Tales From The Jazz Side

Guest drummer, percussionist, bassist, guitarist, composer, Lionel Cordew, rich musical heritage as been a key component in his multifaceted musical career.

My guest this month is another accomplished player that I have had the honor to work with while out on the Michael Franks tour. One of the first impressions you may get when first meeting Lionel Cordew is his open and easy going manner, his willingness to cooperate and to go beyond what is required in order to do the best job that he can. And man, can he do the best job. In fact not only is it the best job, but it is an exceptional job. And you don't have to take my word for it. His resume speaks for itself.

Visit Tales From the Jazz Side website to listen and read more about guest Lionel Cordew.

Tales is coming to you with guest electric bassist/composer/arranger/producer, Jimmy Haslip.

Back in August while playing with Michael and the band in Los Angeles, I had an excellent opportunity to invite this extraordinarily talented and humble gentleman to do an episode of Tales. We conducted the interview backstage after the show. Amidst the noise of the guys packing up and chilling out at the same time, I was able to find out even more information on this fascinating and hardworking musician.

I first met Jimmy back in 1993 when he was still performing with the Yellow Jackets and I had begun touring with the Michael Franks band. As a longstanding member and co-founder of the Jackets, Jimmy took an amicable hiatus from the group in 2013 to use the time to pursue other artistic challenges and most importantly, to focus on his family. From my own personal experience, when you are a successful touring musician you can spend 10 months on the road, so it made sense after touring and playing with the Jackets for 30 years, the time had come for Mr. Haslip to take a break. But Jimmy didn’t take “a break” per se, instead, he only decided to take his brilliance and imagination and apply it to the new musical avenues that opened before him.

“Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.”

I clearly remember when I first launched Tales from the Jazz Side, in June 2013, with Michael Franks being my very first guest, and how grateful I was and still am, to him for sharing his time, life and brilliant mind. Each month I would work on getting guests for the show, recording them, a lot of times while I was on the road with the band. Periodically, Michael would ask me how the show was going and if I needed any help. On one of our backstage chats, he mentioned Jimmy Haslip as a possible guest and offered to connect me to him. The rest, as they say, is history.

In looking back over the past two and half years of episodes and all of the great stories shared by the guests on those past shows, it seems that what has been a reoccurring point, centers around the necessity for focused discipline coupled with hard work. If anyone represents that ideal it is certainly Jimmy Haslip. Next to Buddy Williams and the late James Brown, he has to be the hardest-working man in show business. Besides his willingness to work smart and diligently, Mr. Haslip is a living and brilliant example of someone, whose love for music, for creating value in life and art, is the guiding force that motivates and inspires him to constantly embrace new challenges. As you listen to this interview you will wonder, where does he find the time? Well, he does find time for his craft as well as for his beautiful wife and family.

What an honor and a privilege to close out and open the year with this month’s guest. Jimmy Haslip, is a musician steeped in the old tradition, while simultaneously breaking ground for new tradition. A true innovator. And that is a very rare thing these days.

Happy Holidays and thank you all for reading and listening!!!!!

Tales is coming to you with guest vocalist/songwriter Sheila Jordan.

“Sheila Jordan is one of the Jazz world’s best kept secrets.”
– Blue Note –

With 51+ albums to her credit, how could she be the best kept secret? People “in the know”, and what I mean by that, people who are true jazz lovers and listeners definitely know who Sheila Jordan is and what is so uncommon about her. She is one of the first vocalist to perform exclusively using just a bassist. When they speak about song stylist, story tellers, makers of history, Ms. Jordan is smack dab in the middle. Starting from her humble beginnings in the coal mining town of Pennsylvania to Chicago, where there, she dared to cross the lines of ignorance, willingly standing up to irrational racism. Her days in New York City. Her unique relationship with Charlie Parker, all the while living, performing , yes singing. That is where her heart was and still is to this day.

This legacy interview gives us all the opportunity to listen to the history of  jazz and how it was perceived by one of the world’s rare and ingenious vocalist. Ms. Jordan’s career spanning over 80 years speaks directly as the voice of the original generation of  jazz. You can’t know jazz or understand jazz unless you have heard this story. Sheila Jordan’s story.

