The Royal Cork Yacht Club is the oldest yacht club in the world dating to before 1720, and its members were bound by a seafaring code of honour. But its members were also a wealthy elite class of Anglo-Irish aristocracy. Join RCYC archivist Paul McCarthy to learn more about the tradition of sailing in Cobh and later, following the RCYC's move from its Cobh clubhouse, in Crosshaven. 

The lives of the women of Cobh, including members of Cumann na mBan, servants who worked for the Royal Cork Yacht Club and the affluent wives and daughters of members of the club are explored in this history podcast, which examines the building that Cobh's Sirius Arts Centre is now housed in.

Historian Tom Spalding gives a glimpse back in time at the building of the Royal Cork Yacht Club clubhouse, now the Sirius Arts Centre. Did English architect Anthony Salvin design the building? Why did Cobh change its name to Queenstown after a royal visit that lasted just seven minutes? And how did any of this happen in the immediate aftermath of a devastating famine and a cholera epidemic? Also featuring Dr Alicia St Leger, RCYC archivist Paul McCarthy, and some echoes of history scripted by playwright Katie Holly.

In and Out of Empire was commissioned by SIRIUS and researched and produced with support from Cork County Council's Commemorations Grant Scheme 2021 and the Heritage Council's Community Heritage Grant Scheme 2022.

This podcast series explores the history of the building that houses the Sirius Arts Centre in Cobh: the former RCYC clubhouse, constructed with the aid of the Smith-Barry family on the site of the visit of Queen Victoria, has been at the centre of a town divided by class and allegiance, one that has a fascinating past both in and out of the British Empire.

In and Out of Empire was commissioned by SIRIUS and researched and produced with support from Cork County Council's Commemorations Grant Scheme 2021 and the Heritage Council's Community Heritage Grant Scheme 2022.

In Part Two of Landmarks of Rebellion, we stop at a street that was renowned for its Republican sympathies, discuss an ambush that had tragic consequences for an innocent man, visit a safe house with a secret tunnel, and discover what Cobh people thought of the famous James Connolly on two visits that he made.

Landmarks of Rebellion is a Sirius Podcasts Production recorded, presented and edited by Ellie O´Byrne under the direction of Miguel Amado. Special thanks to Kieran McCarthy for sharing his expertise and his time. 

The town of Cobh in Cork Harbour is steeped in history. Every step you take, from its quaysides to its narrow winding streets and mighty cathedral, is a step back in time. 

Landmarks of Rebellion is a two-part series by Sirius Podcasts where we are joined by local historian Kieran McCarthy.

In Part One of Landmarks of Rebellion, the Cobh landmarks we visit give a fascinating insight into the Cobh IRA's ability to get their hands on British weapons between the 1916 Rising and the War of Independence two years later. We also delve into the power of the church in forming public opinion on rebellion, and examine a chilling ambush that reveals how locals felt about both the Royal Irish Constabulary and the notorious Black and Tans.

A new two-part series on the history of Cobh landmarks is coming soon to Sirius Podcasts 

Having interviewed all four artists and many participants from the Creative Enquiry Arts and Older People residencies, Ellie O'Byrne takes a look at some common themes, from the importance of retaining our individualism in the ageing process to emphasising time, trust and process over product in creative engagements with older people. 

"Sometimes, working with older people, they've seen it all so they're often much more open than you'd expect them to be and really willing to try things and put themselves out there." Helga Deasy and Susan McManamon reflect on their movement and music work with Nazareth House nursing home and Mayfield Men's Shed as part of their Creative Enquiry into Arts and Older people with MusicAlive. 

“I said this isn’t going to work, not with the crowd that we have. If you can imagine seventy-year-olds in a room and they’ve never done proper singing before and suddenly they’re doing all this stretching and breathing." Noel Keohane of Mayfield Men's Shed Choir describes the ups and downs of working with Helga Deasy and Susan McManamon on music and movement workshops during their Creative Enquiry Arts and Older people residency with MusicAlive. Could the choir overcome their hesitance and risk tapping into the creative rewards of the project?