevin Smith film Clerks. We talk shitty jobs, sexual relationships, the film's many memorable lines, and the logistics of sucking your own dick.

For the second episode in our April Fool's comedy series, we discuss the classic Wayne's World (1992). We talk the film's dirtbag humor, its self-referentiality and endless homage, and how it accidentally put "Bohemian Rhapsody" back on the charts.