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We’re really pulling out all the stops this week for our last episode of the season! We’re taking a hiatus, but going out with a bang, discussing Zadie Smith’s ‘Intimations’ and then answering some questions from our fave fans! We’ll miss you over the break, so keep in touch at [email protected] - love you tonnes!
Links mentioned:
Rilke on breakups https://www.brainpickings.org/2018/09/26/rilke-breakup/
Is cancel culture real? Is it a problem? Is it coming for us and you too? In this episode, we reflect on "A Letter on Justice and Open Debate," published via Harper's Magazine, as a starting point for a discussion on free speech in this moment. We'd really love to hear your thoughts on this one, so please do send them through to [email protected]
Texts mentioned:
The letter & the counter-letter https://harpers.org/a-letter-on-justice-and-open-debate/ & https://theobjective.substack.com/p/a-more-specific-letter-on-justice
John McWhorter, 'Our Oppressive Moment' https://quillette.com/2020/07/29/our-oppressive-moment/
William Davies, 'Who am I Prepared to kill?' https://www.lrb.co.uk/the-paper/v42/n15/william-davies/who-am-i-prepared-to-kill
Zadie Smith on JG Ballard https://www.theguardian.com/books/2014/jul/04/zadie-smith-jg-ballard-crash
The sparkling wine and wit flow on this episode as we discuss Zahra's gynaecologist appointment, the Leon Schuster/Showmax scandal, and (as promised!) the first half of Robin DiAngelo's 'White Fragility'! Please feel free to share your thoughts with us at [email protected]
Some days you wake up and your nose is missing. Some days you wake up and it's another fokken day of lockdown. But how is the distance from other bodies changing our relationship to our own bodies? In this episode - our first as 22 year olds! - we chat bodies, binaries, and, most importantly, beignets from @eggandshoulders. As always, contact us at [email protected] with updates from the quar or to notify us of missing limbs. Texts mentioned: Simon Shepherd's "Lolo's breasts and a wooden Christ" (for the cyborg in performance theory) and Alison Adam's "Artificial Knowing: Gender and the Thinking Machine" (for the cyborgian mindfucking with the mind/body split)
From the publisher's feed