This morning's episode drifts into the fog as we talk about The Lighthouse, a film that blurs sanity, myth, and isolation into one. Oscar & Tinsley will dive into the tension between the two keepers, the slow raveling of their minds, and the optimistic way the film releases you in its spiral. As they unite characters , imagery, and themes, be surprised if the discussion wanders. Open the door, brighten the lights, and keep your wits about you.

On the 18th episode of The Tomorrow Show with Sweet Dreams A.M., we’re stepping into something liminal. Something sterile, beige, and humming with the quiet dread of cubicle life. Oscar is talking about Corner Office, a film that pulled him in from the trailer alone. There was something about it, and honestly? The sight of Jon Hamm like you’ve never seen him before. Orson, a man who doesn’t quite fit. From the moment he enters the office building, things feel slightly off. And it only gets stranger when he discovers a room no one else seems to acknowledge. Oscar will walk through the plot, how the film builds its surreal tension, and the performance Hamm delivers. But then comes the real question of what does it mean? The film never lays it out, but there’s plenty to dig into. Oscar encourages for you to stick around as this one doesn’t just make you think but it makes you rethink the way we view productivity, perception, and the silent alienation tucked between elevator doors and quarterly reports.

On this episode of The Tomorrow Show with Sweet Dreams A.M., things get eerie fast. The movie Late Night with The Devil instantly brought to mind the real-life case of Paco Stanley, who was a beloved TV host whose public persona shattered after his shocking demise. Oscar gives a quick rundown of that case before diving into what pulled him toward this film in the first place. His soft spot for the golden age of late night television like the hosts Johnny Carson, Tom Snyder, Letterman, and more. A plot rundown on how this is a found footage film. Towards the end, Oscar talks about the parallels between fiction and fact, like how Carmichael Haig clearly echoes James Randi, and how the film’s shadowy "Grove" has more than a passing resemblance to the real-world Bohemian Grove. By the end, this one leaves you asking questions about the occult and what forces might be lurking behind not just in Hollywood but maybe closer than we think.

On this episode of The Tomorrow Show with Sweet Dreams A.M., we dive headfirst into The Gentlemen which is a slick return to form for Guy Ritchie, who brings his signature chaos, sharp dialogue, and British grit back to the screen. Oscar talks about what made him hit play on this one in the first place, like Ritchie going back to his bread and butter blueprint, and the pleasant surprise of discovering Hugh Grant. From there, we get into the plot, the crime web, and the utterly bizarre but entertaining characters that weave through it. Oscar wraps things up, as he gets into some current talk about Sherlock Holmes 3 rumors and more information in this episode.

On this episode of The Tomorrow Show with Sweet Dreams A.M., Oscar dives into what dragged him into watching the film: Henry Cavill’s dumbass haircut, Sam Rockwell being Sam Rockwell, and a trailer that looked like it would be a blast to watch. Before the movie breakdown, Oscar talks about hitting up a record convention and stumbling on a Japanese pressing of a Supertramp album specifically being Breakfast in America. There are moments of joy which you may experience with Oscar before it goes into a cinematic film mess. Then it’s all about the movie’s plot, the weird choices, and whatever else unravels along the way as Oscar tells it as it is. After the breakdown, there are facts shared and some remaining thoughts on Henry Cavill.

The Tomorrow Show with Sweet Dreams A.M. kicks off with a reworked format: segments in which Oscar can talk about almost any topic, movie review. There was news that Music + Talk features no longer exist, meaning that there will be no music breaks. The episodes still included the introductions to the music breaks, but no music will play. There will be links within Spotify and episodes that will lead to the music that is presented/recommended, we got here as a society and why it exists. Then it’s a full breakdown of Clue (1985), the murder mystery that comes with multiple endings, wild performances, and a script that somehow holds together by pure energy. Oscar walks through the plot, rants about what hit and what might have not, then drops some behind-the-scenes facts that make the whole thing better.

For the 16th episode, Oscar and Tinsley dive into Wanted, directed by Timur Bekmambetov, a bullet-bending, logic-defying rollercoaster where chaos reigns supreme. Things kick off with Oscar making an absurd point about just how far men will go to impress a "baddie," even if it means completely ignoring their common sense. In the Mystical Sentient Typewriter segment, things spiral even further into madness as Oscar is forced to figure out which ridiculous gameshow is real among a pile of even more ridiculous fakes (hint: none of them make any sense). And in true Sweet Dreams fashion, the episode dives into another absurdity: questioning the accuracy of "the weave" that supposedly controls fate, especially when history has been packed with horrible people who somehow never got caught in its threads. Between desperate men, absurd gameshows, and cosmic injustices, it’s all staying in episode sixteen of Sweet Dreams A.M. LIVE!

For the 15th episode, Oscar and Tinsley dive into Suicide Squad (2006) by David Ayer, a chaotic clash of villains, bad decisions, and even worse character logic. Things start off with Oscar going off about a channel about growing up Italian, where American-Italians desperately try to portray themselves as authentic but end up acting more like off-brand extras from The Sopranos or Goodfellas. The jokes come fast, and the absurdity doesn’t slow down. Oscar tears into the bizarre character lineup, questioning how any of these villains are supposed to stand a chance against a literal goddess. Then, there’s a brutal takedown of Jared Leto’s Joker, whose performance is so horrendous it practically becomes its own horror show. To top it off, Oscar and Tinsley share a wild moment imagining what they would do if, like the characters in the film, the nanobombs keeping them in check suddenly got deactivated just pure Sweet Dreams humour. Between fake Italians, impossible villains, disastrous Jokers, and nanobomb-freedom fantasies, it’s all staying in episode fifteen of Sweet Dreams A.M. LIVE!

For the 14th episode, Oscar and Tinsley dive into The Adventures of Sharkboy and Lavagirl by Robert Rodriguez, a technicolor fever dream of imagination, chaos, and questionable narrative logic. The absurdity kicks off fast as Oscar zeroes in on George Lopez’s stereotypical, one-note jokes about being Latino which is a running gag that feels more tired than timeless. In the More Than Ordinary segment, things get even stranger as a preacher appears, hawking outrageously expensive items and a “sinless weapon” you can apparently use without sin. As if that weren’t enough, Oscar spirals into a surreal breakdown about whether anything in the movie was real at all, since it’s revealed the characters were asleep through the chaos of a tornado. Sweet Dreams A.M. LIVE! leans all the way into the madness. Between George Lopez clichés, sinless shopping sprees, and dream logic breakdowns, it’s all staying in episode fourteen of Sweet Dreams A.M. LIVE!

For the 13th episode, Oscar and Tinsley dive into The Tax Collector by David Ayer, a film soaked in blood, bravado, and a questionable amount of mafia glorification. Kicking things off, Oscar delivers a monologue about a girl reading a letter about her uncle — who unalived her parents — and gets genuinely irritated by how disturbingly cheerful she seems about it. From there, the absurdity ramps up: Oscar spirals into a critique of how the movie feels like an unfiltered love letter to criminal life. Then, in true Sweet Dreams fashion, things derail into a bizarre exploration of the "George Lopez Phenomenon" that strange universal experience The George Lopez Show. Oscar doesn't hold back his disdain for the movie either. Between the mafia worship, baffling character reactions, and George Lopez, it's all staying in episode thirteen of Sweet Dreams A.M. LIVE!