The King's Singers is a 6-member British vocal group that was established in 1968, before its current members were even born! The a capella ensemble is internationally celebrated for its broad repertory, virtuosity, charming audience connection, and versatility of musical genres. Chris Bruerton and Nick Ashby are the two baritone singers in the group, and they joined Suzanne in the studio to talk about what it's like to carry on the longstanding King's Singers traditions and craft the group's evolution.

Patricia Ann Neely has a broad range of accomplishments and intellectual interests. She is a professional musician with experience in historical performance practice playing viola da gamba, vielle, violone and double bass. She's performed with prominent early music ensembles all over the world, and has founded her own groups, including Parthenia consort of viols and Abendmusik - New York's Early Music String Band. Pat Neely and Suzanne chatted about her introduction to music, and her career as a performer, teacher, and arts administrator.

Even as a child, Awadagin Pratt had many interests and talents. He was an excellent student, and he excelled at music and tennis with seriousness and intent beyond mere hobbies. He spoke with Suzanne recently about how he made the choice to pursue music when he realized it was the thing he could not live without. They also chatted about his recording projects - past and future - and other milestones in his career as a performer and teacher.

Lee Pringle is passionate about music. He's a singer and conductor with an exciting career that spans musical genres including classical, African American spirituals, and more. Lee Pringle is also passionate about shining a bright light on music, musicians and history that have been overlooked for far too long. He spoke with Suzanne via Skype about some of his many musical projects.

Most people who play period instruments like viola da gamba and baroque violin start their training using the modern versions of those instruments and ultimately stumble onto their Baroque ancestors. Usually they are adults, often training as musicians in college or working as professionals. But thanks to a unique and groundbreaking program founded by Angelo Moreno at Davis High School in Davis, California, students at the public high school can perform on period instruments using gut strings and baroque bows. Mr. Moreno established the DHS Baroque Ensemble, the first group of its kind at the high school level in the USA.As the group prepares to go on its third European concert tour, Angelo Moreno spoke to Suzanne Bona from the studios of Capital Public Radio in Sacramento.

For more than 15 years, the Naive recording label has been releasing performances of a huge collection of autograph manuscripts by Antonio Vivaldi contained in an archive in Turin, Italy. The extensive and varied contents illuminate the extent of Vivaldi's prolific and creative genius - an extraordinary cross-section of concertos, operas, and sacred music. Susan Orlando is the artistic director of the project, and she recalled one super-fan's message that the project should be worthy of a Nobel Prize because of its power to be 'better than Prozac' in helping her stay relaxed and content. Susan Orlando spoke with Sunday Baroque host Suzanne Bona via Skype about the Vivaldi Edition.

Viola da gamba player Patricia Halverson, baroque violinist Andrew Fouts, and theorbo and baroque guitar player Scott Pauley are the core members of the Pittsburgh-based group Chatham Baroque. The ensemble specializes in innovative programming of both well-known and lesser known baroque music and musicians, and they promote their work through a thriving concert series, acclaimed recordings, and a well-established outreach program. The three outstanding musicians appreciate the great rapport they share, and are proud of Chatham Baroque's continued growth and expansion. They chatted with Suzanne about their music and their successful business model.

Richard Egarr is an internationally renowned harpsichordist, organist, conductor and baroque music expert. Since 2006 he has been Music Director of the Academy of Ancient Music, founded by Christopher Hogwood in the 1970s. Now he has signed a five-year contract to serve as music director for another prestigious early music group. Suzanne spoke with him about his exciting new gig, his extraordinary career, and a few of his guilty musical pleasures.

Violinist Rachel Barton Pine and harpsichordist Jory Vinikour are both internationally acclaimed musicians. They're also old friends. The warmth of their personal relationship is evident in their performance of Johann Sebastian Bach's Violin and Harpsichord Sonatas on their 2018 CD, and it shines through in their easy, playful rapport when they spoke with Suzanne.

Harry Bicket is an acclaimed conductor whose specialty is baroque music. He is Artistic Director of The English Concert (the British period instrument ensemble) and Chief Conductor/Music Director of Santa Fe Opera, and his international conducting engagements have included performances at the Metropolitan Opera and Lyric Opera of Chicago, Los Angeles Chamber Orchestra, Cleveland Orchestra, Cincinnati Symphony Orchestra, Los Angeles Philharmonic, Boston Symphony Orchestra and Messiah with the New York Philharmonic. The Handel expert sat down for a conversation with Suzanne about his fondness for certain other Liverpool musicians, and how he achieved his "proper career" quite by accident.