On today’s date in 1930, Igor Stravinsky’s “Symphony of Psalms” received its American premiere by the Boston Symphony. The Russian-born conductor and new music impresario Serge Koussevitzky had commissioned the work to celebrate the Boston Symphony’s 50th anniversary.

Stravinsky later said that for some time he had been carrying around in his head the idea for a choral symphony based on psalm texts. Since Koussevitzky’s commission was for “anything Stravinsky had on his mind” that is exactly what emerged. The dedication on the finished score read: “This symphony, composed to the glory of God, is dedicated to the Boston Symphony Orchestra.” The phrasing might seem a little odd, but apparently it was quite sincere.

Even though Stravinsky is on record stating that “music is, by its very nature, essentially powerless to express anything at all,” in his “Symphony of Psalms,” Stravinsky gave powerful expression to his own very deep religious convictions. Koussevitzky’s performance was supposed to be the world premiere of the new work, but the conductor took ill, forcing the originally scheduled December 12th world premiere in Boston to be postponed until the 19th, by which time a European performance of Stravinsky’s new score conducted by Ernest Ansermet had already occurred.

No matter. Koussevitzky had the satisfaction of knowing that he had commissioned a masterpiece. Stravinsky’s “Symphony of Psalms” has come to be regarded as one of the great sacred works of the entire 20th century.