“Gliding, soaring on the wind. You’re a sight of glory
Flying way up there so high. Wonder what’s your story?”
                                    from Bird Alone by Abbey Lincoln

No longer to wonder, now is to know. I feel very honored to have Ms. Sheila Jordan on this episode of Tales. I’ve listened to her unique and original song styling for most of my musical life and have discovered that appositeness of subtly is definitely an obscure concept these days. Most singers today, sing using acrobatics, digital voice assistance, bells and whistles, anything and everything goes, all running after the latest sound that is most heard and familiar. And then there are the true innovators. The singers who find the illusive truth of the self that is all too often hidden between the notes and words. For Ms. Jordan that truth is her ever constant companion and together they move as one in the world offering to each listener an experience that is rare, profound and colored by love.

During the interview, we spoke on these things and I wanted to list them here so that you can check them out and discover all the wonderful things about this extraordinary woman.

A recording on Riverside (For out of work coal miners) – You Are My Sunshine, (written by ? no one knows for sure)

“The Outer View” George Russell (1962)
Don Ellis (tp); Garnett Brown (tb); Paul Plummer (ts); George Russell (p); Steve Swallow (b) Pete LaRoca (d); Sheila Jordan (voc)

Queen Aliquippa and the town named after her.

Links to explore:
Queen Aliquippa: The Untold Story
Queen Aliquippa: A Resume
Queen Aliquippa – Google Search

Visit Sheila Jordan website to get the latest on her upcoming performance, her music, her workshop series and the latest news and releases.

b. Sheila Jeanette Dawson, Nov. 18 1928, Detroit, Michigan, USA.

Raised in poverty in Pennsylvania’s coal-mining country, Jordan began singing as a child and by the time she was in her early teens was working semi-professionally in Detroit clubs. Her first great influence was Charlie Parker and, indeed, most of her influences have been instrumentalists rather than singers. Working chiefly with black musicians, she met with disapproval from the white community but persisted with her career. She was a member of a vocal trio, Skeeter, Mitch And Jean (she was Jean), who sang versions of Parker’s solos in a manner akin to that of the later Lambert, Hendricks And Ross.

After moving to New York in the early 50s, she married Parker’s pianist, Duke Jordan, and studied with Lennie Tristano, but it was not until the early 60s that she made her first recordings. One of these was under her own name, the other was “The Outer View” with George Russell, which featured a famous 10-minute version of “You Are My Sunshine”.

In the mid-60s her work encompassed jazz liturgies sung in churches and extensive club work, but her appeal was narrow even within the confines of jazz. By the late 70s jazz audiences had begun to understand her uncompromising style a little more and her popularity increased – as did her appearances on record, which included albums with pianist Steve Kuhn, whose quartet she joined, and an album, Home, comprising a selection of Robert Creeley’s poems set to music and arranged by Steve Swallow.

A 1983 duo set with bassist Harvie Swartz, “Old Time Feeling”, comprises several of the standards Jordan regularly features in her live repertoire, while 1990’s “Lost And Found” pays tribute to her bebop roots. Both sets display her unique musical trademarks, such as the frequent and unexpected sweeping changes of pitch, which still tend to confound an uninitiated audience. Her preference to the bass and voice set led to another remarkable collaboration with bassist Cameron Brown, whom she has been performing with all over the world for more than ten years so far and they have released the live albums “I’ve Grown Accustomed to the Bass” and “Celebration”. Entirely non-derivative, Jordan is one of only a tiny handful of jazz singers who fully deserve the appellation and for whom no other term will do.

Copyright 1989-2000 Muze UK Ltd

bio taken from www.sheilajordanjazz.com

Sheila Jordan’s latest CD (click on image to listen to samples)

Guest legendary pianist, vocalist and composor, Les McCann on Tales from the Jazz Side. His unique, creative vision altered the landscape of jazz.

Guest vocalist, songwriter Sheila Jordan is the best kept secret no longer. The secret is out. No longer to wonder, now is to know. I feel very honored to have Ms. Sheila Jordan on this episode of Tales.