Host Meg Wolitzer presents three stories in which reality contrasts with the dreams, perceptions, and actions of the characters.In “The Leap,” by Louise Erdrich, a mother’s unusual skill set changes the outcome of events.  The reader is Elizabeth Reaser.  In “Death and the Lady,” by Ben Loory, even the Grim Reaper harbors illusions.   And his parents’ damaged marriage haunts an adult child in Delmore Schwartz’s “In Dreams Begin Responsibilities.” Both the Loory and the Schwartz are read by multi-talented actor Denis O’Hare, and Wolitzer talks to him about his craft.

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In this bonus feature, host Meg Wolitzer talks with actor Denis O’Hare about his craft, and his approaches to readings of the two very different stories on this program.

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This story is one from our archives, by Paul La Farge. Pay attention because the author delivers lots of little hints about what is happening behind the scenes—to the protagonist, and the peripheral characters, too. But it isn't clear until the very last moments of the story exactly what kind of a story we've been listening to. La Farge is the author of novels including Luminous Airplanes and The Night Ocean. He unfortunately died in 2023 when he was still in his early 50s; and while we never had the chance to host him on the show, he had a lot of friends in the literary world. Reading the story is actor and musician Josh Radnor. Radnor is best known for the series How I Met Your Mother, but he's always busy; recent credits include Fleishman Is in Trouble and Hunters. Aparna Nancherla hosts this episode.

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Stories of high drama from America's workplaces — surprising, emotional places full of the greed, jealousy, and ambition of real politics.

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Prologue: We hear three stories of how conflicts are resolved in offices. Two of those stories come from sociologist Calvin Morrill, who studied the executive suites at a number of large companies in his book The Executive Way: Conflict Management in Corporations. The last story comes from host Ira Glass, who talks about how he ended up punching his own boss in the stomach in front of all his co-workers. (12 minutes)Act One: Starlee Kine with the story of a company in turmoil. A young employee gets in a jam and discovers that in times of trouble, when all else has failed, companies in her industry turn to one woman in a suburban home in Long Island, who solves their corporate problems while the TV plays in the background. (12 minutes)Act Two: David Rakoff discusses the world of birthdays and other holidays, as they're celebrated on the job... and what happens when you call yourself an editorial assistant but the editor you're assisting calls you a secretary. He read this story before a live audience at Town Hall in New York City, during a This American Life live show. (15 minutes)Act Three: Julie Snyder explains the office politics of street vendors on the corner of Sixth Avenue and Eighth Street in New York City. With her is sociologist Mitch Duneier, who spent years working with the vendors and writing about them for his book Sidewalk. (14 minutes)

Transcripts are available at thisamericanlife.org

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Host Meg Wolitzer presents two stories by the extraordinary Japanese writer Haruki Murakami that demonstrate the breadth of his emotional imagination over a career of 35 years.  In an early story, “The Window,” a professional letter-writer recalls an intimate encounter with a woman, and a hamburger steak.  The reader is Mike Doyle.  In the later story, “Kahu,” read by Jennifer Ikeda, a woman goes on a blind date, only to be blindsided. Both stories were recorded at the Japan Society in New York City, as part of an ongoing collaboration with Selected Shorts.

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People deciding to do things that most of us do NOT choose to do. 

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Prologue: A new documentary called The Boys and the Bees captures a moment where a six-year-old has a very unlikely wish. And his dad decides to grant it. Host Ira Glass talks with filmmaker Arielle Knight about what happens next. (9 minutes)Act One: John Tothill tells the story of Edward Dando, a 19th-century British glutton who would eat hundreds of oysters at a time and then run out on the check. And makes the case that we should all be more like him. (15 minutes)Act Two: Producer Tobin Low listens in as Evan Roberts calls up an ex for the first time in years.  And tries to make the case that they should have been friends all along. (16 minutes)Act Three: Producer Zoe Chace brings us a dispatch from a courtroom in Texas this week, where on the very first day of a landmark federal trial about Antifa, the judge makes an unusual decision that no one sees coming. (15 minutes)

Transcripts are available at thisamericanlife.org

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