Many singers have a desire to seeing with a powerful and amazing voice. They want to be able to belt an amazing high note at the climax point of the song. In this episode I will talk about some of the problems with the way most people approach belting. And I will Also talk about the strange effect that belting and the desire to belt, can have on you as a professional performer

I can memorize an entire show in four hours. I have done it again and again. I have taught other people to do it. You can do it too.

In this podcast I will break down the highlights of a memory system that I use to memorize songs, shows, set lists, songs of a church service, and even your entire repertoire of music. It’s part focus, part practice method, part memory palace. It all comes together in a perfect unit that’s great for performers of any kind—actors, singers, or public speakers.

When you develop yourself as a singer and performer to the point where you’re considered competent, people have demands of you. Audiences have an expectation. People that direct you have an expectation. People that you work with on stage and backstage and even in the sound booth have expectations for you. This episode is about that level and some of the things I’m working on to help singers to survive when they are in a competent level and are at the border, ready to move to the professional level. Whether you are a dedicated amateur or a professional singer who gets paid to sing, it doesn’t matter. This is about the survival skills you need to take your singing and performing to the next level.

For years practicing as a singer I didn’t ever really know what to do in the practice room. Well I’m working on a book with Audio accompaniment files that is going to help singers know exactly what to do in the practice room. But even better, we’re going to learn how to do it and only 15 minutes a day. It’s building the instrument in a way that’s intense and direct and efficient and your love practicing every day.

Do you ever feel like Knowledge of singing is this strange secretive subject that only some people know about? If you have a voice teacher you might experience the teacher telling you things to do but you don’t know why or where it’s really coming from. I’ve had that experience. Many singers have had that experience. In this episode I’m talking about a new program I’m working on to help singers decode that seemingly secret mystery of singing knowledge. I’m really excited about it and I want to share it with you.

Have you experienced a surge of fear when you’re about to go on stage? On stage, have you felt jitters, fluttering stomach, shaky hands? I have experienced all of those things (and many others) and I found a way to overcome them to the point where I have no fear on stage. And I want to share that with you today.

In this episode, I am giving you tips and tricks even though I am not a big fan of them. I know from experience that fundamentals are the way to build a voice, but I know that sometimes a tip or trick can jumpstart someone, at least for a while. So enjoy these 27 vocal tips and tricma

Do you have any struggles with your voice? Do you ever find fatigue after singing for a while? Sometimes the problem is the range that you’re seeing in. I had that problem and I’ll share some of my stories from my own experience and my experience teaching singers and getting them to find their best range. For some people it could be life-changing.

As a singer who is taking voice lessons or is interested in voice lessons, there’s something you need to know. There is one thing that voice lessons cannot give you. In this episode, I call that the biggest lie in voice lessons. Is the one thing not only important but essential to every singer for every performance.

Would you be willing to sacrifice the special unique sound that you have just to develop vocal power? Would you fix a pitch problem By sounding fake? But some of us do those exact things every day when we work to develop our voices, Whether we are doing it on our own, watching lessons online, listening to a podcast *ahem*, or studying with a vocal coach. It’s so easy to trade your true sound just to fix something in your voice. And this podcast I’ll talk about how I traded my unique sound to develop my voice and what I did to find it again.