It was an honor and a joy to sit down (virtually) with Jabari Asim and talk about just how a man with five children and a big deal job manages to be so productive across so many genres.

Best-selling author of three novels and two story collections, Ann Packer sat down with us to talk about writing for herself on her own schedule, about two different kinds of revision, about having a sense of the emotional shape of a book before she begins.

Adam Wolpert is a painter who blogs beautifully about the creative process, and our conversation began by looking at the moment when you're shifting out of a big a long extended project and finding the next one--something writers certainly face as well. This led into an exploration of the powers of creative constraints, of setting limits on your projects--and the unexpected and deep freedom that produces.

Heather Haggerty and Nanou Matteson are a superteam of film producers who brought us the recent award-winning comedy starring Rita Moreno and previous Story Makers podcast guest Steve Goldbloom. Their film East Side Sushi has also had remarkable success. We dig into the creative side of marketing your art and its connection to your values, about when and how to consider your audience, about keeping your budget small and your quality high.

We had a lively and important conversation with author, publisher and literary curator Peg Alford Pursell, about the publishing landscape and how writers can successfully interact with it. Peg, who runs the popular reading series Why There Are Words, is launching an independent press with the same name.

My conversation with Angie Powers, co-host of Story Makers Show, began with the process and pleasure of telling yourself a story. We discussed what she did and did not get from her MFA program, including an understanding of structure and revision, which led us into the art of revision and the relationship between revision and planning or structure.

We had such a rich and helpful conversation with the multitalented Janis Cooke Newman, author of memoir and novels, editor of the newly launched Technically Literate column of fictional short stories on CNET, and leader of LitCamp. We talked about the isolation of writing and ways to undercut that.

We had a far-ranging conversation with the multi-talented author of the trilogy The Wolf Chronicles, professional developmental and acquisitions editor and now, first-time screenplay writer Dorothy Hearst. She shared how her ideas and inspirations arrive and develop, how science can thicken a plot, negative self-talk (the downfall of many writers), and so much more.

Problems with sound? Extras don’t show up? In this far-ranging conversation with filmmaker Juan Davis, a writer/ director with experience in sound, editing and just about every other area of film, we learn just how projects morph and problems can shape a stronger film in the end. From giving voice to the voiceless and showing a film about terrorism in troubled times to the art of transitions, arc and ambiguity, this conversation will inspire story makers of all stripes.

This was such a helpful and inspiring conversation with new literary agent Jennifer Soloway, who went to grad school with Angie and who shares her journey to becoming an agent, how she fell in love with the work, her process for selecting clients, how to pitch your work, what she looks for, how she edits, and so much more.