Suspense - Radio’s Outstanding Theater of Thrills

Originally Aired: March 23, 1943

In Suspense #34, “The Customers Like Murder,” mystery writer Gerald Hockstone gets more than he bargained for when he’s mistaken for a doctor and kidnapped by two gangsters hiding out in the English countryside. Alongside his quick-witted secretary, Patricia, Hockstone is dragged into a bizarre blackmail plot involving the kidnapping of the Lord Chief Justice. With bombs falling overhead and thugs demanding medical assistance for their hostage, the author must use every ounce of his fictional crime knowledge to outwit real killers. Roland Young and Peggy Conklin shine in this witty, fast-paced tale of mistaken identity, satire, and suspense.

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Originally Aired: February 23, 1943

In Suspense #30, “Will You Walk Into My Parlor?” an English garden party turns sinister when American visitor Philip Lester’s fiancée insists on visiting the fortune teller’s tent. But the turbaned “seer” is no mystic—he’s a Scotland Yard inspector investigating a string of poison murders tied to a mysterious woman. When Mary Sherwood enters the tent, the inspector recognizes her face... and her pattern: three husbands, all dead. What follows is a tightly coiled blend of mistaken identity, charm, and sudden violence. Starring Geraldine Fitzgerald and Cedric Hardwicke, this tale by John Dickson Carr delivers its final shiver with cold-blooded precision.

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Originally Aired: March 2, 1943

In Suspense #31, “The Night Reveals,” fire insurance investigator Harry Jordan begins to suspect his wife Marie of sneaking out at night—coinciding eerily with a series of arson fires across the city. As inconsistencies in her alibis mount, Harry uncovers chilling clues: matchbooks hidden in her purse, suspicious newspaper clippings, and a scorched family locket found at a fire scene. But the truth proves more twisted than he imagines. Is Marie the arsonist—or is Harry himself losing his grip? A searing psychological drama by Cornell Woolrich, brought to life by Robert Young and Margot in a blaze of suspicion and denial.

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Originally Aired: February 9, 1943

In Suspense #28, “The Hangman Won’t Wait,” a young woman named Helen Barton awakens in a prison cell with no memory—only to discover she’s been convicted of murder and scheduled for execution at dawn. Dr. Gideon Fell is called to investigate and slowly unravels a web of deceit, emotional trauma, and circumstantial evidence. With mere minutes to spare, Fell uncovers a critical forensic flaw involving a bullet's trajectory and a telltale waistcoat, turning the case on its head. Featuring Sidney Greenstreet as the brilliant sleuth, this masterful locked-room-style mystery proves that sometimes, a tiny detail can mean the difference between death and justice.

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Originally Aired: February 27, 1947

In Suspense #234, “Three Faces at Midnight,” Brooklyn bruiser Sylvester "Muscles" Walters stumbles into a “job” that lands him in the middle of a political blackmail plot involving a governor, a suitcase stuffed with cash, and a setup that smells like week-old fish. Muscles must impersonate a man named John to frame a crooked official, while a mysterious woman films the deal from the shadows. But when bullets fly and bodies fall, Muscles and his reluctant partner find themselves fugitives with a briefcase full of danger—and a roll of film that could clear their names or doom them. William Bendix shines in this hard-boiled noir caper laced with comedy and chaos.

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Originally Aired: February 20, 1947

In Suspense #233, “Always Room at the Top,” Helen Brandt is a sharp, determined advertising artist who claws her way into a top position after the sudden death of her predecessor in a mysterious fall from a skyscraper. But Helen's ascent is shadowed by whispers, hauntings, and a tightly wound secretary named Marie who knows far too much. When Helen discovers that her boss and new lover is entangled in an insurance fraud scheme involving the supposedly dead woman, the stakes turn lethal. Ann Baxter stars in this unnerving tale of ambition, deception, and a final twist that traps its players in a gilded cage.

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Originally Aired: February 13, 1947

In Suspense #232, “The Thirteenth Sound,” Mrs. Sally Skinner is the perfect widow: poised, respected, and seemingly heartbroken after her husband's mysterious shooting. But behind her calm demeanor is a cold-blooded killer—whose perfect murder begins to unravel not from evidence, but from a sound. At the coroner's inquest and again during a concert, a specific noise—a blackboard scratch, a dissonant tone—triggers a violent response in Sally, revealing cracks in her composure. Agnes Moorehead delivers a riveting performance in this psychological thriller where guilt echoes louder than any proof.

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Originally Aired: February 6, 1947

In Suspense #231, “End of the Road,” automobile salesman Speed Evans falls for a mysterious, alluring woman named Sylvia—who happens to be married to a wealthy, limping older man named Ganlon. As Speed becomes entangled in a reckless affair, he’s drawn into Sylvia’s haunting past, where childhood trauma and a deadly mine explosion shape a dark destiny. Sylvia’s fractured psyche, laced with vengeance and violence, turns their romance into a nightmare. A chilling noir anchored by Glenn Ford’s intense performance, this tale unspools a twisted journey toward truth, love, and a fatal reckoning.

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Originally Aired: January 30, 1947

In Suspense #230, “Three Blind Mice,” embittered publisher Arthur Lockwood hatches a ruthless scheme to reclaim control of his firm—and the affections of a colleague—by exploiting a partner’s terminal illness and framing another for murder. With timing, trickery, and a tampered suicide, Lockwood clears his path to power. But when his new bride turns out to be far more cunning than he anticipated, the manipulator becomes the manipulated. Starring Van Heflin, this twist-heavy tale of betrayal, blackmail, and poetic justice plays like a noir chess match with deadly stakes.

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Originally Aired: January 23, 1947

In Suspense #229, “One Way Street,” young ex-convict George returns to the slums of London after a stint in prison, only to find his crooked Uncle Burt has married a kindly widow, Edna. But George suspects the union is a ruse for Burt to inherit her money—and when he finds rat poison stored ominously beside her medicine, the line between suspicion and complicity blurs. As Burt subtly draws George into a silent pact, the boy must decide whether to betray his last shred of morality. Roddy McDowall delivers a gripping performance in this dark tale of poverty, manipulation, and redemption.

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