What happens when a new guy comes on the scene and changes the way everyone relates to each other?

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Prologue: Ira talks with Sarah Koenig about the first and only time a movie star came to her family's house when she was a kid. It didn't go well, for the celebrity or for her. The star was Robert Redford. He arrived and immediately stole all the attention her parents usually lavished on her, their youngest. Worse, they were nervous and strange around him, not themselves at all. Young Sarah was not pleased. Robert Redford paid the price. (6 minutes)Act One: Davy Rothbart's mother is funny, rational, and by most measures, pretty normal. Except that she spends every day in the company of an ancient Buddhist monk named Aaron, who no one else can see. Davy talks to his brothers, father, and eventually his mom, and asks the question they've somehow never managed to discuss: do any of them actually believe he's real? (26 minutes)Act Two: Congressman Jesse Jackson, Jr. had always lived in the shadow of his father's name. But just before his primary, an aide delivered strange news: a second Jesse Jackson had appeared on the same ballot — a retired truck driver with no political experience. Ira reports on whether it was a coincidence or mischief orchestrated by the Congressman's rivals. (9 minutes)Act Three: Jonathan Goldstein and Heather O'Neill tell the true story of a man trying to wedge himself into an idyllic family of two. For the first few years, Heather's daughter Arizona was not very fond of Jonathan. He ranked nineteenth on her list of favorite people, behind the neighbor's dog and the plumber. (15 minutes)

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Host Meg Wolitzer presents three works that crossed the boundaries between fiction and film for our collaboration with this prestigious New York film Festival. An eerie game has unexpected consequences in Richard Matheson’s “Button, Button,” performed by Marin Ireland. Michael Stuhlbarg gives a rousing performance of Lewis Carroll’s “Jabberwocky;” and Andrea Martin reads the story that inspired the Hollywood classic All About Eve—Mary Orr’s “The Wisdom of Eve.”

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M. Gessen returns to our show with a true-crime story that takes place entirely within their own family. This story comes to us from the producers at Serial Productions—who invented the true-crime podcast more than a decade ago—and from The New York Times.

Act One: M Gessen tells Ira Glass about the surprising events that prompted them to begin reporting on their own family for their new podcast, The Idiot. They play the first episode of the series. (14 minutes)Act Two: Ira Glass and M Gessen continue to talk through the story of M’s cousin, Allen Gessen. They play more clips from the podcast, and we finally hear about the big, shocking thing that snapped their family apart. (20 minutes)Act Three: M Gessen tells Ira Glass about Allen’s trial, and we hear a recording of his conversation with the undercover agent. (21 minutes)

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Host Meg Wolitzer presents two stories from the volume Best American Short Stories 2025, selected by guest editor Celeste Ng.  In “An Early Departure,” by Jessica Treadway, a family relationship is altered in a moment at the train station. The reader is Cynthia Nixon.  In “Third Room,” by Julian Robles, an apartment, and its mysterious tenant, take on lives of their own.  The reader is Ivan Hernandez.   

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In the early days of the radio show, Ira did a series of interviews with his parents that completely changed his relationship with them. This week, he returns to those interviews.

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Prologue: Ira talks about why four conversations reveal how his relationship with his parents changed. (4 minutes)Interview One: Ira’s mom, Shirley, is invited to lead a discussion about how to get along with your adult children. Her adult children question her expertise. (9 minutes)Interview Two: Ira asks his parents for advice on how he should build the radio show. His parents don’t hold back. (9 minutes)Interview Three: Ira talks with his dad, Barry, about Barry’s own brief and doomed career in radio. (21 minutes)Interview Four: An interview with Ira’s mom that, to this day, makes Ira’s skin crawl. (13 minutes)

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