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It’s the power of narrative that shapes every aspect of our lives. We rush to tell stories to our friends and family to validate our experiences. We buy products and brands because of the story they tell us. We vote, make friends, and even enemies, because of the stories that we believe.
Narrative has an emotional pull on us. Sometimes we take away joy, anger, laughter, or sadness. People don’t rush out in large numbers to see PowerPoints, policy discussions, or even most documentaries. But they will react to drama, comedy, or horror. They will like or dislike social media, based on the stories they have ingested.
It all sounds so simple, so logical, but it’s often lost in the cacophony of noise, data, and information that surrounds us.
Frank Rose writes about this in his new book The Sea We Swim In: How Stories Work in a Data-Driven World
Instead of huddling together to take on these challenges, our anxiety and alienation has made the world more tribal, more fearful, more nationalistic, and we see the worst of populism on the rise. Rather than seeing the world and all this change as an opportunity, too many want to dig in, shelter in place, and simply be angry. How we move on from this is the work and insight of visionary futurist Parag Khanna. Khanna's latest book is Move: The Forces Uprooting Us.
That is the story of the evolution of the Chinese language that my my guest Jing Tsu tells in her new book Kingdom of Characters: The Language Revolution That Made China Modern
My conversation with Jing Tsu:
And while the nature of spy-craft has evolved, its fundamental missions remain the same. To gather actionable information. To get results.
So when we look at our failure to fully understand the Soviet Union during the Cold War, our inability to understand what to expect in Afghanistan, our shock with the recent Chinese hypersonic missile launch, and the lack of certainty as to what the Russians are planning in Ukraine, what does it say about the state of American intelligence?
Today we’re told that technology is the successor to human intelligence, but what has that wrought, and doesn't it still take humans, and their infinite capacity for suspicion, to understand and interpret that data?
Retired CIA officer Douglas London write about this in his new book The Recruiter: Spying and the Lost Art of American Intelligence.
Such was Angela Merkel, who served for 16 years as German Chancellor. Its first and only woman Chancellor, and without questions the glue that held parts of the world and certainly the Western Alliance together for many years.
What can we all learn from this Greta Garbo of geopolitics? To find out we have to dip into Kati Marton’s new biography of Merkel, The Chancellor: The Remarkable Odyssey of Angela Merkel
It’s really no different than when we see protestors in other countries attacking America, burning the American flag, and taking Americans hostage.
In a world moving at the speed of light, tribalism, and hatred for the other, for those that are different, are everywhere. Even in a small Kansas town,
That is the story that Dick Lehr tells us in White Hot Hate: A True Story of Domestic Terrorism in America’s Heartland.
What we often forget is that all of this is made up of people. People who bring to the exercise of power and of reporting on it, their own values, education, and personal history.
In that fact lies much of what is wrong with the media today. It's how we lost sight of the power of class in journalism, why we’ve tried to bury class differences inside racial differences and wokeness.
If all of this sounds too nuanced, Batya Ungar-Sargon, the deputy opinion editor of of Newsweek, helps us understand how it’s shaping our media and democracy in her new work Bad News: How Woke Media Is Undermining Democracy
My conversation with Batya Ungar-Sargon:
The story of HBO, and the way in which it disrupted television, beginning back in the early 1970s, is perhaps the penultimate example.
Just as today we are going through a sea change with respect to how stories are delivered to us, HBO was the creative destruction of its day. Its motto, like Facebook, could easily have been “move fast and break things.”
And just as HBO disrupted television. Blockbuster would eventually disrupt HBO, Netflix would disrupt Blockbuster, and technology and streaming would disrupt everything. But in many ways the story all starts with HBO.
That’s the story that James Andrew Miller tells in his comprehensive and entertaining oral history Tinderbox: HBO's Ruthless Pursuit of New Frontiers
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