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In this episode, I interview Julian Drucker, a music supervisor from LA who has worked on shows like The Shrink Next Door, Handmaid's Tale, The Politician, Love Island, and many more!
We talk about how often music supervisors go for unknown indie artists vs. major artists; how artists and labels should prepare for sync licensing; whether he accepts submissions from artists directly; and how a music supervisor works with a showrunner.
Getting this kind of access to a music supervisor is extremely rare, and we were lucky to get a peek behind the curtain of this incredibly important part of sync licensing.
Download our FREE GUIDE TO SYNC LICENSING at http://otherrecordlabels.com/sync
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5050 ratings
In this episode, I interview Julian Drucker, a music supervisor from LA who has worked on shows like The Shrink Next Door, Handmaid's Tale, The Politician, Love Island, and many more!
We talk about how often music supervisors go for unknown indie artists vs. major artists; how artists and labels should prepare for sync licensing; whether he accepts submissions from artists directly; and how a music supervisor works with a showrunner.
Getting this kind of access to a music supervisor is extremely rare, and we were lucky to get a peek behind the curtain of this incredibly important part of sync licensing.
Download our FREE GUIDE TO SYNC LICENSING at http://otherrecordlabels.com/sync
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